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Rip This
what reviews?....the ones which are tempered to deflect criticism of the criticism?....yikes.....
Dean Goodman:
"Maybe folks at home have already discussed this, but "Satisfaction" seemed to go wobbly towards the end during some Keith soloing, forcing Mick to cut short a stint on the catwalk to return to the stage and monitor its progress. This is not a criticism,"
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RedhotcarpetQuote
24FPS
I've been listening to Blue & Lonesome lately. Of course it hearkens back to their earliest recordings. The difference is of course that the bass means nothing now and Brian's old role is played by Keith. Ronnie does all the heavy lifting as far as guitar goes (like Keith did), and Keith, in a reduced role, now plays the little rhythm fills (like Brian did). Mick plays a haunting harmonica (like Brian did before). The best thing is that it's slowed down enough that Charlie can still excel, which he does on Blue & Lonesome. The glory days are gone and the band plays on.
Well Brian actually had a very leading role on the blues numbers.
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keefriff99
Oh I know Matt is very much Mick's guy. I'm sure he and Keith have nothing in common. Again...I'm sure he's a nice guy and he's doing exactly what Mick wants him to do onstage, but he just looks out of place.
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keefriff99
BV posted in the Taylor Swift thread before he closed it...he seemed quite annoyed that it even existed for some reason.
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stone4everQuote
keefriff99This is RIDICULOUS. For what?? The Taylor Swift thread?? That was just a little harmless fun. This is getting out of hand.Quote
stone4ever
Socrates gone.
I just can't see what rule he broke, surely we can't learn anything from these terminations without some kind of explanation.
Damn, I didn't know about the Chuck and Matt drama on B&L.Quote
Rocky DijonQuote
keefriff99
Oh I know Matt is very much Mick's guy. I'm sure he and Keith have nothing in common. Again...I'm sure he's a nice guy and he's doing exactly what Mick wants him to do onstage, but he just looks out of place.
I pick on Matt Clifford a lot and yes, he's Mick's "guy" as you say. That said, we wouldn't have had "Can't Be Seen" come back last year or last time around in Euroe without him. Keith isn't completely against him or he wouldn't be there. Songwriting and "pre-production" might be another matter, but why blame the employee hired to collaborate? Matt isn't to blame if Mick prefers him to writing with Keith.
As for Chuck, Keith looked out for Chuck when Matt played on the first set of British Grove sessions in December 2015 and made sure he ended up contributing to BLUE AND LONESOME in a special overdub session last year. Chuck was rather public about his criticism of Matt playing piano on the blues numbers and not him (before his overdub). Does that mean Chuck dislikes Matt personally? No, it means he felt he was slighted and after over 30 years recording and touring with the band, he spoke up...and they corrected the situation.
That said, do I think he looks goofy? Only when they give him a close up like in HAVANA MOON.
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Rocky Dijon
You couldn't bear the sound of IORR if that were to come to pass.
Lol, that's what I was getting at. Chuck is the crutch that everyone leans on for tempos and cues nowadays.Quote
HairballQuote
Rocky Dijon
You couldn't bear the sound of IORR if that were to come to pass.
Are you referring to the roar of people whining here on IORR, or the song itself? Or maybe both?
But seriously, keefriff99 might be on to something (or maybe not). That semi-recent video of Mick and Keith alone on acoustic playing Sweet Virginia...stripped down without any bells and whistles...yes it's a simple acoustic jam, but one of the best sounding performances in this latter era IMO. Throw Charlie, Ronnie, and Darryl in to the room and it still might have sounded great "unplugged"! Might even be room for Karl to do a sax solo. Not sure how that would all translate with an electrified rocking tune in front of tens of thousands of people in a giant stadium though, but it would be nice to hear them try? But without Chuck keeping the tempo, etc, I reckon everything would go haywire and turn in to a train wreck. For better or worse, he really has become the backbone of their live sound, and has been for many years. It's not Keith or Charlie...it's Chuck.
Right...initially I thought you meant the song, but then I realized you were referring to this site.Quote
Rocky Dijon
What I actually meant was IORR (the site) would implode between half of us going nuts claiming this is what they always wanted and the other half going nuts insisting the band was tarnishing their legacy and need to retire immediately.
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keefriff99
Interesting.
Here's a thought experiment: how would the Stones sound without Chuck onstage? Just our boys and Darryl...five people, no safety net, no backup singers.
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Rocky DijonQuote
Rip This
what reviews?....the ones which are tempered to deflect criticism of the criticism?....yikes.....
Dean Goodman:
"Maybe folks at home have already discussed this, but "Satisfaction" seemed to go wobbly towards the end during some Keith soloing, forcing Mick to cut short a stint on the catwalk to return to the stage and monitor its progress. This is not a criticism,"
Since you responded to my post, I'll do the same. I think most would agree Dean Goodman has been honest in his assessment of Keith's shortcomings on this tour. I've specifically looked to Dean's reviews of each show to give me a balanced view from someone who was actually there. He could hardly make a definitive statement that Mick cut the song short because Keith screwed up since he can't be sure that's what went through Mick's head. It was speculation and being a professional journalist, Dean noted what it looked like but avoided the pitfall of claiming he knew what Mick was thinking. That's the difference between what all of us do on a message board and what a professional does when their reputation is on the line (and their subject's reputation as well). I give him credit for that. I don't see it as cowardly or being muzzled by censorship.
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keefriff99
Interesting.
Here's a thought experiment: how would the Stones sound without Chuck onstage? Just our boys and Darryl...five people, no safety net, no backup singers.
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keefriff99
Interesting.
Here's a thought experiment: how would the Stones sound without Chuck onstage? Just our boys and Darryl...five people, no safety net, no backup singers.
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EasterManQuote
keefriff99
Interesting.
Here's a thought experiment: how would the Stones sound without Chuck onstage? Just our boys and Darryl...five people, no safety net, no backup singers.
The Stones need Chuck, he's incredible reliant and always has a good attitude. There's a rehearsal clip of Brown Sugar from 2005 without Chuck which rocks senseless, but they won't take a risk like that now.
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Rocky DijonQuote
stone4ever
The expensive Winos seemed to pull it off very well without Chuck. The fact that Keith refuses to play with the Winos live now might answer that question.
I mean Keith didn't play one song off Crosseyed Heart live anywhere.
Keith would struggle i think. He likes the safety net, he needs it i think.
What i think Keith could still do very well is play acoustic numbers and sing all those lovely ballads. Throw in a few Rockers, yeah Keith could still survive outside Chucksville !! Not sure about the Stones though.
Right after the release of CROSSEYED HEART, Keith played "Gimme Shelter" and "Happy" at The Apollo Theater backed by Waddy, Willie Weeks, Steve Jordan, and Ivan Neville. Karl Denson was among the horn players. RollingStone.com had both performances on the web the next day. Keith did fine. It was rough, but the Winos were always rough.
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Rocky Dijon
You said you didn't think Keith would play with the Winos because he's not comfortable playing without Chuck. I just pointed out he did play with the Winos, albeit only two songs.
I didn't contradict myself. I said in response to the Stones performing with no keyboards (just Darryl and the four of them as a five-piece), IORR would collapse from half of us saying it was great and the other half considering it tarnishing their legacy.
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HonkeyTonkFlash
Nice to hear comments that Keith is playing better at this point in the tour. He's always taken a few gigs to find his groove, which is kind of a shame now that they only do shorter tours.Given that fact, I hope they don't attempt one-offs or mini-tours like the Desert Trip / Vegas thing. They never had a chance to warm up. I gotta admit some clips I saw and heard from the first couple gigs had me worried. I saw an early clip of Slipping Away and Keith could barely manage those opening chords. Also saw some clips of other songs where he seemed to be noticeably dragging behind the band. Reports from Amsterdam have been much more positive. I thought he was very good in Cuba, which wasn't that long ago. I would hate to think he fell apart as bad as some are saying in the short time since then. He may still surprise us pleasantly as this tour progresses.
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Hairball
Hoping Keith continues to improve as I'd much rather complain about the setlists than our dear Keith!