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Ah, no.Quote
Silver Dagger
The man who shaped modern music and dragged it kicking and screaming away from Tin Pan Alley and into the streets. Everyone including the Stones, The Beatles, The Who and Springsteen owe him for that.
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stone66Ah, no.Quote
Silver Dagger
The man who shaped modern music and dragged it kicking and screaming away from Tin Pan Alley and into the streets. Everyone including the Stones, The Beatles, The Who and Springsteen owe him for that.
Bob Dylan was a U.S. artist at that point, and the U.S. equivalent to that was the Brill Building in New York.
Tin Pan Alley era, which catered to pop music of the time, was in the UK. The Beatles were number 1 in 1963 before Dylan.
TPA didn't cater to folk, only to pop. But the Beatles changed that.
Recall that in the UK, there was also a songwriter named Tom Springfield (of The Springfields, Tom being Dusty's older brother). That didn't change anything either. Tom Springfield was born in 1934, and wrote such folk hits for The Seekers as I'll Never Find Another You. That didn't change Tin Pan Alley. Because it wasn't pop. The Beatles changed that. So, Lennon/McCartney deserve their due, and the Nobel folks will never rewrite history.
If anyone has any doubts about this, here's what Neil Diamond had to say about the impact of the Beatles at that time:
"Diamond never encountered the Beatles personally. But he did witness their impact on Tin Pan Alley.
'I remember I was still in the Brill Building when they arrived in the US. All the staff writers gathered around and listened to this new group from England that was all the rave and all the talk.
'I thought: “OK, they’re pretty good.” We thought maybe it was just like a teenage sensation because the kids were going crazy over the Beatles. But they did change the way the music business was done in the United States, no question about it.’
The shock waves of the Fab Four’s invasion of the US, he says, were profound. 'First of all, the writing of Lennon and McCartney signalled the emancipation of the songwriter, who had always been the low man on the totem pole. Paid the least. Least respected. Least recognised. But suddenly the songwriter was on a par with the big stars – these guys could not only write but they could sing as well.’
So began the end of the Tin Pan Alley era. 'People realised it wasn’t necessary to have somebody own your copyright to your songs and bring them around to try to get other people to record them,’ says Diamond, who has hung on to the copyright of all his songs since."
Full article: [www.telegraph.co.uk]
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Koen
And here we go again...
Is it so difficult to leave politics out of this discussion?
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MrEcho
The songs he's written during the "Never-ending Tour" years (1988–today) are much better than his work from the 1960s/1970s. But everybody is entitled to an opinion, of course. The opinion that his early work is superior to his later work is an out of date cliché, though, that no longer holds.
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AquamarineQuote
matxil
I think Bob Dylan is a fantastic song-lyric-writer. So is Chuck Berry. And Tom Waits. And Nick Cave. But it's not literature. It's song lyrics.
I disagree. I'm a literature professor, for decades, and I would say Dylan is the only musician of his generation whose lyrics stand alone as poetry (and that isn't dissing song lyrics, but acknowledging that, as you suggest, they're a different genre). It's true that the work of a few other songwriters crosses over into poetry, such as Leonard Cohen--but none of them match either the consistency of his poetic power or his incredibly far-reaching influence, on generations of writers (not just song writers). So this is a very well-deserved honor, going to a man who isn't bound by genre or indeed by anything else. And whose very best words aren't matched by anybody else, any time, anywhere.
Edited for typos
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AquamarineQuote
matxil
I think Bob Dylan is a fantastic song-lyric-writer. So is Chuck Berry. And Tom Waits. And Nick Cave. But it's not literature. It's song lyrics.
I disagree. I'm a literature professor, for decades, and I would say Dylan is the only musician of his generation whose lyrics stand alone as poetry (and that isn't dissing song lyrics, but acknowledging that, as you suggest, they're a different genre). It's true that the work of a few other songwriters crosses over into poetry, such as Leonard Cohen--but none of them match either the consistency of his poetic power or his incredibly far-reaching influence, on generations of writers (not just song writers). So this is a very well-deserved honor, going to a man who isn't bound by genre or indeed by anything else. And whose very best words aren't matched by anybody else, any time, anywhere.
Edited for typos
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emotionalbarbecue
There is no sense/sanity/good sense without the concept of limit/perimeter.
Dylan may be/is an extraordinary songwriter but we are talking about literature.
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Spud
Nobel literature prizes have often been awarded on the basis of the odd half way decent book that happened to find favour with the cognoscenti
....so I don't see a problem with Bob getting one for his extensive & inarguably influential output.
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matxilQuote
Spud
....so I don't see a problem with Bob getting one for his extensive & inarguably influential output.
Can you give an example of that?
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IrixQuote
matxilQuote
Spud
....so I don't see a problem with Bob getting one for his extensive & inarguably influential output.
Can you give an example of that?
The Stones covered 'Like A Rolling Stone' ....
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wonderboy
Song lyrics can be literature, and they don't need to stand alone. The music contributes and enhances and gives the 'reader' context to better appreciate the words.
A lyric becomes literature when it has meaning and beauty and has something to say.
For example, 'Brown Sugar' is literature.
And literature can expand to other medias, too. Someday, somebody may earn a Nobel for Literature for the quality of his or her tweets on Twitter.
Congratulations to Bob.
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RipThisBone
Great news!
Nobel Prize winner opens for THE ROLLING STONES next friday!
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slewanQuote
RipThisBone
Great news!
Nobel Prize winner opens for THE ROLLING STONES next friday!
to pay respect to him, they should change the running order of the show (or at least perform half of their show on their bended knees)
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matxilQuote
AquamarineQuote
matxil
I think Bob Dylan is a fantastic song-lyric-writer. So is Chuck Berry. And Tom Waits. And Nick Cave. But it's not literature. It's song lyrics.
I disagree. I'm a literature professor, for decades, and I would say Dylan is the only musician of his generation whose lyrics stand alone as poetry (and that isn't dissing song lyrics, but acknowledging that, as you suggest, they're a different genre). It's true that the work of a few other songwriters crosses over into poetry, such as Leonard Cohen--but none of them match either the consistency of his poetic power or his incredibly far-reaching influence, on generations of writers (not just song writers). So this is a very well-deserved honor, going to a man who isn't bound by genre or indeed by anything else. And whose very best words aren't matched by anybody else, any time, anywhere.
Edited for typos
Okay, fair enough. I would think the test for that would be: are the lyrics (or poems, if you wish) of Bob Dylan just as strong without hearing the music? Can they stand alone? Are they independent of the melody and harmony and the music? I'd say they are not, and any good song lyrics shouldn't be. Good song-lyrics should follow the musical climaxes (e.g. Chuck Berry's "looking like a model on a cover of a magazine" following the guitar cadence, or Bob Dylan's Subterranean Homesick blues, with "look out kid" just at the moment of the chord change) and, hence, is not a standalone text.