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DandelionPowderman
I really like Fast Talking, as well as the first 30 seconds/first minute or so of LITHOL and Criss Cross Mind. The latter two get boring after a while, imo, but I really like the sound of them.
Separately is another good one.
Are we sure it's Taylor on slide here, btw? I don't hear the vibrato.
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TravelinManQuote
DandelionPowderman
I really like Fast Talking, as well as the first 30 seconds/first minute or so of LITHOL and Criss Cross Mind. The latter two get boring after a while, imo, but I really like the sound of them.
Separately is another good one.
Are we sure it's Taylor on slide here, btw? I don't hear the vibrato.
Could very well be Richards on lead (like Leather Jacket) and Taylor on acoustic and bass. I'll have to listen on headphones or something other than my phone and see if there's another electric. Maybe revisit the version from Stones Throw deluxe.
On a side note, there is a slide technique or style Taylor implements that is very much different than his work on live versions of Brown Sugar and Love In Vain. If you've ever listened to Going To Mexico that is a perfect example.
Quote
TravelinManQuote
DandelionPowderman
I really like Fast Talking, as well as the first 30 seconds/first minute or so of LITHOL and Criss Cross Mind. The latter two get boring after a while, imo, but I really like the sound of them.
Separately is another good one.
Are we sure it's Taylor on slide here, btw? I don't hear the vibrato.
Could very well be Richards on lead (like Leather Jacket) and Taylor on acoustic and bass. I'll have to listen on headphones or something other than my phone and see if there's another electric. Maybe revisit the version from Stones Throw deluxe.
On a side note, there is a slide technique or style Taylor implements that is very much different than his work on live versions of Brown Sugar and Love In Vain. If you've ever listened to Going To Mexico that is a perfect example.