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GasLightStreet
One thing is clear on this LP - Ronnie is carrying the load! Damn good, too.
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MadMetaphoricalMax
From The Arts Desk, the review text if the subscription panel pops up.
I'm loving this new album, can't wait to exchange an online reviewer's stream for a proper CD
ROLLING BACK THE YEARS TO THE DEEP CHICAGO BLUES
(http://www.theartsdesk.com/new-music/cd-rolling-stones-blue-lonesome)
It’s a been a good year for the Stones as they play into their sixth decade – a free festival audience in Havana in March, preceded by an adulatory South American trek that saw some of the band’s best performances in recent times – down at the crunchy bottom end of Keef and Ronnie’s two-guitar dynamic, heard best on the new Havana Moon set, where the Cuban audience of one million warm-blooded souls see the Stones raise their game to make Havana their best live outing on record since the Love You Live set from the Seventies.
It’s as if the over-produced, over-choreographed big tours of the Nineties, when the band became a brand in the fullest sense, has given way to the core four being a real live band again. If further proof of returning to basic principles were needed, then Blue & Lonesome is it – the result of a three-day gathering at Mark Knopfler’s British Grove Studios in West London to work on as yet unfinished new songs, but reverting instead to the reverberating repertoire of their club days, the same songs a teenage Keith noted in his tiny diaries (recently on show at the Saatchi Gallery). That is, the Chicago Blues.
As any good barman knows, there’s a time to clear the taps, and that’s what Blue & Lonesome seems to have done for the Stones. At times, Jagger’s vocals sound as fresh and uninflected as they do on their first three albums and EPs. The Ronnie and Keith shadow play on guitars is crunchier and punkier than any time since those 1977 Pathe-Marconi sessions – the sound of a room in Paris – and the live and electric feel of Blue & Lonesome sees the band energetically testing the sound of a room some 29 years later, the excitement and impulsion palpable not only on the cuts themselves but in the off-mic shouts and cries you can hear at the front and back of the juiciest performances.
Being wholly covers, it is more annex than central part of the canon, but rewarding and essential if you’re a Stones fan, and a lot of fun if you’re a more casual listener. The tunes they chose to light upon are pretty deep and wild ones – Howlin’ Wolf's inexorable “Commit a Crime”, the outrageous down-home imagery of Johnny Taylor's “Everyone Knows About my Good Thing” (with guest Eric Clapton playing a strong slow blues), Jagger’s howling harp on Lightnin’ Slim’s “Hoo Doo Blues” peeling away from the meat and bones of song like a rotten undervest.
The best of these cuts are as sharp as blades, with very little fat left untrimmed. The Stones may be the last of the breed when it comes to extant classic rock bands from an era now so far from our dystopian own it feels like a distant Byzantium, and with the Chicago Blues in their pocket, they still know how to roll, and no one else will ever roll it quite like them."
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GasLightStreet
One thing is clear on this LP - Ronnie is carrying the load! Damn good, too.
...wadda bout Keef?
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DandelionPowdermanQuote
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GasLightStreet
One thing is clear on this LP - Ronnie is carrying the load! Damn good, too.
...wadda bout Keef?
Doing a fine job.
Very nice electric 12 string slide work on Hoodoo Blues and a cool outro solo on All Of Your Love. He sounds like he's having a blast playing these songs
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Lorenz
Awesome, simply awesome, the whole thing!
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DandelionPowderman
Sounds like Ronnie is playing his silver Zemaitis on his solo on Everybody Knows About My Good Thing. Great sound.
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DandelionPowderman
Sounds like Ronnie is playing his silver Zemaitis on his solo on Everybody Knows About My Good Thing. Great sound.
hey Dandelion! how good it sounds?!?!?!? cazzo so good
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DandelionPowderman
Sounds like Ronnie is playing his silver Zemaitis on his solo on Everybody Knows About My Good Thing. Great sound.
hey Dandelion! how good it sounds?!?!?!? cazzo so good
It's just lovely. Who predicted this a few years ago!
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DandelionPowderman
Sounds like Ronnie is playing his silver Zemaitis on his solo on Everybody Knows About My Good Thing. Great sound.
hey Dandelion! how good it sounds?!?!?!? cazzo so good
It's just lovely. Who predicted this a few years ago!
neighbours here are having a "charliewatts party"
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DandelionPowderman
Sounds like Ronnie is playing his silver Zemaitis on his solo on Everybody Knows About My Good Thing. Great sound.
hey Dandelion! how good it sounds?!?!?!? cazzo so good
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UrbanSteel
The more you hear this album , the more you love it , this is so damn good , you can almost not describe how good it is , you wanna dance and move around the house , you can simple not stay still.
I love Blue & Lonesome , but above all , i love the Greatest rock 'n' roll band ever , Ladies and Gentlemen , The Rolling Stones with Blue & Lonesome.!!!
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DandelionPowderman
Sounds like Ronnie is playing his silver Zemaitis on his solo on Everybody Knows About My Good Thing. Great sound.
hey Dandelion! how good it sounds?!?!?!? cazzo so good
Hi Mau...is 'cazzo' a particular slang?!
><
PS: mi sa che è davvero un grande album!
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eduardoacdc
Little rain is pure gold!