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MichaelLassen
Only thing I care about is the fact that it seems like both Mick, Keith, Charlie and Ronnie seems motivated to give it a go at the studio.
With all the things that could go wrong and potential conflict of interest, I'm MORE than grateful if Jack White is somehow part of the glue that makes this project stick.
Seems to me like Don Was had his time, and since we don't know what they have in mind for a new album, I*m certainly not wasting time being negative about a new Stones album.
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24FPS
Only 4 negatives against a sea of positives. I can see Don Was playing bass for the Stones on a Jack White produced record. Anyone but Darryl, unless somebody shows him how to play emotional, rock based bass finally. I'm hoping they would let Jack bring some new instrumentalism to a Stones record. He knows some fine, fine piano players that could bring a new dimension to the Stones, and not just mild echoes of past triumphs.
Jack blew it at the Beacon. His voice was terrible, I think from nerves. But there's no denying he has the blues roots. He doesn't have to contribute his Zepplinesque guitar playing. Just bring the right vibe.
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KRiffhard
There are rumors everywhere and there are no denials! Fingers crossed!
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latebloomer
I wish they would just produce themselves, Keith and Mick together. But, I know that's unrealistic, so I'm on board with whomever can get them back in the studio.
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KRiffhard
There are rumors everywhere and there are no denials! Fingers crossed!
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Cooltoplady
funny how everybody says he would be great but never say why? Im pretty sure if keith gave him the evil eye he would run in the bathroom and cry
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Cooltoplady
Im pretty sure if keith gave him the evil eye he would run in the bathroom and cry
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JumpingKentFlash
A big YES from me.
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keefriffhardsQuote
Cooltoplady
funny how everybody says he would be great but never say why? Im pretty sure if keith gave him the evil eye he would run in the bathroom and cry
I thought Keith made a few tracks with Jack white some years ago
obviously nothing came of them, i wonder why
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HairballQuote
keefriffhardsQuote
Cooltoplady
funny how everybody says he would be great but never say why? Im pretty sure if keith gave him the evil eye he would run in the bathroom and cry
I thought Keith made a few tracks with Jack white some years ago
obviously nothing came of them, i wonder why
Maybe because Keith thought they were crap?
And the 'evil eye' comment is hilarious! ><
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Cooltoplady
How the heck is this guy going to tell the Stones what to do when he can't even figure out how to play guitar.
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HairballQuote
keefriffhardsQuote
Cooltoplady
funny how everybody says he would be great but never say why? Im pretty sure if keith gave him the evil eye he would run in the bathroom and cry
I thought Keith made a few tracks with Jack white some years ago
obviously nothing came of them, i wonder why
Maybe because Keith thought they were crap?
And the 'evil eye' comment is hilarious! ><
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RockinJive
He would be shaking in his boots just like he was in Shine A Light. The guy is a joke. His production sucks. They sound like a 12 year did them.
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NaturalustQuote
Cooltoplady
How the heck is this guy going to tell the Stones what to do when he can't even figure out how to play guitar.
Being proficient on guitar is much less important when you've got Keith and Ronnie to do the guitar playing. To me it's more about instrumentation, arrangements, groove, and song and take selection. If you've listened to some of Jack White's recent recordings, excellent use of studio musicians, and other production work, it's obvious he can take pretty simple ideas and turn them into interesting songs. He's come a long way in the last few years, imo.
We've already has someone who worshiped Exile, said all the right things and had all the promise in the world who wasn't able to deliver (Don Was). I just got the feeling he was too much of a yes man to pull it off. Those images of him sitting barefoot in the studio rocking back and forth when the Stones were rehearsing mediocre stuff tells me he was probably too much of a fan to make much of a difference. LOL
Like I've said before, they should try out multiple producers. Perhaps even give them all a crack at the same song and really be able to tell who was going to work best with/for them. In the end it's still going to be all about Mick and Keith unless they get some very visionary, very strong willed genius to pull them up to a new level of brilliance.
Ideas like they had in the BB, LIB era in terms of arrangement and instrumentation seem like the best approach for me, hope they agree. Stuff like in YCAGWYW when the chorus gives way to the beautiful acoustic guitars and the song just builds from there. Interesting and unusual bridges, great Mick on Mick and Mick on Keith harmonies. Great counter rhythms like the horn parts in Rocks off, great sounding unique sounding intros like CYHMK, some well crafted nice toned slide work by Ronnie like on the SF live release. Man, they've done it all before, know all the tricks, time to make them work again. They need to go back to pre-Some Girls production ideas, although that was a great record, I think the approach doesn't work for them anymore....less Shattered, more Let it Loose!