well it's good to know there are excellent boots of this around somewhere.
i'd like to share that the quad sound in the Ziefield debut was pretty astounding.
I mean up to that point in cinema of all kinds, possibly in the entire history of the film industry. I'm not sure how they 'split' up the frequencies for the quad mastering or technically how that works really but I can tell you even the first tentative hits of Charlie warming up there with a few hits and rolls, well people were startled. It was right there in front of you and all around you too. It was clean and it was loud man. I didn't even know at the time that they had an engineer right there in the theatre for each show, adjusting things even as to the number of people in the theater, so as to get the most hard hitting natural and wonderful presence. It was past exciting into astounding actually.
So it can get a mite frustrating; because i KNOW this was recorded well; i know it was reproduced really really well, with ten tons of care at the very cutting edge of audio sound projection. Threre's probably books written about all the people and processes that put this together...i can only say i know for sure that at the beginning w this, the way it was presented soncially was beyond perfect...it was very present. so someone dropped the ball somewhere along the way if there's any critique of this at all about the 'sound' rather than performances and so on...
I loved movies and had seen a lot of the great ones from all decades, including musicals that had great sound and were enjoyable. West Side Story was one of my first LP buys when I started collecting; I was no audiophile at a level to criticize any of that; it still sounds pretty great.
but this was really revolutionary cutting-edge stuff.
We've had thread about it; someone posted the coolest shot of a quad reel-to-reel they own and so on. For a little flicker there, there was an attempt to 'revolutionize' home audio and get the whole industry geared up like that but it didn't take for various reasons...
...i don't know if they had vented sub-woofers; probably; i mean the old classic Altec Voice of the Theater systems that were prevalent were not all that bad at all. Our first teenage bands were always a struggle to get a couple of those and a good wattage head for P.A. and truck them around w us. Once we graduated from the Shure towers everyone was using (that were pretty good!) that were much more portable and easy to travel around with.
so of course in a more perfect world you'd wonder why they would distance themselves to the point where this thing wouldn't be making the fans, at least here where people are pretty discerning and really have informed ears and sensibilites; some here are like master professionals at all this and I'd trust their input, no pun intended...but u know; it does kinda make you wish Keith or someone was right on top of the post production with this release; and that had been taken more 'seriously' or something; like one of their premier releases like B&L; then again, i do not like that Don Was sheen and I'm glad he's nowhere near any of this...
Ladies & Gentlemen the Rolling Stones 1972 Blu ray 720p AVC DTS 5 1 AtZLIT 00 00 00 00 11 30
(whatever that all means I don't know but when I need the quick hit and am working the computer I very often go to this link...
[
www.youtube.com]
I usually start from the very beginning too; just to get the anticipation up and listen to the backstage tech chatter; you get the concert feel with the excitement pressure building up; as the film intended I suppose...
...surely it's not that quad theatre experience; and I'm often not even listening on my good stero but on some rather inexpensive external speakers hooked up to the laptop; so I'm not claiming any audiophile enviornment or professional technical review capabilites...
but man...it's always worth the trip for me...
...even those first drum hits...it's there...i can feel it; i can go with it; it takes me right with it...
...it don't scratch or skip and i wouldn't care too much if it did.
sure it's a little muffled compared to that movie; or even compared to a great produced record; but it's good man; it's real good for me and to me.
i mean i can hear EVERYTHING; i can hear them all; there is none of them that i cannot hear you know? the cymbals splash a bit; the bottom is pretty solid. Taylor soars out of the mix exactly when he should right from the start on the BS lead...it's terrific; i'm listening now. it is super great. i stand by it. whooo hoooooooo, rock that roll boys. they are starting out already warmed up and dangerous. 'get down keith' .... sure i can hear how it sort of 'tops out' or something; i mean i really think I could straigten this out and sharpen it up just with tone controls when I listen on my actual system with great response EQ and a heavy watt power head...the horns; 'come on bobby!' (bitch is playing now)...sorry there are only two here. i can hear Charlie lazy almost shuffle yet somehow he's on top of the beat and still hitting those double hits in the middle of the riff that makes it so propulsive.
gonna be hard for me to get down too hard on L&G...even this youtube link i'm getting off on now. It might be better than the Japanese samples that are on the this 'new' release, I've only listened a bit to that so far.
Edited 1 time(s). Last edit at 2017-06-09 12:35 by hopkins.