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DandelionPowdermanQuote
GasLightStreet
I think Mick and Keith have a bit of love for GHS. Aside from the obvious success of Angie making every comp except SUCKING IN THE SEVENTIES (or any other GHS track), it's had pretty good representation on some hits comps.
MADE IN THE SHADE and REWIND (US) - ... Heartbreaker
TIME WAITS FOR NO ONE - ... Dancing With Mr D, Star Star
Isn't Angie on Rewind?
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boogaloojefQuote
DandelionPowdermanQuote
GasLightStreet
I think Mick and Keith have a bit of love for GHS. Aside from the obvious success of Angie making every comp except SUCKING IN THE SEVENTIES (or any other GHS track), it's had pretty good representation on some hits comps.
MADE IN THE SHADE and REWIND (US) - ... Heartbreaker
TIME WAITS FOR NO ONE - ... Dancing With Mr D, Star Star
Isn't Angie on Rewind?
Angie is on Time Waits For No One and Rewind.
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GasLightStreet
I think Mick and Keith have a bit of love for GHS. Aside from the obvious success of Angie making every comp except SUCKING IN THE SEVENTIES (or any other GHS track), it's had pretty good representation on some hits comps.
MADE IN THE SHADE and REWIND (US) - ... Heartbreaker
TIME WAITS FOR NO ONE - ... Dancing With Mr D, Star Star
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exilestones
MUNICH, GERMANY - SEPTEMBER 01, 1973:
Tins of Goats Head soup are delivered to a Rolling Stones press conference to
promote the album 'Goats Head Soup' in a restaurant in Munich.
Photo by Gijsbert Hanekroot
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micawberQuote
exilestones
MUNICH, GERMANY - SEPTEMBER 01, 1973:
Tins of Goats Head soup are delivered to a Rolling Stones press conference to
promote the album 'Goats Head Soup' in a restaurant in Munich.
Photo by Gijsbert Hanekroot
Anybody knows the name or location of the Munich restaurant mentioned above? I'm from Munich...
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GasLightStreetQuote
boogaloojefQuote
DandelionPowdermanQuote
GasLightStreet
I think Mick and Keith have a bit of love for GHS. Aside from the obvious success of Angie making every comp except SUCKING IN THE SEVENTIES (or any other GHS track), it's had pretty good representation on some hits comps.
MADE IN THE SHADE and REWIND (US) - ... Heartbreaker
TIME WAITS FOR NO ONE - ... Dancing With Mr D, Star Star
Isn't Angie on Rewind?
Angie is on Time Waits For No One and Rewind.
In an earlier post I acknowledged how Angie was on everything so I left it off in talking about other GHS tracks making compilations.Quote
GasLightStreet
I think Mick and Keith have a bit of love for GHS. Aside from the obvious success of Angie making every comp except SUCKING IN THE SEVENTIES (or any other GHS track), it's had pretty good representation on some hits comps.
MADE IN THE SHADE and REWIND (US) - ... Heartbreaker
TIME WAITS FOR NO ONE - ... Dancing With Mr D, Star Star
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ukcal
thought it was 90% Mick as Keith was totally out of it by 73, its missing two mega hits per as that last big 4 had, it was good but not great
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DandelionPowdermanQuote
ukcal
thought it was 90% Mick as Keith was totally out of it by 73, its missing two mega hits per as that last big 4 had, it was good but not great
What mega hits did Exile have? Angie was a mega hit, though.
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NeddieFlandersQuote
micawber
Anybody knows the name or location of the Munich restaurant mentioned above? I'm from Munich...
Picture might come from this press conference (info taken from www.nzentgraf.de):
730927A 27th September: Pullach (near Munich), Waldschänke Grosshesselohe.
N
MUNICH, GERMANY - SEPTEMBER 01: The Rolling Stones pose at a press conference
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DelticsQuote
DandelionPowdermanQuote
ukcal
thought it was 90% Mick as Keith was totally out of it by 73, its missing two mega hits per as that last big 4 had, it was good but not great
What mega hits did Exile have? Angie was a mega hit, though.
Mega hits?
1 single from Beggars Banquet (not in the UK) but hardly a mega hit.
No singles from Let It Bleed.
1 mega hit from Sticky Fingers and a reasonably good selling follow up (but not in the UK).
A medium selling hit from Exile with a non-UK follow up.
Angie was huge worldwide.
It's interesting how similar Mick ( and Keith too) look to the Emotional Rescue release party.Quote
exilestones
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GasLightStreet
Perhaps if they had worked further on the France tracks that didn't get finished for EOMS, yet alone earlier sessions leftovers, there might be a different thought about GHS.
When held up to SF and EOMS, GHS sounds like they wanted to simplify a bit, even though there's plenty going on in Dancing With Mr D, 100 Years Ago and Can You Hear The Music.
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SpudQuote
GasLightStreet
Perhaps if they had worked further on the France tracks that didn't get finished for EOMS, yet alone earlier sessions leftovers, there might be a different thought about GHS.
When held up to SF and EOMS, GHS sounds like they wanted to simplify a bit, even though there's plenty going on in Dancing With Mr D, 100 Years Ago and Can You Hear The Music.
Very interesting thought .
It's a process that continued with IORR and B&B too.
A bit like paintings with fewer layers of paint to add texture & feeling to the sketch beneath.
There was perhaps less good quality time and effort being put into shaping and refining songs ... possibly more due to changing life circumstances than by design,
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GasLightStreet
[...I think it was in GOLDMINE magazine, from 1997, that talked about BLACK AND BLUE, that referenced the original idea of what eventually became IORR was - side A to be covers, hence Drift Away and Ain't To Proud To Beg, apparently, and side B to be live tracks from the GHS tour ....
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exilestonesQuote
NeddieFlandersQuote
micawber
Anybody knows the name or location of the Munich restaurant mentioned above? I'm from Munich...
Picture might come from this press conference (info taken from www.nzentgraf.de):
730927A 27th September: Pullach (near Munich), Waldschänke Grosshesselohe.
N
Thank you very much. I live about max. 10 minutes by feet from that location. Nowadays it's called "Waldwirtschaft Grosshesselohe" and includes a famous and big "Biergarten" (beer garden"). Very interesting!MUNICH, GERMANY - SEPTEMBER 01: The Rolling Stones pose at a press conference
to promote their album 'Goats Head Soup' in a restaurant in Munich, Germany in
September 1973 L-R Charlie Watts, Mick Taylor, Keith Richards and Mick Jagger
Gijsbert Hanekroot
I had just glanced at the Wirtschaft's name and initially thought it read "Gross Hell Hole".Quote
micawberQuote
exilestonesQuote
NeddieFlandersQuote
micawber
Anybody knows the name or location of the Munich restaurant mentioned above? I'm from Munich...
Picture might come from this press conference (info taken from www.nzentgraf.de):
730927A 27th September: Pullach (near Munich), Waldschänke Grosshesselohe.
N
Thank you very much. I live about max. 10 minutes by feet from that location. Nowadays it's called "Waldwirtschaft Grosshesselohe" and includes a famous and big "Biergarten" (beer garden"). Very interesting!MUNICH, GERMANY - SEPTEMBER 01: The Rolling Stones pose at a press conference
to promote their album 'Goats Head Soup' in a restaurant in Munich, Germany in
September 1973 L-R Charlie Watts, Mick Taylor, Keith Richards and Mick Jagger
Gijsbert Hanekroot
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GasLightStreetQuote
SpudQuote
GasLightStreet
Perhaps if they had worked further on the France tracks that didn't get finished for EOMS, yet alone earlier sessions leftovers, there might be a different thought about GHS.
When held up to SF and EOMS, GHS sounds like they wanted to simplify a bit, even though there's plenty going on in Dancing With Mr D, 100 Years Ago and Can You Hear The Music.
Very interesting thought .
It's a process that continued with IORR and B&B too.
A bit like paintings with fewer layers of paint to add texture & feeling to the sketch beneath.
There was perhaps less good quality time and effort being put into shaping and refining songs ... possibly more due to changing life circumstances than by design,
I think it was in GOLDMINE magazine, from 1997, that talked about BLACK AND BLUE, that referenced the original idea of what eventually became IORR was - side A to be covers, hence Drift Away and Ain't To Proud To Beg, apparently, and side B to be live tracks from the GHS tour but something came up and they nixed that and worked on new songs, which started just after the GHS tour ended, which included the first version of Black Limousine with Ronnie, and about a month later Mick did IORR with Ronnie...
IORR was recorded relatively quickly, just as GHS was, compared to BAB, SG and ER. When they were recording BB, LIB, SF, it may not be that they spent a lot of time on the recordings, overall, but that they were doing so much things took a while. We know they worked a while on SFTD but JJF, SFM, Brown Sugar, Sway and on and on didn't take very long, based on what all they've not said about recording most of the songs on those albums.
As usual, there have been leftovers, finished and unfinished, from all of those albums, supposedly a couple of tracks Mick completed for TATTOO YOU as well, all the way up to A BIGGER BANG.
Their creative phase of BB-GHS was remarkable, and then they kinda got hazed up a bit with IORR and BAB, then with Ronnie, a new spark of creativity with SG-U, which took a nosedive after and has since been the Mick or Keith show ever since, with some Mick and Keith show happening here and there.
The last tweaking of previous sessions songs appeared to be during the 1982-83 U sessions, with Think I'm Going Mad being worked on in Nassau and Too Tough being a leftover idea from the BAB sessions, the hilarious Cellophane Trousers.
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DandelionPowderman
They couldn't get a deal with Klein for the live 1973-stuff. He controlled the rights to some of the songs (BS, YCAGWYW, JJF, SFM etc.).