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Hairball
Seems Keith have have won the battle of the wits between "classic Stones" sound vs. "experimental contemporary" - at least at the time of that interview
And while I don't mind the random Stonesy style danceable tune ala Miss You or Hot Stuff, looks like we'll be gifted with soome classic Stones tunes stemming from the blues covers album.
No bells and whistles, or samples, drum machines, and rappers needed...leave that crap to Madonna (or Jagger solo).
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jloweQuote
Hairball
Seems Keith have have won the battle of the wits between "classic Stones" sound vs. "experimental contemporary" - at least at the time of that interview
And while I don't mind the random Stonesy style danceable tune ala Miss You or Hot Stuff, looks like we'll be gifted with soome classic Stones tunes stemming from the blues covers album.
No bells and whistles, or samples, drum machines, and rappers needed...leave that crap to Madonna (or Jagger solo).
Well, where does that leave tracks like YCAGWYA; Miss You ; Undercover; Continental Drift; Angie...and countless others which were certainly not your 'typical' Stones (or Keith) song.
By most peoples standards they aren't exactly experimental either. But still loved...and in some cases still performed.
A more varied style on their next albumwould be appreciated by many people.. That is if the songwriting skills are up to it.
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HairballQuote
jloweQuote
Hairball
Seems Keith have have won the battle of the wits between "classic Stones" sound vs. "experimental contemporary" - at least at the time of that interview
And while I don't mind the random Stonesy style danceable tune ala Miss You or Hot Stuff, looks like we'll be gifted with soome classic Stones tunes stemming from the blues covers album.
No bells and whistles, or samples, drum machines, and rappers needed...leave that crap to Madonna (or Jagger solo).
Well, where does that leave tracks like YCAGWYA; Miss You ; Undercover; Continental Drift; Angie...and countless others which were certainly not your 'typical' Stones (or Keith) song.
By most peoples standards they aren't exactly experimental either. But still loved...and in some cases still performed.
A more varied style on their next albumwould be appreciated by many people.. That is if the songwriting skills are up to it.
Indeed and I'm all for a varied album with not so typical Stones sounds (I did mention Miss You as likeable), but that's probably asking for a bit too much this late in their career - especially given the division between Mick and Keith and what direction they want the album to go. Keith used the phrase "classic Stones" while Mick used the phrase "experimental contemporary". Listen to Crossyed Heart and Getta Grip/England Lost and that's probably the best way to interpret and understand where they're coming from these days and whats causing the division.
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Hairball
Seems Keith have have won the battle of the wits between "classic Stones" sound vs. "experimental contemporary" - at least at the time of that interview
And while I don't mind the random Stonesy style danceable tune ala Miss You or Hot Stuff, looks like we'll be gifted with soome classic Stones tunes stemming from the blues covers album.
No bells and whistles, or samples, drum machines, and rappers needed...leave that crap to Madonna (or Jagger solo).
Well, where does that leave tracks like YCAGWYA; Miss You ; Undercover; Continental Drift; Angie...and countless others which were certainly not your 'typical' Stones (or Keith) song.
By most peoples standards they aren't exactly experimental either. But still loved...and in some cases still performed.
A more varied style on their next albumwould be appreciated by many people.. That is if the songwriting skills are up to it.
Indeed and I'm all for a varied album with not so typical Stones sounds (I did mention Miss You as likeable), but that's probably asking for a bit too much this late in their career - especially given the division between Mick and Keith and what direction they want the album to go. Keith used the phrase "classic Stones" while Mick used the phrase "experimental contemporary". Listen to Crossyed Heart and Getta Grip/England Lost and that's probably the best way to interpret and understand where they're coming from these days and whats causing the division.
I wouldn't call Crosseyed Heart "classic Stones". It's typical post-80s Keith, but still evolving, a quite refreshing interpretation of soul. I am refering to the soul songs now, which make this album so good. The rest is okay, but not particularly interesting and, yes, slightly predictable "classic Stones"-y.
But since pure rock music hasn't produced anything remotely new or fresh or exciting since the late 70s, I don't see how the Stones, even if Mick and Keith were on the same wavelength, could change that. Fresh or exciting stuff in the past 40 years was either some mixture of electronic music and rap (one way or other), or underground avant-garde (and that's been some while ago). Neither of which the Stones really could possibly excel at.
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HairballQuote
matxilQuote
HairballQuote
jloweQuote
Hairball
Seems Keith have have won the battle of the wits between "classic Stones" sound vs. "experimental contemporary" - at least at the time of that interview
And while I don't mind the random Stonesy style danceable tune ala Miss You or Hot Stuff, looks like we'll be gifted with soome classic Stones tunes stemming from the blues covers album.
No bells and whistles, or samples, drum machines, and rappers needed...leave that crap to Madonna (or Jagger solo).
Well, where does that leave tracks like YCAGWYA; Miss You ; Undercover; Continental Drift; Angie...and countless others which were certainly not your 'typical' Stones (or Keith) song.
By most peoples standards they aren't exactly experimental either. But still loved...and in some cases still performed.
A more varied style on their next albumwould be appreciated by many people.. That is if the songwriting skills are up to it.
Indeed and I'm all for a varied album with not so typical Stones sounds (I did mention Miss You as likeable), but that's probably asking for a bit too much this late in their career - especially given the division between Mick and Keith and what direction they want the album to go. Keith used the phrase "classic Stones" while Mick used the phrase "experimental contemporary". Listen to Crossyed Heart and Getta Grip/England Lost and that's probably the best way to interpret and understand where they're coming from these days and whats causing the division.
I wouldn't call Crosseyed Heart "classic Stones". It's typical post-80s Keith, but still evolving, a quite refreshing interpretation of soul. I am refering to the soul songs now, which make this album so good. The rest is okay, but not particularly interesting and, yes, slightly predictable "classic Stones"-y.
But since pure rock music hasn't produced anything remotely new or fresh or exciting since the late 70s, I don't see how the Stones, even if Mick and Keith were on the same wavelength, could change that. Fresh or exciting stuff in the past 40 years was either some mixture of electronic music and rap (one way or other), or underground avant-garde (and that's been some while ago). Neither of which the Stones really could possibly excel at.
I wouldn't necessarily classify Crosseyed Heart as "classic Stones" either as it's a Keith solo album start to finish, but it's definitely closer to the direction Keith would like to take the new album vs. the Getta Grip/England Lost direction that Mick came up with.
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Hairball
I wouldn't necessarily classify Crosseyed Heart as "classic Stones" either as it's a Keith solo album start to finish, but it's definitely closer to the direction Keith would like to take the new album vs. the Getta Grip/England Lost direction that Mick came up with.
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Hairball
Indeed and I'm all for a varied album with not so typical Stones sounds (I did mention Miss You as likeable), but that's probably asking for a bit too much this late in their career - especially given the division between Mick and Keith and what direction they want the album to go.
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Bashlets
Does Madonna really sell records any more? I don't think she's had a huge international blockbuster hit since VOGUE in 1989 or 1990? She debuts high on first week sales like the Stones but falls off charts quickly.
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Bashlets
Does Madonna really sell records any more? I don't think she's had a huge international blockbuster hit since VOGUE in 1989 or 1990? She debuts high on first week sales like the Stones but falls off charts quickly.
It's a dated reference for sure - it's no longer the mid to late '80s when she was the newest, youngest, hottest commodity.
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Hairball
Seems Keith have have won the battle of the wits between "classic Stones" sound vs. "experimental contemporary" - at least at the time of that interview
And while I don't mind the random Stonesy style danceable tune ala Miss You or Hot Stuff, looks like we'll be gifted with soome classic Stones tunes stemming from the blues covers album.
No bells and whistles, or samples, drum machines, and rappers needed...leave that crap to Madonna (or Jagger solo).
Well, where does that leave tracks like YCAGWYA; Miss You ; Undercover; Continental Drift; Angie...and countless others which were certainly not your 'typical' Stones (or Keith) song.
By most peoples standards they aren't exactly experimental either. But still loved...and in some cases still performed.
A more varied style on their next albumwould be appreciated by many people.. That is if the songwriting skills are up to it.
Indeed and I'm all for a varied album with not so typical Stones sounds (I did mention Miss You as likeable), but that's probably asking for a bit too much this late in their career - especially given the division between Mick and Keith and what direction they want the album to go. Keith used the phrase "classic Stones" while Mick used the phrase "experimental contemporary". Listen to Crossyed Heart and Getta Grip/England Lost and that's probably the best way to interpret and understand where they're coming from these days and whats causing the division.
I wouldn't call Crosseyed Heart "classic Stones". It's typical post-80s Keith, but still evolving, a quite refreshing interpretation of soul. I am refering to the soul songs now, which make this album so good. The rest is okay, but not particularly interesting and, yes, slightly predictable "classic Stones"-y.
But since pure rock music hasn't produced anything remotely new or fresh or exciting since the late 70s, I don't see how the Stones, even if Mick and Keith were on the same wavelength, could change that. Fresh or exciting stuff in the past 40 years was either some mixture of electronic music and rap (one way or other), or underground avant-garde (and that's been some while ago). Neither of which the Stones really could possibly excel at.
I wouldn't necessarily classify Crosseyed Heart as "classic Stones" either as it's a Keith solo album start to finish, but it's definitely closer to the direction Keith would like to take the new album vs. the Getta Grip/England Lost direction that Mick came up with.
I don't see the problem then.
Just mix the style and moods...an eclectic mix btter than same old same old.
Mick recognised and stated as such 40 years or so ago that rock music is a VERY limited art form. So progress, experiment.Mature even.
The Beatles music was a blend of two or even three very diverse styles. They took their fans with them. So can The Stones surely.
Nothing to lose. As Keith has said he doesn't expect Madonna type sales.
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Hairball
Seems Keith have have won the battle of the wits between "classic Stones" sound vs. "experimental contemporary" - at least at the time of that interview
And while I don't mind the random Stonesy style danceable tune ala Miss You or Hot Stuff, looks like we'll be gifted with soome classic Stones tunes stemming from the blues covers album.
No bells and whistles, or samples, drum machines, and rappers needed...leave that crap to Madonna (or Jagger solo).
Well, where does that leave tracks like YCAGWYA; Miss You ; Undercover; Continental Drift; Angie...and countless others which were certainly not your 'typical' Stones (or Keith) song.
By most peoples standards they aren't exactly experimental either. But still loved...and in some cases still performed.
A more varied style on their next albumwould be appreciated by many people.. That is if the songwriting skills are up to it.
Indeed and I'm all for a varied album with not so typical Stones sounds (I did mention Miss You as likeable), but that's probably asking for a bit too much this late in their career - especially given the division between Mick and Keith and what direction they want the album to go. Keith used the phrase "classic Stones" while Mick used the phrase "experimental contemporary". Listen to Crossyed Heart and Getta Grip/England Lost and that's probably the best way to interpret and understand where they're coming from these days and whats causing the division.
I wouldn't call Crosseyed Heart "classic Stones". It's typical post-80s Keith, but still evolving, a quite refreshing interpretation of soul. I am refering to the soul songs now, which make this album so good. The rest is okay, but not particularly interesting and, yes, slightly predictable "classic Stones"-y.
But since pure rock music hasn't produced anything remotely new or fresh or exciting since the late 70s, I don't see how the Stones, even if Mick and Keith were on the same wavelength, could change that. Fresh or exciting stuff in the past 40 years was either some mixture of electronic music and rap (one way or other), or underground avant-garde (and that's been some while ago). Neither of which the Stones really could possibly excel at.
I wouldn't necessarily classify Crosseyed Heart as "classic Stones" either as it's a Keith solo album start to finish, but it's definitely closer to the direction Keith would like to take the new album vs. the Getta Grip/England Lost direction that Mick came up with.
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Hairball
"...not even Jagger's voice and other contributions would have helped"
In a roundabout and unintentional way, you're right about that. Anything Jagger would have contributed to Crosseyed Heart would probably not have helped at all - it would have tainted it. It would have been much lesser than the great solo Keith album that it is and as it was intended to be. On the other hand, Keith might have helped Getta Grip/England Lost by adding some signature riffage and background vocals (and maybe some help with the corny lyrics) - a shame he didn't find anything worthy about them to give them the much needed boost they sorely needed ...there was nothing really "experimental" about them unless you consider drums loops and poor production experimental.
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GetYerAngie
My god, I sure hope that Keith will loose that battle. Crosseyed Heart isn't classic Stones, it's just sad. A bit better than his second solo, but not as good as his first, which I couldn't dream of listening to again. And not even Jagger's voice and other contributions would have helped much.
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Rocky Dijon
Let it be known I give my proxy vote to Ian Billen in all things IORR. Thank you, Ian, for taking on the responsibility of giving voice to the uncounted heads with their wavering millions dedicated to the band. I believe we are in good hands.
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IanBillen
I'm sure they have not heard everything ... just some select stuff.
You think what they heard was (what the STones thought was) the best stuff, or that the STones held the best stuff back?
Well ... If they heard anything .. I'm fairly sure it would be 'of the best stuff' .. and possibly anything tricky they might have their hand on just as well.
Nobody passes along music to their record company to hear samples .. that isn't the best or some songs of the premium material / top shelf stuff they got going .. Not even the Stones (anything otherwise wouldn't make any sense).
Which begs the question then...
If the execs have mixed feelings about the "best stuff" (mediocre, weak, etc), wonder what they would think about the weaker stuff that the band witheld?
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Hairball
Not sure if you've heard the news yet Ian, but they're about to unleash a new recording from the vaults - San Jose 1999. Could this be is a temporary solution to fill the void of the supposed new album and cash in while the tour is happening? I have a feeling it is as there's no way they would release two albums within close proximity of each other, and it fits right into the timeline that a new album wont be released until late 2019 at the earliest, or when this thread hits page 500 - whichever comes first lol.
San Jose, 1999
Whatever the case, this release is more welcome than another Greatest Hits as was rumoured, but unfortunately it's nothing new that hasn't already been heard before (on boots).
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Hairball
Not sure about that Ian, because as the tour begins to roll, the only "new" product for curious/casual fans who want to purchase something "new" from the band will be this live release. Add in the real fans and the diehards who will buy it, and it might just be a big seller. That's what I meant by "cashing in"...and if that wasn't the case they would wait until the tour is over to start promoting this. Again, seems like something to fill the void of a supposed new album, and will give them more time to procrastinate. Stil curious if they're seriously thinking about another Greatest Hits compilation, but something tells me they'll wait for that until the return to the US later this year, again postponing/delaying a new album of originals...
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Hairball
Not sure about that Ian, because as the tour begins to roll, the only "new" product for curious/casual fans who want to purchase something "new" from the band will be this live release. Add in the real fans and the diehards who will buy it, and it might just be a big seller. That's what I meant by "cashing in"...and if that wasn't the case they would wait until the tour is over to start promoting this. Again, seems like something to fill the void of a supposed new album, and will give them more time to procrastinate. Stil curious if they're seriously thinking about another Greatest Hits compilation, but something tells me they'll wait for that until the return to the US later this year, again postponing/delaying a new album of originals...
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I can't see it selling much at all. Their last few live albums didn't do anything. Can't see an album of one show suddenly selling well ... The public has got their fill with all the Stones live releases. Only the die hards would get it. How many live albums can they have... ? This one was a show in the late 90's. It won't do anything sales wise. In fact ...few would even know about it. They won't return to the US w/o an all new studio album. This will be the last tour before a new studio album is released. Mark ITB's words ha
Ian
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SomeGuy
(personally I would opt for an alternate version without Stevie Wonder, but hey)