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JJHMick
Taken from frenki09's post above:
Rolling Stone would never ever give less than 4 starts to a Stones album.
They probably deserved the four stars every time.
Frank Laufenberg is/was a famous (radio) journalist in Germany. I remember him reviewing Undercover by saying "Undercover is a mediocre Rolling Stones album. But any mediocre Rolling Stones album is better than 99 per cent of any releases this year."
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ProfessorWolf
yeah we did it everyone 496
almost there!
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JJHMick
Frank Laufenberg is/was a famous (radio) journalist in Germany. I remember him reviewing Undercover by saying "Undercover is a mediocre Rolling Stones album. But any mediocre Rolling Stones album is better than 99 per cent of any releases this year."
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Doxa
But I pity the poor music critic.
If I needed to do a review after, say, three listenings (like they do), this would have been the results of me rating certain Stones albums:
TATTOO YOU: two stars (my first Stones album - I was like: what the hell is this? B-side???? )
EXILE: three stars (this is a totally obscure set of noise, somehow resembling individual songs at pieces)
DIRTY WORK: five stars (wow, the Stones sound so angry and contemporary, great sounds)
VOODOO LOUNGE: five stars (pure, trademark Stones, every sound so familiar and spot on.)
After, say, 50-100 listenings the results were a bit different...
- Doxa
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Doxa
But I pity the poor music critic.
If I needed to do a review after, say, three listenings (like they do), this would have been the results of me rating certain Stones albums:
TATTOO YOU: two stars (my first Stones album - I was like: what the hell is this? B-side???? )
EXILE: three stars (this is a totally obscure set of noise, somehow resembling individual songs at pieces)
DIRTY WORK: five stars (wow, the Stones sound so angry and contemporary, great sounds)
VOODOO LOUNGE: five stars (pure, trademark Stones, every sound so familiar and spot on.)
After, say, 50-100 listenings the results were a bit different...
- Doxa
music critics who listen to an entire album three times? Are you sure that those type of music critics are still around?
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JJHMick
Frank Laufenberg is/was a famous (radio) journalist in Germany. I remember him reviewing Undercover by saying "Undercover is a mediocre Rolling Stones album. But any mediocre Rolling Stones album is better than 99 per cent of any releases this year."
That line of argument had been applied already to GHS, judging from one of the Stones books that came out in the early 80ies (I think it was in Dalton's book but not totally sure).
When GHS came out I was about 12 years old and I found it pretty uninteresting then (not to say mostly boring). Back then I found ELP great, and Deep Purple, and the fight in my peer group back then was not Beatles vs. Stones but Deep Purple vs. Sweet ... Or course, GHS (or the Stones as such) was pretty relevant to people a few years older.
Likewise, today's teens or young adults possibly have better things to do than worry about a new Stones album, or even any album as such, or music in general. Thus, if it's about the Stones being relevant, or Mick's alleged intention to be relevant, the question is, relevant to who? The teens, the twens, the seasoned fans like us, mankind altogether? I'm just wondering if trying to be relevant is the way to go for them (doesn't appear tbe Keith's way anyway). Yet, trying to make a good album (by whatever standards) is still a respectable goal.
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GasLightStreet
The Stones had 2.86 million people show up to see the 2017-2021 NO FILTER tour.
Of course there's no way to figure out how many of those would play/stream or buy a new LP.
What defines a success in 2022? One million streams? 10 million streams?
Why are streams deemed a success? Steve Jobs thought streaming was a bad idea!
There's never been a way to know how many times someone played an album (any format). Streaming allows that to be tallied. But that's just with one platform. Perhaps Apple can actually see if Billiam Smith listened to STICKY FINGERS 45 times in 2021.
There's quite a few options for streaming.
It's extremely ridiculous that more people that ever in the 20 teens had access to music and musicians now basically make no money from... people listening to music.
Some artists seemingly don't care what it costs to make an album, they want to make an album, and apparently it doesn't matter if hardly anyone buys it. That's just the way it seems to have become.
Hopefully Mick still feels compelled to make a new Stones album. This is him from quite a few albums ago, of which, well, not much has changed:
We COULD talk about the next album, but then that's difficult (grins). I don't know what to say about it. I've written a lot of songs for it which are REALLY GREAT. I hope it's gonna be a good album. I ALWAYS hope it's gonna be a good album... You can get a feel for the album from the songs that have been written. But there's no use bragging about it or theorizing it 'til we've at least started it. It SHOULD be a good album. I'm hoping to get it done quickly. Of course, that sounds very good now, but this time next year we'll be sitting here saying What happened to that really QUICK album?
- Mick Jagger, September 1977
[timeisonourside.com]
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treaclefingers
I've previously advocated for them to simply GIVE AWAY the album as a free download for ticket holders as one way to distribute their music. I don't even think this is a new concept anymore.
It's not as though they're losing real money by doing so.
True, it may not be 'tallied' in the official sales totals but then people that paid all that money for tickets would at least get exposed to the new music, and anyone wanting to buy the physical copies aren't likely to be deterred just because they've got it as a download.
They just need to think about other ways to distribute the new tunes as they won't make any real sales inroads other than that first week, if the past is any indication.
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donvis
There will be more stuff from the Vaults but at this point if they haven’t put it out by now, they never will. There, I’ve said it!!!
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bye bye johnny
From The Sun, February 1:
Ronnie also revealed the group were planning a tour around Europe in the coming months and were putting live music above their hotly anticipated new record.
He said of the album: “It’s coming along slowly. It’s the gaps in between that eat up all the time. It is a matter of getting us all together again. “Everyone is in a different part of the world.
"So instead of putting emphasis on rushing an album, we’re doing the opposite and taking a really long time. And we’re putting live shows first.”
[www.the-sun.com]
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georgelicks
The album is at the bottom on the list of priorities, a sad thing because each year the sales are lower, the target audience is lower and the health of the band members is not getting any better.
I listened ABB a couple of weeks ago...o dear...Mick must be thinking twice if he wants to release a record like that with so many bad songs on it, all generic, he must be terrified, not even a solo record was released after ABB, his confidence to collect 12 songs worth the wait to release is not there.
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Hairball
“It’s coming along slowly..."
Quite an understatement - 16 years and counting with no new album in sight....
Maybe it's already time to change the thread title again - thinking 2024 or 2025 would be more accurate at this snails pace.
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DiegoGlimmerStones
They can do a mini fall tour to continue the 60th anniversary celebrations to promote the new album then a release by christmas à la blue and lonesome
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Big AlQuote
Hairball
“It’s coming along slowly..."
Quite an understatement - 16 years and counting with no new album in sight....
Maybe it's already time to change the thread title again - thinking 2024 or 2025 would be more accurate at this snails pace.
Hey, Hairball. Yep, I’m in total agreement. This is ho depressing, really. Whereas, yes, I’m thrilled they’re still performing - and I would mind a free ticket! -, I, genuinely, long for a new album. In September 2023, I turn 40. If that isn’t scary-enough a proposition for me, one album of all-original Jagger-Richards compositions since ‘05 certainly is. I, personally, find their creative hiatus to be ludicrous. These guys wrote Gimme Shelter and Satisfaction, right? Can they not just knock-out a dozen numbers? I know I’ll get a few negative responses with this post, but man, I’m just a little frustrated, you know?
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DiegoGlimmerStones
They can do a mini fall tour to continue the 60th anniversary celebrations to promote the new album then a release by christmas à la blue and lonesome
Or simply release the album before the summer tour.
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24FPS
I don't think it's fair to rate ABB as a terrible album. Rough Justice is fun, Mick's lyrics are still first rate. And even his bass playing is..........well, okay, that's terrible, but almost all bass playing on Post Wyman Stones songs is sub-standard. I find it better than BTB, but still just mostly an echo of what they've already done, like Voodoo Lounge was.
Come on, we can't expect them to be the Stones of the 60s and 70s. The drummer's dead, the bass player split 30 years ago, and the rhythm guitarist has crippling arthritis. It be like Paul and Ringo replacing John and George with a couple studio hired hands and hitting the road as the Beatles.
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Doxa
...but I think Mick's concern is not any unrealistic dream to be relevant (I don't think he is so out of reality), but more like any professional artist's concern: is there an audience. Does what I do still have a function?