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TumblinDice76Quote
Witness
You might as well have nominated "Ruby Tuesday" or "Wild Horses" as "She Smiled Sweetly" among your least respected five. You earn the equivalent amount of respect.
They way most people feel about Dirty Work is how I feel about Between the Buttons. After following Aftermath, Between the Buttons seems like a MAJOR step backwards. Its like they tried to create a "Beatles Album". Honestly anything not named Ruby Tuesday, Miss Amanda Jones, or Lets Spend the Night Together could qualify for my least favorite songs. Even Ruby Tuesday doesn't do much for me. I like my Stones with swagger. Songs with string arrangements don't exactly do it for me. Not surprising I much more prefer The Who, Kinks, and Zeppelin to the Beatles.
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DandelionPowderman
OK, listen to the sound, the production and the vibe the Stones have here. I threw in some Kinks-snippets for you to show what I'm talking about.
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DandelionPowdermanQuote
WitnessQuote
DandelionPowdermanQuote
Witness
But don't you hear the vibe on tracks like Something Happens To Me Yesterday? The music hall-influence, which the Stones never had done before. The resemblance, both musically and attitude-wise, between Connection and Party Line should be obvious. The playfulness, much similar to the Kinks, in Cool, Calm, Collected. Even the semi-freakiness, cobbled with the melodious, in All Sold Out was also to be found in the Kinks's music – at the time this was new for the Stones.
They might have picked up a thing or two from the Beatles (as the Kinks also did), but the final product – the sound – is imo reminiscent of that of the Kinks.
I have in at least one former thread acknowledged the likeness in melody between "Party Line" and "Connection"(which I had not noticed before), but it was then I used the words flavour and feel as different. And I referred myself to a certain kind of similiarity in build up between "Got Love If You want It" from Kinks' first album and "Cool, Calm, Collected", but in that case everything is always brought from some other issue. The other examples I find even more farfetched.
OK, listen to the sound, the production and the vibe the Stones have here. I threw in some Kinks-snippets for you to show what I'm talking about.
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matxilQuote
TumblinDice76Quote
Witness
You might as well have nominated "Ruby Tuesday" or "Wild Horses" as "She Smiled Sweetly" among your least respected five. You earn the equivalent amount of respect.
They way most people feel about Dirty Work is how I feel about Between the Buttons. After following Aftermath, Between the Buttons seems like a MAJOR step backwards. Its like they tried to create a "Beatles Album". Honestly anything not named Ruby Tuesday, Miss Amanda Jones, or Lets Spend the Night Together could qualify for my least favorite songs. Even Ruby Tuesday doesn't do much for me. I like my Stones with swagger. Songs with string arrangements don't exactly do it for me. Not surprising I much more prefer The Who, Kinks, and Zeppelin to the Beatles.
I feel the same way about Between the Buttons. In a way, that album is even worse than Dirty Work or Their Satanic because those albums (although full of cringeworthy rubbish) at least have some good songs (especially TSMR), whereas Between the Buttons is just nothing.
I agree they *tried* too much to sound like the Beatles (and other 60's pop like the Who or the Kinks), but they also failed, because even though I am not a great pop-fan nor a great Beatles fan, both Rubber Soul as Revolver have high quality songs.
It's weird though, because I love Aftermath, which is a pop/Beatles influenced album too. The difference is that Aftermath has strong songs and they sound authentic and inspired, like they are really having fun discovering a new way of making music.
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WitnessQuote
Palace Revolution 2000Quote
Witness
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Speaking for myself, the words ring very hollow. I dislike the music and arrangement; it i as by the numbers minor key ballad. You know every change that is going to happen before it occurs. I hate the choice of words, but more than anything it is just the sense of treading water that I get.
To me the words don't ring hollow here, but on the contrary more sincere than usually.
That's cool Witness. That is one of the good things about music: how a song can mean something totally different to a brother next to you.
I read what you wrote about Buttons, and I too think it is by far the most British album, and IMO their most carefree album.
It was for years my only Stones record; so my first, and always a special one.
btw - that was weird how in the very post our quote are upside down.
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MadMax
She's A Rainbow. Totally pointless tune. Back To Zero is genius compared to Rainbow. Why did they play Rainbow when they could've done Backstreet Girl, Indian Girl or She Smiled Sweetly? Or Blinded or SOL? Rainbow is such a weak tune compared to other similar ones.
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EddieByword
Sweet hearts together and New faces
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Palace Revolution 2000Quote
WitnessQuote
Palace Revolution 2000Quote
Witness
Speaking for myself, the words ring very hollow. I dislike the music and arrangement; it i as by the numbers minor key ballad. You know every change that is going to happen before it occurs. I hate the choice of words, but more than anything it is just the sense of treading water that I get.
To me the words don't ring hollow here, but on the contrary more sincere than usually.
That's cool Witness. That is one of the good things about music: how a song can mean something totally different to a brother next to you.
I read what you wrote about Buttons, and I too think it is by far the most British album, and IMO their most carefree album.
It was for years my only Stones record; so my first, and always a special one.
btw - that was weird how in the very post our quote are upside down.
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matxil
I feel the same way about Between the Buttons. In a way, that album is even worse than Dirty Work or Their Satanic because those albums (although full of cringeworthy rubbish) at least have some good songs (especially TSMR), whereas Between the Buttons is just nothing.
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DandelionPowderman
Connection, All Sold Out, Miss Amanda Jones, Back Street Girl, Yesterday's Paper.
Hello! Aren't those good songs?
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Swayed1967Quote
DandelionPowderman
Connection, All Sold Out, Miss Amanda Jones, Back Street Girl, Yesterday's Paper.
Hello! Aren't those good songs?
Back Street Girl and Connection (as long as Mick is singing it) are good, very good even, but the other three are toilet cloggers. Make no mistake - If you tried to tell Mick to his face that these were good songs he’d call for security.
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DandelionPowderman
Connection, All Sold Out, Miss Amanda Jones, Back Street Girl, Yesterday's Paper.
Hello! Aren't those good songs?
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WitnessQuote
DandelionPowderman
Connection, All Sold Out, Miss Amanda Jones, Back Street Girl, Yesterday's Paper.
Hello! Aren't those good songs?
Are you addressing me? Did you not read what I wrote, and how? You who forgot to name "Complicated"! To me all the songs on the album are good. At least the four nominated in my former post are great and others, too. Least good, but quite good "Please Go Home".
To me this a golden era album, golden era no. 2, comprising this, the preceding and the following album, plus the magical single A- and B-sides "up to and including "We Love You".
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DandelionPowdermanQuote
BILLPERKSI @#$%& LOVE GUNFACE....BLASPHEMY !!Quote
DandelionPowderman
I'd Much Rather Be With The Boys
Gunface
Blinded By Rainbows
And I love I Just Wanna See His Face. Unforgivable!
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Tate
For me, it's Hold Back. BTZ is pretty awful pseudo-funk, but HB is just bad in every way. The sloppy, off-tempo, loud drums, the loud guitars, and the vocal that sounds something like my dog barfing. (Or me barfing? A combination of the two, perhaps.) And of course, the dreadful lyrics. Everything about the song is bad. Except that it's the Stones...