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Hairball
By placing Emotional Rescue at the bottom of the barrel, this writer has instantly lost all credibility.
Why? I'd have thought that ER is a fairly obvious choice, particularly from a classic rock perspective.
Are you serious?
Yes. It took me one year, two months and four days to recover from the disappointment of first hearing it.
At least you managed to recover from the disappointment of first hearing it, something I never did. After 15 years as a Stones fan even back then, this was my first real disappointment with the band and still is to this very day. Never got over the fact that lightweight stuff like Indian Girl could ever find its way onto a Stones record. And "lightweight stuff" is the term that always comes to my mind whenever I listen to that album, usually only when I want to hear my fave Down In The Hole and by this chance always give other tracks another chance.
No way would I put ER at the bottom of the barrel. Granted, I was not thrilled with the title track at first, thought they were trying to replicate the Miss You formula but it grew on me with repeated listens. All in all a great album. Sometimes I think it's better than Some Girls...
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RollingFreak
I'm surprised, and always have been, that people don't think ABB should be higher. Yes, its probably too high on this list, but it has always been my favorite Stones release post Tattoo You. I'd argue its the only time they really wrote GOOD rock songs since then. I'm wondering if people just maybe never let it sink it, cause I truly don't get how that gets so much more crap than Voodoo Lounge and Bridges To Babylon, which I personally consider the definition of forgettable records. At least they had some good riffs on ABB, even if it was a shadow of their former selves.
I don't know, thats always legitimately shocked me. Its far too long of an album, but there's an excellent 40-50 minute CD in there. And then I'll agree with people that there's some real crap on there, and I say Rain Fall Down which then I think is like everyone's favorite song here. So it really is different how everyone has such polarizing views. To me, Steel Wheels is fine but way too slick, Voodoo Lounge is way too long with maybe 2 or 3 decent songs, B2B I've just never been able to get into even though Out Of Control works so well live. ABB is the only later album I genuinely enjoy.
No, thats more than fair and I even understand it. I by no means think its a great album. I think just for me personally the bar was set so low that the fact that it wasn't another Voodoo Lounge or Bridges To Babylon made me like it a lot. I preferred the contrived and forceness and I guess just looked the positive way about it.Quote
Hairball
It all sounded a bit contrived and forced (some would say a caricature), but glad someone still likes it!
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palerider22
I couldn't help but notice...
1. Mick Taylor
2. Mick Taylor
3. Mick Taylor
4. Brian Jones
5. Brian Jones
6. Mick Taylor
7. Ron Wood
8. Brian Jones
9. Mick Taylor
10. Brian Jones
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palerider22
What do they know!
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Hairball
By placing Emotional Rescue at the bottom of the barrel, this writer has instantly lost all credibility.
While not in my personal top 10, it's far better than Undercover, Dirty Work, Steel Wheels, Bridges, Voodoo, A bigger Bang, and Shine a Light.
"Dance (Pt. 1) is right up there on the rotten front as well, which is a shame as it marks Ronnie Wood’s only writing credit alongside Jagger and Richards.
Some might say it sounds an awful lot like Led Zeppelin’s Trampled Underfoot"
What an idiotic statement - I give this writer two thumbs down.
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RollingFreak
Lol you can tell people here are diehard fans, but Emotional Rescue is an awful album. Not worse than their post 1981 ones, but its easily their worst from before they started to stop caring (Tattoo You, and earlier). Like, without question there's no album worse before it in their catalogue.
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DandelionPowderman
They sure play LSTNT, Ruby Tuesday and Connection pretty often for hating them.
They played Yesterday's Paper live in 1967 and She Smiled Sweetly was played on the Licks tour, btw.
BTB is an experimental studio album, hence it's hard to re-create on stage. That's probably the main reason for not trying out more numbers.
Well, to some people, LSTNT and Ruby Tuesday aren't technically on BTB.
Then they should buy that album
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RollingFreak
Lol you can tell people here are diehard fans, but Emotional Rescue is an awful album. Not worse than their post 1981 ones, but its easily their worst from before they started to stop caring (Tattoo You, and earlier). Like, without question there's no album worse before it in their catalogue.
It's not one of their best, but I think it's better than "Between the Buttons" (their only pre-80's album I never listen to), more consistent than "Their Satanic" (which is 50% very good, 50% terrible) and more fun than "Goat's Head Soup" and "It's Only Rock n Roll". It's actually the rockers which are the weakest on "Emotional Rescue", which of course confirms it's not their best album. But "Down in the Hole", "Emotional Rescue", "She's So Cold", and "All About You" are all great, and I cannot help liking "Indian Girl" too. The rest is at least bearable, and - thanks to this forum - I have come to at least appreciate the guitar work in mediocre rockers "Summer Romance" and "Where The Boys Go"
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DandelionPowderman
They sure play LSTNT, Ruby Tuesday and Connection pretty often for hating them.
They played Yesterday's Paper live in 1967 and She Smiled Sweetly was played on the Licks tour, btw.
BTB is an experimental studio album, hence it's hard to re-create on stage. That's probably the main reason for not trying out more numbers.
Well, to some people, LSTNT and Ruby Tuesday aren't technically on BTB.
Then they should buy that album
They are not on the UK version.
If they would be (as they are on the USA version) they would be the only 2 reasons to listen to the album. So, I prefer hearing those songs on a single-selection.
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DandelionPowderman
They sure play LSTNT, Ruby Tuesday and Connection pretty often for hating them.
They played Yesterday's Paper live in 1967 and She Smiled Sweetly was played on the Licks tour, btw.
BTB is an experimental studio album, hence it's hard to re-create on stage. That's probably the main reason for not trying out more numbers.
Well, to some people, LSTNT and Ruby Tuesday aren't technically on BTB.
Then they should buy that album
They are not on the UK version.
If they would be (as they are on the USA version) they would be the only 2 reasons to listen to the album. So, I prefer hearing those songs on a single-selection.
There are more reasons. Back Street Girl, Connection, All Sold Out, Miss Amanda Jones and She Smiled Sweetly are some of them
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DandelionPowderman
There are more reasons. Back Street Girl, Connection, All Sold Out, Miss Amanda Jones and She Smiled Sweetly are some of them
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DandelionPowderman
There are more reasons. Back Street Girl, Connection, All Sold Out, Miss Amanda Jones and She Smiled Sweetly are some of them
I can't stand them. I think the songwriting is weak, but what mainly annoys me is those pseudo-psychedelic-Beatles-esque weird/funny/exotic sounds and echoos and whatnot. Whereas on Aftermath, the funny instruments add value, on Between the Buttons they subtract. Every now and then (not more than once a year) I give it another try but I never make it through the entire album, it annoys me so much. It's also one of the first examples of Mick Jagger faking his voice.
At least with Satanic I can skip the worst 2 or 3 songs and enjoy the rest very much. Even with DW, I can skip the worst 6 or 7, and enjoy the rest. (GLS: I know, but still...)
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palerider22
I couldn't help but notice...
1. Mick Taylor
2. Mick Taylor
3. Mick Taylor
4. Brian Jones
5. Brian Jones
6. Mick Taylor
7. Ron Wood
8. Brian Jones
9. Mick Taylor
10. Brian Jones
I couldn't help, but notice that the most popular Rolling Stones-tracks on streaming services (Spotify, in this case) were:
1. Brian
2. Brian
3. Ronnie
4. Brian
5. Brian
6. Ronnie
7. Ronnie
8. Ronnie
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DandelionPowderman
There are more reasons. Back Street Girl, Connection, All Sold Out, Miss Amanda Jones and She Smiled Sweetly are some of them
I can't stand them. I think the songwriting is weak, but what mainly annoys me is those pseudo-psychedelic-Beatles-esque weird/funny/exotic sounds and echoos and whatnot. Whereas on Aftermath, the funny instruments add value, on Between the Buttons they subtract. Every now and then (not more than once a year) I give it another try but I never make it through the entire album, it annoys me so much. It's also one of the first examples of Mick Jagger faking his voice.
At least with Satanic I can skip the worst 2 or 3 songs and enjoy the rest very much. Even with DW, I can skip the worst 6 or 7, and enjoy the rest. (GLS: I know, but still...)
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DandelionPowderman
There are more reasons. Back Street Girl, Connection, All Sold Out, Miss Amanda Jones and She Smiled Sweetly are some of them
I can't stand them. I think the songwriting is weak, but what mainly annoys me is those pseudo-psychedelic-Beatles-esque weird/funny/exotic sounds and echoos and whatnot. Whereas on Aftermath, the funny instruments add value, on Between the Buttons they subtract. Every now and then (not more than once a year) I give it another try but I never make it through the entire album, it annoys me so much. It's also one of the first examples of Mick Jagger faking his voice.
At least with Satanic I can skip the worst 2 or 3 songs and enjoy the rest very much. Even with DW, I can skip the worst 6 or 7, and enjoy the rest. (GLS: I know, but still...)
HAHAHAHAH! Skip the worst 6 or 7. DIRTY WORK should've been trimmed down to a single: Harlem Shuffle b/w Had It With You.
As an EP, those 2 plus Too Rude and Sleep Tonight. That's it. The rest of it stinks!
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DandelionPowderman
To each their own.
For this listener, the accordion on Back Street Girl is beyond beautiful. Keith's guitar on All Sold Out is the forerunner to Citadel, Child Of The Moon, Stray Cat Blues, JJF and eventually the open G-stuff. The organ on She Smiled Sweetly is just lovely, and the harmonies on Connection are just lovely.