Re: Is Bridges To Babylon a good album?
Date: April 6, 2017 20:36
no.
imo.
couple good tracks tho...i guess...
I like Keith re-working "here comes the night" sorta on "thief..." but not a masterwork like Van...not close...don't like it enough to even care to hear it again, like most of this LP frankly. I guess hey it's stones, if i heard any of it by surprise or on the radio i'd find it interesting and fun....but not really a good album or close to one imo, and not just in comparison with their best stuff...
i was relieved and overjoyed many years later when ABB came out and had some full on tough stuff that could really stand on it's own....far from perfect ABB, but a whole other class....and things like One More Shot for example imo, beat this entire album to death and oblivion, just that one cut...imo...
already suffering could have been great but mick's all coming in full character as baby man or something...the rockers seem overwrought and i don't like the production or sonics...well i don't want to go down the list; i would say just a load really...i mean i found it inconsequential on arrival; i could barely get thru it once as a whole thing...nope not for me. i can dissect some great elements hey it's charlie palying the drums! for example, but that's grasping at straws...they even effed up the snare sound. this is like a more poppy diverse dW, DW is better, by far...and i don't like that one much. haha... don't shoot!!
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well wiki is not a reliable source a lot of times; a useful one; often great in many resepcts, but also slanted and just plain wrong enough for me to qualify posting them as absolute fact in many cases....so saying that:
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"Following the Voodoo Lounge Tour, and Stripped projects of 1994/1995, the Stones afforded themselves a brief respite before Mick Jagger and Keith Richards began composing new songs together in the summer of 1996 with demos to follow as they met in New York in November and London the following month. Another writing session happened in Barbados on January 1997.[1]
In March 1997, the band arrived in Los Angeles to start the recording sessions at Ocean Way Studios. After many albums recorded in isolated islands, working in a big city allowed for the contribution of various musician friends of the band. Bridges to Babylon was recorded until July, and the four month production made it one of their most concise periods of recording in years. The sessions would frequently be all-nighters that lasted until Richards got tired by the morning.[1]
Although Don Was would be the producer again, Jagger arrived before the other Stones to seek local producers. First were The Dust Brothers, who had impressed Jagger with their work on Beck's Odelay and the Beastie Boys' Paul's Boutique.[2] The Dust Brothers' contributions were initially five, but were reduced to three, which mark the only Stones songs to feature sampling. Danny Saber and Babyface were also brought in by Jagger, though the latter's contributions to the track "Already Over Me" were eventually discarded. Richards was not keen on the idea of working with "loop gurus", going as far as expelling Saber from the studio once he found him overdubbing guitars. Richards brought in Rob Fraboni for his solo material, and Was made sure to work with Richards and Jagger in separate rooms. Drummer Charlie Watts would relieve the tense environment by working along with percussionist Jim Keltner, who he would later draft for a solo project. By the final week of recording, the Stones were not in speaking terms, with Jagger boycotting sessions arranged by Richards' crew and Watts leaving Los Angeles as soon as he finished his contributions.[1]
During the album's mastering, the projected lead single "Anybody Seen My Baby?" was found to resemble k.d. lang's 1992 hit "Constant Craving" in its chorus, a discovery brought to Richards' attention by his daughter Angela. Seeking to avoid possible future legal entanglements, lang and her co-writer Ben Mink were credited along with Jagger and Richards on the new song.[3] Upon its release, it would reach #22 in the UK and become a U.S. radio rock hit.
A total of eight different musicians played bass on the sessions for the album: Jeff Sarli, Jamie Muhoberac, Blondie Chaplin, Don Was, Danny Saber, Darryl Jones, Me'shell Ndegeocello, and Doug Wimbish."
Edited 1 time(s). Last edit at 2017-04-06 20:40 by hopkins.