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wonderboy
I read a fascinating piece once about their experiences at the Long View Farm but can't find it now.
It sounds like there was a lot of rehearsing and hanging out playing pool and coming down to breakfast mid-morning. Didn't sound like a wild and crazy partying time.
I think somebody in Wyman's family died during that time and Mick surprised and comforted him by sliding a condolence note under his door.
Keith and Ronnie were spilling drinks on the floor.
They were playing at some club at the end of that time and Mick drove around the block a few times before committing to play. Somebody said, 'Keith's not here,' and Mick said something like, 'Oh, he'll be there. I don't worry about that. He always shows up to play.'
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stanlove
I grew up in Rochester n.y. I know probably 40 people who saw them in Buffalo or Syracuse that year ( me being one of them ) and not one of them didn't say that both shows sucked.
What you fail to grasp is if you saw one of the very 1st shows of the tour you didn't see the 1981 tour, you saw the "1978 tour part two".
What do I mean? The 1981 found its form and substance when they added a sax player : first Lee Allen then the superb Ernie Watts.
None of the Sept. 81 gigs featured a sax and it shows : the band played like it was 1978 all over again and it sounded and felt wrong. And the band acknowledged that, it felt too much like duplicate of the 1978 sound.
So if you saw the band in Philie or Buffalo you saw a sax-less band. And the sax made the identity of the 81 tour (whether you like Ernie Watts or not).
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ShantipoleQuote
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stanlove
I grew up in Rochester n.y. I know probably 40 people who saw them in Buffalo or Syracuse that year ( me being one of them ) and not one of them didn't say that both shows sucked.
What you fail to grasp is if you saw one of the very 1st shows of the tour you didn't see the 1981 tour, you saw the "1978 tour part two".
What do I mean? The 1981 found its form and substance when they added a sax player : first Lee Allen then the superb Ernie Watts.
None of the Sept. 81 gigs featured a sax and it shows : the band played like it was 1978 all over again and it sounded and felt wrong. And the band acknowledged that, it felt too much like duplicate of the 1978 sound.
So if you saw the band in Philie or Buffalo you saw a sax-less band. And the sax made the identity of the 81 tour (whether you like Ernie Watts or not).
All I know was the Buffalo show was the first time I had ever seen the Stones (they didn't come back to Montreal until Steel Wheels) and for a kid in high school who had discovered them when Some Girls came out I was in heaven. Maybe it wasn't the best show or tour or set list or whatever but the emotional impact on me was something I will never forget. Seen them a few times since but nothing will replace that first time. It was an amazing experience (and a very long bus ride home!).
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wonderboy
I read a fascinating piece once about their experiences at the Long View Farm but can't find it now.
It sounds like there was a lot of rehearsing and hanging out playing pool and coming down to breakfast mid-morning. Didn't sound like a wild and crazy partying time.
I think somebody in Wyman's family died during that time and Mick surprised and comforted him by sliding a condolence note under his door.
Keith and Ronnie were spilling drinks on the floor.
They were playing at some club at the end of that time and Mick drove around the block a few times before committing to play. Somebody said, 'Keith's not here,' and Mick said something like, 'Oh, he'll be there. I don't worry about that. He always shows up to play.'
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mr_dja
Link to the website where the owner of Longview Farms posted essays about the Stones '81 rehearsals. VERY interesting. If the link works correctly, it will take you to his introduction page. The links on the left of the page are his various essays on the Stones stay. If you read them in order, they will form a basic narrative of that summer and what led up to it.
Enjoy! I did!
Diary of A Studio Owner
Peace,
Mr DJA
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wonderboyQuote
mr_dja
Link to the website where the owner of Longview Farms posted essays about the Stones '81 rehearsals. VERY interesting. If the link works correctly, it will take you to his introduction page. The links on the left of the page are his various essays on the Stones stay. If you read them in order, they will form a basic narrative of that summer and what led up to it.
Enjoy! I did!
Diary of A Studio Owner
Peace,
Mr DJA
That's it! Thank you.
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exilestones
If you don't enjoy the '81-'82 tour then I feel bad for you. I love it!
I don't compare it to other tours. I love the Stones live and there are some of my favorites from that world tour. "Let It Bleed," "Under My Thumb." "Let's Spend the Night Together." "Go-Go," "Time is on my side," "Just My Imagination" and "Neighbors" in particular.
Hampton and Leeds are most enjoyable. Imagination in Italy ("Shattered in Europe" boot).
Sometimes I think it's better that I never learned to play guitar so I don't notice minor things that annoy some people.
I like the promo videos "Go-Go," "Time is on My Side" and "Satisfaction where Keith hits the guy over the head! Love it!
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exilestones
The King Biscuit Flower Hour had some great 1981 recordings. "Waiting on a Friend" is great. Great KBFH of that song on DAC-069.
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HonkeyTonkFlashQuote
exilestones
The King Biscuit Flower Hour had some great 1981 recordings. "Waiting on a Friend" is great. Great KBFH of that song on DAC-069.
Yes! I had recorded that on cassette and cherished that tape for about 25 years! Alas, it was eventually eaten by a demonic tape machine....How I would love to have these recording again!
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exilestones
The King Biscuit Flower Hour had some great 1981 recordings. "Waiting on a Friend" is great. Great KBFH of that song on DAC-069.
Yes! I had recorded that on cassette and cherished that tape for about 25 years! Alas, it was eventually eaten by a demonic tape machine....How I would love to have these recording again!
You might want to check out This Website. They may have what you're looking for. Or possibly at least a link to it.
Peace,
Mr DJA
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lem motlow
the audience weren't "dead" -there was actually,believe or not, an era when the fans were actually listened to the band play.
you jumping around and waving your hands and [since you're probably white]attempting to "dance" doesn't really add to the show.
..
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stanloveQuote
lem motlow
the audience weren't "dead" -there was actually,believe or not, an era when the fans were actually listened to the band play.
you jumping around and waving your hands and [since you're probably white]attempting to "dance" doesn't really add to the show.
..
NO the audiences were dead. You can basically see the disappointment. Check out a Springsteen audience for example. What I am seeing alot on this thread if people saying they loved the 81 tour because they had such a great time at the concert. I had a great time also. But the Stones were weak and everyone I know who saw them in Buffalo or Syracuse agreed with me.
Music wise I enjoyed street performers in Virginia Beach much more. The movie LSTNT and Still Life basked out how weak they played for most of that tour. The dead crowds from almost every video you see also backs it up.
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HonkeyTonkFlashQuote
stanloveQuote
lem motlow
the audience weren't "dead" -there was actually,believe or not, an era when the fans were actually listened to the band play.
you jumping around and waving your hands and [since you're probably white]attempting to "dance" doesn't really add to the show.
..
NO the audiences were dead. You can basically see the disappointment. Check out a Springsteen audience for example. What I am seeing alot on this thread if people saying they loved the 81 tour because they had such a great time at the concert. I had a great time also. But the Stones were weak and everyone I know who saw them in Buffalo or Syracuse agreed with me.
Music wise I enjoyed street performers in Virginia Beach much more. The movie LSTNT and Still Life basked out how weak they played for most of that tour. The dead crowds from almost every video you see also backs it up.
I don't care how the audiences looked or acted. It's a shame if you can't appreciate how the Stones were cooking in 1981. Both the film and the live album have great performances. That's all that mattered.
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stanloveQuote
lem motlow
the audience weren't "dead" -there was actually,believe or not, an era when the fans were actually listened to the band play.
you jumping around and waving your hands and [since you're probably white]attempting to "dance" doesn't really add to the show.
..
.... What I am seeing alot on this thread if people saying they loved the 81 tour because they had such a great time at the concert. I had a great time also. But the Stones were weak and everyone I know who saw them in Buffalo or Syracuse agreed with me.
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stanloveQuote
lem motlow
the audience weren't "dead" -there was actually,believe or not, an era when the fans were actually listened to the band play.
you jumping around and waving your hands and [since you're probably white]attempting to "dance" doesn't really add to the show.
..
NO the audiences were dead. You can basically see the disappointment. Check out a Springsteen audience for example. What I am seeing alot on this thread if people saying they loved the 81 tour because they had such a great time at the concert. I had a great time also. But the Stones were weak and everyone I know who saw them in Buffalo or Syracuse agreed with me.
Music wise I enjoyed street performers in Virginia Beach much more. The movie LSTNT and Still Life basked out how weak they played for most of that tour. The dead crowds from almost every video you see also backs it up.
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stanloveQuote
HonkeyTonkFlashQuote
stanloveQuote
lem motlow
the audience weren't "dead" -there was actually,believe or not, an era when the fans were actually listened to the band play.
you jumping around and waving your hands and [since you're probably white]attempting to "dance" doesn't really add to the show.
..
NO the audiences were dead. You can basically see the disappointment. Check out a Springsteen audience for example. What I am seeing alot on this thread if people saying they loved the 81 tour because they had such a great time at the concert. I had a great time also. But the Stones were weak and everyone I know who saw them in Buffalo or Syracuse agreed with me.
Music wise I enjoyed street performers in Virginia Beach much more. The movie LSTNT and Still Life basked out how weak they played for most of that tour. The dead crowds from almost every video you see also backs it up.
I don't care how the audiences looked or acted. It's a shame if you can't appreciate how the Stones were cooking in 1981. Both the film and the live album have great performances. That's all that mattered.
I like Hampton. They had it together at that point even though we can't tell what the audience heard.
AS for LSTNT or Still Life only a die hard Stones fan would say they were not week. I have watched the movie with non die hard fans and they were not impressed with the playing at all. If someone lies Still Life I would love to hear what live Stones they don't like.
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stanloveQuote
lem motlow
the audience weren't "dead" -there was actually,believe or not, an era when the fans were actually listened to the band play.
you jumping around and waving your hands and [since you're probably white]attempting to "dance" doesn't really add to the show.
..
NO the audiences were dead. You can basically see the disappointment. Check out a Springsteen audience for example. What I am seeing alot on this thread if people saying they loved the 81 tour because they had such a great time at the concert. I had a great time also. But the Stones were weak and everyone I know who saw them in Buffalo or Syracuse agreed with me.
Music wise I enjoyed street performers in Virginia Beach much more. The movie LSTNT and Still Life basked out how weak they played for most of that tour. The dead crowds from almost every video you see also backs it up.
I don't care how the audiences looked or acted. It's a shame if you can't appreciate how the Stones were cooking in 1981. Both the film and the live album have great performances. That's all that mattered.
I like Hampton. They had it together at that point even though we can't tell what the audience heard.
AS for LSTNT or Still Life only a die hard Stones fan would say they were not week. I have watched the movie with non die hard fans and they were not impressed with the playing at all. If someone lies Still Life I would love to hear what live Stones they don't like.
Many of the cuts on Still Life are from Hampton, which was a great performance.
You catched them in the beginning of the tour, when they were underrehearsed.
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DandelionPowdermanQuote
stanloveQuote
HonkeyTonkFlashQuote
stanloveQuote
lem motlow
the audience weren't "dead" -there was actually,believe or not, an era when the fans were actually listened to the band play.
you jumping around and waving your hands and [since you're probably white]attempting to "dance" doesn't really add to the show.
..
NO the audiences were dead. You can basically see the disappointment. Check out a Springsteen audience for example. What I am seeing alot on this thread if people saying they loved the 81 tour because they had such a great time at the concert. I had a great time also. But the Stones were weak and everyone I know who saw them in Buffalo or Syracuse agreed with me.
Music wise I enjoyed street performers in Virginia Beach much more. The movie LSTNT and Still Life basked out how weak they played for most of that tour. The dead crowds from almost every video you see also backs it up.
I don't care how the audiences looked or acted. It's a shame if you can't appreciate how the Stones were cooking in 1981. Both the film and the live album have great performances. That's all that mattered.
I like Hampton. They had it together at that point even though we can't tell what the audience heard.
AS for LSTNT or Still Life only a die hard Stones fan would say they were not week. I have watched the movie with non die hard fans and they were not impressed with the playing at all. If someone lies Still Life I would love to hear what live Stones they don't like.
Many of the cuts on Still Life are from Hampton, which was a great performance.
You catched them in the beginning of the tour, when they were underrehearsed.
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HonkeyTonkFlash
I don't get how anyone can trash Still Life. The whole first side is exhilarating in itself, especially the first three songs. Then you've got the frenetic adrenaline rush of Let Me Go, a beautiful take on Time Is On My Side and a soaring jam on Just My Imagination. I'll concede that Start Me Up sounds a bit weak, but Satisfaction cooks. It's one of my favorite live albums.