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Spodlumt
Don Was is the worst producer they can work with. He strips all the grime out of a record. He is as bad as Jeff Lynne. They should get Chris Kimsey as a producer and Bob Clearmountain as a mixer. At least these guys know what they are doing. The Stones have turned the last 30 odd years into a colossal episode in laziness. Shitty records, Over-priced tickets and paint by the numbers "events."
I used to love them by they have made a mockery of their legacy....money, money, money.....not a decent record in 35 years...."the greatest rock n' roll band in the world....MY ASS....talk about staying too long at the party......
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Spodlumt
Don Was is the worst producer they can work with. He strips all the grime out of a record. He is as bad as Jeff Lynne. They should get Chris Kimsey as a producer and Bob Clearmountain as a mixer. At least these guys know what they are doing. The Stones have turned the last 30 odd years into a colossal episode in laziness. Shitty records, Over-priced tickets and paint by the numbers "events."
I used to love them by they have made a mockery of their legacy....money, money, money.....not a decent record in 35 years...."the greatest rock n' roll band in the world....MY ASS....talk about staying too long at the party......
Agreed. Don Was may be a good producer, but he's not good for the Stones, at least that is my honest opinion; too sterile. I want some gritty, loose rock and roll recorded with 3 mikes in a room. Period.
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Mel Belli
People need to distinguished between "slick" and "produced." There is nothing slick about A Bigger Bang. Much of it sounds like it was cut live, with minimal overdubs. But it is arguably underproduced or undercooked. Exile On Main Street is raw but *produced*, in the sense that there's a lot going on with instrumentation, background vocals, horns, arrangements, etc.
Steel Wheels is both slick and produced.
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wonderboy
He's been working for them for years. If you believe the legends that the Stones use people up, shouldn't he be carving swastikas on the console board by now?
They're too old to ruin somebody's life now. The bodies just aren't piling up like they used to.
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Spodlumt
Don Was is the worst producer they can work with. He strips all the grime out of a record. He is as bad as Jeff Lynne. They should get Chris Kimsey as a producer and Bob Clearmountain as a mixer. At least these guys know what they are doing. The Stones have turned the last 30 odd years into a colossal episode in laziness. Shitty records, Over-priced tickets and paint by the numbers "events."
I used to love them by they have made a mockery of their legacy....money, money, money.....not a decent record in 35 years...."the greatest rock n' roll band in the world....MY ASS....talk about staying too long at the party......
Agreed. Don Was may be a good producer, but he's not good for the Stones, at least that is my honest opinion; too sterile. I want some gritty, loose rock and roll recorded with 3 mikes in a room. Period.
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wonderboy
He's been working for them for years. If you believe the legends that the Stones use people up, shouldn't he be carving swastikas on the console board by now?
They're too old to ruin somebody's life now. The bodies just aren't piling up like they used to.
You make Lisa giggle!!!!!
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IanBillen
Mel Belli is spot on on the true definition of something being 'slick' versus something being 'produced ..or over produced' (or both).
How is Don Was's style too sterile? Are we talking about the same producer here? His style is normally <anything but> sterile. Did you think Voodoo Lounge was too sterile?
If so .. I'll have to ask .. are we even talking about the same album here?
One could argue ABB was sterile in meaning stripped down but to me .. stripped down and bare bones does NOT = sterile (two different things / sounds). Sweet Neocon was sterile .. that I agree.. and it was 'meant' to be. "That is it's production style. Very sterile on that particular sound.
Don Was only makes the album the artist wants to make more over. How do I know this? I watched several interviews.. with both him and the artist ....and as well I have spoke to people who have worked with him. Don Was only organizes what they have and tries to make it comfortable and gives them what they want to express and sound like but in the best possible fashion.
If you don't enjoy what the Stones have done while with him I guess I can understand .. (but I certainly disagree) .. however he is only one side of the coin. The bigger ...most important side of that coin is what The Stones got going and what they come up with inside ... and what their state of affairs is.
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lem motlow
i stopped blaming chuck,don was or anyone else for the stones problems a long time ago.
it's their band,if they can't listen to the finished record and notice that it's just ok or even subpar and are willing to just put it out anyway that's their problem and not the fault of the people they employ.
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lem motlow
i stopped blaming chuck,don was or anyone else for the stones problems a long time ago.
it's their band,if they can't listen to the finished record and notice that it's just ok or even subpar and are willing to just put it out anyway that's their problem and not the fault of the people they employ.
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DandelionPowderman
«Mystery guitars», bicycles, trash can drums, pedal steel guitars with bottleneck, accordions, harpsichord, violins and other stuff lightened up VL, imo.
Not sure if the Stones came up with all those ideas themselves..
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DandelionPowderman
«Mystery guitars», bicycles, trash can drums, pedal steel guitars with bottleneck, accordions, harpsichord, violins and other stuff lightened up VL, imo.
Not sure if the Stones came up with all those ideas themselves..
right but when I listen to bsides of singles and the bootlegs from the sessions I cant help thinking they really had material for an album that could stand up there in their discography, beside the greatest. imo in the end they came up with an very good album with great ideas some great tunes, some average and a safe vintage stones sound.
monsoon ragoon, samba, middle of the sea, bump and ride, you got it made, zip mouth angel, honest man
what a waste if i compare those sketches to blinded by rainbows, baby break it down or sweethearts together..
and the storm jump i'm gonna drive ended up as b-sides...
good album, incredible waste
imo
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matxil
I much prefer the Stones to try to do something new and experimental than doing some nostalgic blues album which would be pointless.
However, that doesn't mean that "experimental" album would be any good. TSMR or DW show that experimental Stones can end up pretty bad (at least 50% terrible). On the other hand, when their blues-based roots go hand in hand with going along with the times, trying new things, jamming, allowing grooves to grow, then they have proved that they come up with truely great stuff.
The fact that "the new album" is apparantly the fruit of a few separate sessions, however, does not promise anything good.
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DandelionPowdermanQuote
matxil
I much prefer the Stones to try to do something new and experimental than doing some nostalgic blues album which would be pointless.
However, that doesn't mean that "experimental" album would be any good. TSMR or DW show that experimental Stones can end up pretty bad (at least 50% terrible). On the other hand, when their blues-based roots go hand in hand with going along with the times, trying new things, jamming, allowing grooves to grow, then they have proved that they come up with truely great stuff.
The fact that "the new album" is apparantly the fruit of a few separate sessions, however, does not promise anything good.
It's been so long since they did the blues properly, so we can regard a blues album as a major experiment
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matxilQuote
DandelionPowdermanQuote
matxil
I much prefer the Stones to try to do something new and experimental than doing some nostalgic blues album which would be pointless.
However, that doesn't mean that "experimental" album would be any good. TSMR or DW show that experimental Stones can end up pretty bad (at least 50% terrible). On the other hand, when their blues-based roots go hand in hand with going along with the times, trying new things, jamming, allowing grooves to grow, then they have proved that they come up with truely great stuff.
The fact that "the new album" is apparantly the fruit of a few separate sessions, however, does not promise anything good.
It's been so long since they did the blues properly, so we can regard a blues album as a major experiment
The only way for them to do it properly, is when they do something new to it, i.e., as they did, for example, on EOMS (which doesn't mean they should repeat EOMS which would be equally pointless), if not, you'd be better of listening to Howling Wolf, John Lee Hooker, Muddy Waters etc...
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DandelionPowdermanQuote
matxilQuote
DandelionPowdermanQuote
matxil
I much prefer the Stones to try to do something new and experimental than doing some nostalgic blues album which would be pointless.
However, that doesn't mean that "experimental" album would be any good. TSMR or DW show that experimental Stones can end up pretty bad (at least 50% terrible). On the other hand, when their blues-based roots go hand in hand with going along with the times, trying new things, jamming, allowing grooves to grow, then they have proved that they come up with truely great stuff.
The fact that "the new album" is apparantly the fruit of a few separate sessions, however, does not promise anything good.
It's been so long since they did the blues properly, so we can regard a blues album as a major experiment
The only way for them to do it properly, is when they do something new to it, i.e., as they did, for example, on EOMS (which doesn't mean they should repeat EOMS which would be equally pointless), if not, you'd be better of listening to Howling Wolf, John Lee Hooker, Muddy Waters etc...
What was the new thing they did with the blues tunes on EOMS?
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matxilQuote
DandelionPowdermanQuote
matxilQuote
DandelionPowdermanQuote
matxil
I much prefer the Stones to try to do something new and experimental than doing some nostalgic blues album which would be pointless.
However, that doesn't mean that "experimental" album would be any good. TSMR or DW show that experimental Stones can end up pretty bad (at least 50% terrible). On the other hand, when their blues-based roots go hand in hand with going along with the times, trying new things, jamming, allowing grooves to grow, then they have proved that they come up with truely great stuff.
The fact that "the new album" is apparantly the fruit of a few separate sessions, however, does not promise anything good.
It's been so long since they did the blues properly, so we can regard a blues album as a major experiment
The only way for them to do it properly, is when they do something new to it, i.e., as they did, for example, on EOMS (which doesn't mean they should repeat EOMS which would be equally pointless), if not, you'd be better of listening to Howling Wolf, John Lee Hooker, Muddy Waters etc...
What was the new thing they did with the blues tunes on EOMS?
Well, it was blues/rock/soul/gospel/country based (I'm sure I forgot something there). I know you don't agree but I think Ventilator Blues is more blues than anything else. In any case, I think you would agree that there is at least a strong blues influence/base/root in it.
HipShake, on the other hand, is a fairly straight played classic blues (Slim Harpo, I think), but Mick's voice and the tight, crisp guitars make it special.
Another example is Stop Breaking Down.
I'm not saying any of these songs are revolutionary experimental (compared to e.g. Captain Beefheart or something) but they do have a twist, they sound new and fresh and exciting. Even now.
I can't remember any of their recent blues attempts had that quality.
A bit over-stated. Mick J and Bill were not too much present in Nellcote. At that time they were already separating, Keith on Heroin and Mick with his things. Keith recording some of his songs in NellCote, while Mick recorded his songs / finished up things in LA.Quote
Muddyw
The Stones don't spend that much time together to create the songs nowadays. With Exile they lived together and took their time to jam the songs they wanted to make.