1. Paint It, Black
2. Shattered
3. Dance Little Sister
4. Rough Justice
5. Mona (Bo Diddley)
6. Dead Flowers
7. Streets of Love
8. Start Me Up
9. She Was Hot
10. Tumbling Dice

11. New KR Tune (Keith)
12. The Harder They Come (Jimmy Cliff) (Keith)

13. Mellow Down Easy (Little Walter—C’mon, Mick! Also harp intro a perfect way for MJ to return to stage…)
14. Out of Control
15. @#$%& OR New Tune
16. Slave/Harlem Shuffle Jam
17. Brown Sugar

18. Parachute Woman OR Little Red Rooster (Dixon)
OR Stop Breaking Down (Johnson) OR Hip Shake (Moore)
OR Fancyman Blues (B-Stage)
19. Back Of My Hand (B-Stage)
20. Country Honk (B-Stage)

21. Not Fade Away (with a loonnnggg Diddley-style intro) (Buddy Holly) OR Around & Around (Chuck Berry)
22. Let It Bleed

23. Can’t Always Get…
24. Jumpin’ Jack Flash


OK:

The Stones have meant everything to me. I was born six months after Let It Bleed came out and everything in my collection—Hank Williams, Howlin’ Wolf, John Lee Hooker, Otis Redding, The Replacements, Aretha Franklin, The Faces, Furry Lewis—is there because the Stones taught me how to love my country and its astonishingly rich musical stew.

The above is a list that I think works in the biggest halls and yet contains enough catalogue depth to maintain the interest of all of us who have been paying so much so many times to see these guys in the post-Steel Wheels era. It features many covers because, frankly, I think the Stones are most alive when covering their influences and because that sense of traditionalism is really what the Stones (and their fans) are all about.

What I tried to do was adapt a Licks arena format and break out of--or at least downplay-- the aspects that have become formulaic. Some of the warhorses are missing, but the ones that remain are sequenced to sustain momentum for even the most casual fan. Also, tunes from the 80’s and 90’s—“Slave/Harlem Shuffle,” “She Was Hot,” “Out of Control” as well as the new tunes are there to refute decisively the idea that the 70’s are the Stones’ last creatively rich period. “Let It Bleed” and “Not Fade Away” can stand in the climactic part of the show and should break up the pro forma run of monster hits.

Can’t wait to see the boys—am loving the new tunes...

all good except for the fact I really think they need to play sympthay for the devil especially in the stadium shows.

you left out stay with me and oh la la.

I would love to see/hear Keith do my all-time favorite...Comin Down Again...absolutely his finest song and best vocal...has it ever been done in concert
?

Coming Down Again was rehearsed in '02 but it hasn't been done in concert....yet.

FORGET SYMPATHY,,,,,GIVE ME SLAVE

Rev. Robert W. Wrote:
-------------------------------------------------------
> 1. Paint It, Black
> 2. Shattered
> 3. Dance Little Sister
> 4. Rough Justice
> 5. Mona (Bo Diddley)
> 6. Dead Flowers
> 7. Streets of Love
> 8. Start Me Up
> 9. She Was Hot
> 10. Tumbling Dice
>
> 11. New KR Tune (Keith)
> 12. The Harder They Come (Jimmy Cliff) (Keith)
>
> 13. Mellow Down Easy (Little Walter—C’mon, Mick!
> Also harp intro a perfect way for MJ
> to return to stage…)
> 14. Out of Control
> 15. @#$%& OR New Tune
> 16. Slave/Harlem Shuffle Jam
> 17. Brown Sugar
>
> 18. Parachute Woman OR Little Red Rooster (Dixon)
>
> OR Stop Breaking Down (Johnson) OR Hip
> Shake (Moore)
> OR Fancyman Blues (B-Stage)
> 19. Back Of My Hand (B-Stage)
> 20. Country Honk (B-Stage)
>
> 21. Not Fade Away (with a loonnnggg Diddley-style
> intro) (Buddy Holly) OR Around & Around
> (Chuck Berry)
> 22. Let It Bleed
>
> 23. Can’t Always Get…
> 24. Jumpin’ Jack Flash
>
>
> OK:
>
> The Stones have meant everything to me. I was born
> six months after Let It Bleed came out and
> everything in my collection—Hank Williams, Howlin’
> Wolf, John Lee Hooker, Otis Redding, The
> Replacements, Aretha Franklin, The Faces, Furry
> Lewis—is there because the Stones taught me how to
> love my country and its astonishingly rich musical
> stew.
>
> The above is a list that I think works in the
> biggest halls and yet contains enough catalogue
> depth to maintain the interest of all of us who
> have been paying so much so many times to see
> these guys in the post-Steel Wheels era. It
> features many covers because, frankly, I think the
> Stones are most alive when covering their
> influences and because that sense of
> traditionalism is really what the Stones (and
> their fans) are all about.
>
> What I tried to do was adapt a Licks arena format
> and break out of--or at least downplay-- the
> aspects that have become formulaic. Some of the
> warhorses are missing, but the ones that remain
> are sequenced to sustain momentum for even the
> most casual fan. Also, tunes from the 80’s and
> 90’s—“Slave/Harlem Shuffle,” “She Was Hot,” “Out
> of Control” as well as the new tunes are there to
> refute decisively the idea that the 70’s are the
> Stones’ last creatively rich period. “Let It
> Bleed” and “Not Fade Away” can stand in the
> climactic part of the show and should break up the
> pro forma run of monster hits.
>
> Can’t wait to see the boys—am loving the new
> tunes...
>
Hi,
like your list and understand your wish to break new ground by
aking the Stones to deliver a total new charakter of the set list line up.
Me personaly would like to find out how that works these days.
By the way....they should throw in about 7-8 new songs at the
BIGGER BANG tour... formerly known as the ONSTAGE tour.

Salar

7 or 8 ,,IM HOPIN FOR 5,,,LADY JANE,,SWAY,,SLAVE,,MOTHERS LITTLE HELPER,,AS TEARS GO BY....