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72hotrocks
I just saw Neil Young play and sing fantastically for three hours.Flawless.

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72hotrocks
Honestly this was boring.
I just saw Neil Young play and sing fantastically for three hours.Flawless.
An artist not only still engaged in his past but also passionate about creating new material.
I barely made it through 15 minutes of this.Boring.Safe.Coasting.No effort.
It is easy for me to see who cares about the Muse and who cares about the Spotlight.
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72hotrocks
Wow,this is getting heaps of praise I just don't understand.
Keith simply can't play the intro to GS properly anymore.
He does more gesticulating than playing during Happy,because he can't sing and play at the same time.When singing,he is constantly looking for the key.This is just Keith coasting on his image,posing instead of playing.
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KRiffhardQuote
72hotrocks
Honestly this was boring.
I just saw Neil Young play and sing fantastically for three hours.Flawless.
An artist not only still engaged in his past but also passionate about creating new material.
I barely made it through 15 minutes of this.Boring.Safe.Coasting.No effort.
It is easy for me to see who cares about the Muse and who cares about the Spotlight.
Keith has just created great new material with worldwide good reviews.
To be honest i don't give a shit about Neil Young.
True.Quote
with sssoul
Just a Gift probably would have been the most appropriate number from CrossEyed Heart for the occasion
except that leaving everyone sobbing is not really a very nice way to close an event like that
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pepganzo
From the other hand I don't think that Keith performance was boring!
The interesting aspect is the sound of the band, very fresh and rich of power.
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pepganzo
I think that Trouble or Nothing On Me would have been the most appropiate numbers.
Just a Gift is a great track but I don't think they'll do it easily live. It also features some difficult vocals parts
and and is difficult to propose the arrangement live.
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paulywaul
Forgetting about that little 'one fret off' cock-up for a minute, it otherwise illustrates his superlative skills as a RHYTHM guitar player.
His use of empty space against the background of bass n' drums has no equal, when he decides to 'fill that space' with something or other, it's more often than not very little indeed - maybe just a single downstroke, or a whacking great downstroke followed by a lesser upstroke. But the superb timing of it, coupled with that extraordinary guitar tone that he gets ... it enhances the song out of all proportion. THAT is the genius of Keith Richards in my opinion ....
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Turner68
Keith looked happy, healthy, and engaged. Perhaps this will spur him to put a real tour together with the winos.


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MonkeyMan2000
I get the feeling Keith will do some shows. Look how happy he is. Maybe Steve will force him to do something, like with the album.

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MonkeyMan2000
I get the feeling Keith will do some shows. Look how happy he is. Maybe Steve will force him to do something, like with the album.
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NaturalustQuote
with sssoulQuote
Green Lady
Offended, no. But disappointed that you always feel the need to play devil's advocate and shine the spotlight
on all the reasons why people shouldn't have liked something that many clearly did
(just in case they hadn't noticed and had accidentally enjoyed it - that can't be allowed).
But I guess that's the job of a critic - and you do it so eloquently and so often that you almost have me persuaded
that things were indeed as dreadful as you say they were - until I listen again and my blessed cloth ears
tell me that I'm happy hearing this.
That was beautifully said, Green Lady.
"You do not have to love a work of art or a style in order to criticize it,
but you need to understand its attraction for someone who does. ...
Criticism has no significance and no importance if it is not accompanied by understanding -
and that implies the comprehension of at least the possibility of love."
- Charles Rosen
(Not that I think our friend NL lacks understanding! Just ... I like that quote)
Yes, well said and perhaps even true in my case, about the devil's advocate part. But my intentions are never to disappoint or reduce someone's enjoyment of something, basically just expressing an (often contrasting) opinion. I think I also try to play that role in a more positive vein and will advocate in a good way for things I feel are being critiqued too negatively. But I hear you Green Lady, perhaps I should temper my comments with more love and understanding.
In Keith's case I truly do love the man dearly, appreciate greatly that he is still getting out there at all and understand some of the factors which can result in a less than stellar performance which are beyond his control, like monitoring, the live feed mix, lack of time to rehearse, etc etc. I admit I prefer any Keith show to the alternative and am glad you enjoyed it so much.
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schillid
Waiting On A Friend (in honor of Sonny Rollins) would have been a great choice after GS ...
But maybe it's not in open g
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KRiffhardQuote
72hotrocks
Honestly this was boring.
I just saw Neil Young play and sing fantastically for three hours.Flawless.
An artist not only still engaged in his past but also passionate about creating new material.
I barely made it through 15 minutes of this.Boring.Safe.Coasting.No effort.
It is easy for me to see who cares about the Muse and who cares about the Spotlight.
Keith has just created great new material with worldwide good reviews.
To be honest i don't give a shit about Neil Young.
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DandelionPowdermanQuote
72hotrocks
Wow,this is getting heaps of praise I just don't understand.
Keith simply can't play the intro to GS properly anymore.
He does more gesticulating than playing during Happy,because he can't sing and play at the same time.When singing,he is constantly looking for the key.This is just Keith coasting on his image,posing instead of playing.
Nothing wrong with the intros. The rest of what you're saying might not be downright wrong, but this surely can't news to you, unless you've been living under a rock for 9 years.
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72hotrocksQuote
DandelionPowdermanQuote
72hotrocks
Wow,this is getting heaps of praise I just don't understand.
Keith simply can't play the intro to GS properly anymore.
He does more gesticulating than playing during Happy,because he can't sing and play at the same time.When singing,he is constantly looking for the key.This is just Keith coasting on his image,posing instead of playing.
Nothing wrong with the intros. The rest of what you're saying might not be downright wrong, but this surely can't news to you, unless you've been living under a rock for 9 years.
THe intro to GS was cocked-up as it has been for years.He merely 'suggests' the intro these days.Listen to the record,he does not play the intro anywhere near the original.
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72hotrocksQuote
KRiffhardQuote
72hotrocks
Honestly this was boring.
I just saw Neil Young play and sing fantastically for three hours.Flawless.
An artist not only still engaged in his past but also passionate about creating new material.
I barely made it through 15 minutes of this.Boring.Safe.Coasting.No effort.
It is easy for me to see who cares about the Muse and who cares about the Spotlight.
Keith has just created great new material with worldwide good reviews.
To be honest i don't give a shit about Neil Young.
New material that took 20 years to produce.I've listened to it 3 times.
You may not care about Neil Young but he is a man Keiths age who can actually still play is instruments,and sing.Keith is toast and has been for some time.
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72hotrocksQuote
KRiffhardQuote
72hotrocks
Honestly this was boring.
I just saw Neil Young play and sing fantastically for three hours.Flawless.
An artist not only still engaged in his past but also passionate about creating new material.
I barely made it through 15 minutes of this.Boring.Safe.Coasting.No effort.
It is easy for me to see who cares about the Muse and who cares about the Spotlight.
Keith has just created great new material with worldwide good reviews.
To be honest i don't give a shit about Neil Young.
New material that took 20 years to produce.I've listened to it 3 times.
You may not care about Neil Young but he is a man Keiths age who can actually still play is instruments,and sing.Keith is toast and has been for some time.
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MonkeyMan2000
Keith can still play guitar, bass and piano. All of them with a certain feel and soul. And he sings wonderful, especially on the ballads. And does that mean, it is a bad album, only because you listened to it 3 times?
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Doxa
"Happy" is Keith's signature song, and he seemingly had done some pre-thought about its vocal delivery... we got that "jazzy" interpretation, playing with the timing... Pure Keith.
Is that what was going on with Happy? A jazz vocal interpretation? Perhaps I need to go back and listen with my jazz ears on. lol Stick to rock and roll Keith..Quote
72hotrocksQuote
DandelionPowdermanQuote
72hotrocks
Wow,this is getting heaps of praise I just don't understand.
Keith simply can't play the intro to GS properly anymore.
He does more gesticulating than playing during Happy,because he can't sing and play at the same time.When singing,he is constantly looking for the key.This is just Keith coasting on his image,posing instead of playing.
Nothing wrong with the intros. The rest of what you're saying might not be downright wrong, but this surely can't news to you, unless you've been living under a rock for 9 years.
THe intro to GS was cocked-up as it has been for years.He merely 'suggests' the intro these days.Listen to the record,he does not play the intro anywhere near the original.