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Re: Best bootlegs from the 97/98 tour
Posted by: franzk ()
Date: April 28, 2025 20:29

St. Louis is great visual and soundwise, because it's an official DVD, but performancewise it's far from their greatest show. And audience enthusiasm or lack of it is abysmal (esp. during Saint Of Me [no]-sing-along part).

Re: Best bootlegs from the 97/98 tour
Posted by: rogerriffin ()
Date: April 28, 2025 21:27

Dont forget Texas 97, one of the best audio quality!

St Louis 97 was a great performance of the band, unfortunately also shows the real american audience of 90´s.

Re: Best bootlegs from the 97/98 tour
Posted by: Send It To me ()
Date: April 29, 2025 00:34

The opening night boot--the one I had was called A Piece of Gold--is a cool listen even though the band wasn't firing on all cylinders yet.

Re: Best bootlegs from the 97/98 tour
Posted by: AntoineParis ()
Date: April 29, 2025 18:41

Paris 98 SDB mono. Keith is everywhere. Splendid.

Re: Here's to the bootleggers...
Posted by: Silver Dagger ()
Date: April 30, 2025 16:08

Quote
Tonstone
Quote
Silver Dagger
Those early bootlegs - Stones especially - were like a beacon from another, secretive planet. Their enjoyment was heightened because you were hearing something that you shouldn't have, illegal contraband or so bootlegs became a prized trophy in the early 70s.

Live in London (Wembley 73) and the Nicaraguan Benefit Concert (73) were the first two I bought - from a hole in the wall shop off Carnaby Street in London that was run by a paranoid Welsh guy named Derek, who would constantly be looking over his shoulder in case of police.

The next, as a few have mentioned above, was the legendary Bedspring Symphony - which became the 'must have' boot any would-be music fanatic would do anything to acquire for their collection.

So this love of bootlegs inspired me to record my own and by summer 74 I bought a then, state of the art, Sony portable stereo cassette recorder - TC124CS, if I remember correctly - and I recorded nearly 100 show between then and the starting of punk.

I'd also recorded a few on a trusty Phillips cassette recorder including the Rolling Stones at Wembley - matinee show on Sept 8 - which has now found its way into Stones lore as - according to the late Gazza - one of the best sounding recordings from the whole 72/73 world tour.

I also recorded Knebworth 76 and was positioned in front of Keith's side, recording a very rhythm guitar heavy sound that is quite unique in terms in aural quality.

After that I stuck to my other great love which was taking photos and one day aim to bring out a book of them.

But yeah, the world of bootlegs was arcane, mysterious, sometimes murky but the most fun you could have with your clothes on. Nice thread hbwriter.

Hi Silver. I think I bought my first bootlegs from the same guy.
I was down from Edinburgh to London 1n 1975 or 1977 for a Scotland v England international and obviously decided to check out Carnaby street. I remember just wandering off into a side Street [Think it may have been called Praed St] anyway I came across what was a pokey little record shop. Thought I would have a browse to my surprise I spotted a Stones LP I had never seen or heard of in the small racks.
Asking what it was the guy told me "It's the best Stones Live album you've never heard". Asked if he had any other Stones LP's the guy looked around to check who was about and nervously opened a curtain behind the counter to pluck a few albums out of what looked like store room cupboard. Ah!!! my first encounter to the mysterious world of bootlegs.I ended up buying Bedspring Symphony,Brigt Lights Big City & The Best of The Rolling Stones in Concert

On getting back to Edinburgh I could not wait to give these a spin.I was blown away by the quality of stuff I had never heard before. I wanted more !!!.That was me hooked. Since then I have had a wonderful journey of collecting bootlegs and the sheer thrill of obtaining a new titles always gave me a buzz.
I think the start of the internet and downloads somewhat took away a bit of the thrill . However I still collect whatever I can and still get excited to hear new outtakes or unreleased tracks.
Thanks for your story. It took me back to some heady days.thumbs up

Sounds like the same guy. The street, basically an alleyway - is called Marlborough Court and is still there but with upmarket boutiques now. And that was exactly how Derek operated - a furtive glance to see that no police were about and then he opened a curtain where he had a shoulder bag of bootlegs. Heady days.

Re: Stones Bootlegs - All about them
Posted by: babyblue ()
Date: May 1, 2025 06:47

My first bootleg was Philly 78 lousy sound but lp had a great close up of Jagger in color. Then got Bedspring Symphony wow the sound was outstanding and I wanted more. Later I got Hampton Roads 81 on lps. Ex broadcast. Then started in 90s trading all over world for bootleg cds.



Edited 1 time(s). Last edit at 2025-05-01 11:05 by babyblue.

Re: Stones Bootlegs - All about them
Posted by: 5strings ()
Date: May 1, 2025 07:38

Silver Dagger wrote:I also recorded Knebworth 76 and was positioned in front of Keith's side, recording a very rhythm guitar heavy sound that is quite unique in terms in aural quality.
Dear Siver Dagger , is there a possibility to share it here?
Thanks.

Re: Stones Bootlegs - All about them
Posted by: bob r ()
Date: May 2, 2025 23:11

Love to see live-r than you'll ever be getting a real release!

Re: Stones Bootlegs - All about them
Posted by: timmyj3 ()
Date: May 2, 2025 23:17

The era of the boots was phenomenal. My first boots were Bedspring Symphony with an orangish paper sleeve and the 73 Nicaraguan Benefit show. I bought these in probably 1975 at Record Head in Milwaukee, WI. It literally changed my life. At one point in the late 80's I had over 300 boots on vinyl. It was said that I had the largest collection in the Midwest at that time.

Re: Stones Bootlegs - All about them
Posted by: rollmops ()
Date: May 3, 2025 14:01

My first bootleg was a 45 with an accoustic version of All Down The Line. Maybe the speed was not right on that recording because Mick's voice was very "nasal"
The B side was a song about Andrew Loog Oldham; a funny song that a one point said "@#$%& Andrew". Hilarious. I lost the small disk unfornutately.

Re: Stones Bootlegs - All about them
Posted by: tommyturbo76 ()
Date: May 4, 2025 02:01

There is another side to all this. The Stones obviously tolerate bootlegs.

One of my friends in the 70s recorded Stevie Wonder everywhere and FBI raided him. He wasn't prosecuted simply because he never sold anything himself although others down the line did. FBI told him they were looking for him for a year and his response was "Well I'm in the phone book."



Edited 1 time(s). Last edit at 2025-05-04 02:02 by tommyturbo76.

Re: Stones Bootlegs - All about them
Posted by: runaway ()
Date: May 5, 2025 17:00

hbwriter: Thanks for your nice story.
I used to pick up my bootlegs at the "waterlooplein in Amsterdam", in the 70's, it was exciting going for the illegal bootlegs cause it gave you the possibility to get close to your band while they were touring in other countries and the excitement of listening to these live concerts.
Some of my boots:
The Rolling Stones Summer Reruns
Welcome to New York
Harlem Shuffle
Stoneaged San Diego Sixty Nine
Gather No Moss 1976 Brussels: This bootleg was on sale in 1976 in Dutch recordstores called: "Elpee" ,Until The Stones Found Out!

Re: Stones Bootlegs - All about them
Posted by: JumpingKentFlash ()
Date: May 5, 2025 21:48

Around 20 years ago I used to buy dvds off a French bootlegger called Jean-Pascal Rappinni. A really nice guy, but I haven’t heard from him in a long time. I hope he’s good.
He even had a website with short clips of his dvds. I remember one from the Netherlands in 2003, that was audience shot low from the side. What was cool about it was that you could see a lot of the audience and all of the lower stage. It was almost like a study into how an audience erupts at the start of a Stones show.

JumpingKentFlash

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