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DandelionPowderman
And 3. You are perhaps comparing men in their 70s to who they were in their 20s?
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TheBlockbusterQuote
DandelionPowderman
And 3. You are perhaps comparing men in their 70s to who they were in their 20s?
This time I was comparing a 2012 ADTL to a 2015 ADTL, which I think is a fair comparison, don't you?
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lem motlow
it's barely changed since 1962,anyone who thinks there was a huge leap or dropoff in the stones musical ability is probably just feeling their own age more than anything.
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lem motlow
those 72-73 shows are waaay overrated anyway-
if you're under some sort of delusion that a sound system from 43 years ago is better than one from 2015 o.k.,otherwise it makes perfect sense that they would have a better live sound now.if you went that far back from 72 you'd be in 1929.
the staging looked really primitive and they were playing to crowds about 1/3 the size of the ones today so the entire show was a bit dated.
to hear the revisionist history you would think keith never missed a note,the guitars never went out of tune,you never heard those awful mic squeals that you seem to never hear now, and mick taylor wasnt endlessly soloing on every song for no apparent reason.
they are just simple rock songs, not the london philharmonic.it's the band and the fans in the crowd that elevate the entire experience to something else.
it's barely changed since 1962,anyone who thinks there was a huge leap or dropoff in the stones musical ability is probably just feeling their own age more than anything.
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longhorn14
Can we shorten the timeframe here? Can we say these past 2 or 3 shows were better than antying since 1999?
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dcbaQuote
longhorn14
Can we shorten the timeframe here? Can we say these past 2 or 3 shows were better than antying since 1999?
On songs like MMile or SGirls? Probably. On MM the band and Jagger sound much more exciting than in 99.
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lem motlow
those 72-73 shows are waaay overrated anyway-
if you're under some sort of delusion that a sound system from 43 years ago is better than one from 2015 o.k.,otherwise it makes perfect sense that they would have a better live sound now.if you went that far back from 72 you'd be in 1929.
the staging looked really primitive and they were playing to crowds about 1/3 the size of the ones today so the entire show was a bit dated.
to hear the revisionist history you would think keith never missed a note,the guitars never went out of tune,you never heard those awful mic squeals that you seem to never hear now, and mick taylor wasnt endlessly soloing on every song for no apparent reason.
they are just simple rock songs, not the london philharmonic.it's the band and the fans in the crowd that elevate the entire experience to something else.
it's barely changed since 1962,anyone who thinks there was a huge leap or dropoff in the stones musical ability is probably just feeling their own age more than anything.
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LongBeachArena72Quote
RokyfanQuote
TheBlockbusterQuote
caschimann
Poor video whiner just move your fan heart into a live show.
Leave the dagerous drug of "Judging by Video".
It disturbs your fan heart.
WE NEED YOU here as a healthy, positive, real rocking and rolling fan.
Make a U-turn and come back.
Take it easy.
I saw them perform All Down The Line LIVE in concert in Stockholm 2014, with the same slow tempo as in Atlanta, and it was very weak. All I could think of was ''PLAY FASTER, PLAY FASTER goddammit''.
I feel no need to stay healthy or positive when there's nothing to be positive about.
With that said, I still think they're playing most of their songs better now in 2015 than they did in 2012.
you are not supposed to have any discretion, you are supposed to love everything. Anything less is a whine. it's the new rules.
Since I do not go to Stones concerts anymore, I try to refrain from commenting on the live show threads. I do glance at them from time to time and have been amazed at the fervent they-can-do-no-wrong attitude that seems characteristic of this tour. But, to each his own, and I'm glad people are still able to dig the band.
But, since others have commented using nothing other than digital video, and since there have been posters here suggesting that this Atlanta show belongs in the pantheon of great historical performances, I cannot resist two remarks, based on my listening to CYHMK and Some Girls:
1) we are truly down the rabbit hole, and
2) the Emperor, indeed, has no clothes!
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DandelionPowderman
And 3. You are perhaps comparing men in their 70s to who they were in their 20s?
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LongBeachArena72
But I do it because THEY have not evolved. We're stuck with no new music, a calcified approach to the catalog, and the sad fact that the original ONLY BAND THAT MATTERS (apologies to The Clash) hasn't really mattered in decades.
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LongBeachArena72
But I do it because THEY have not evolved. We're stuck with no new music, a calcified approach to the catalog, and the sad fact that the original ONLY BAND THAT MATTERS (apologies to The Clash) hasn't really mattered in decades.
What would they need to do to matter once again in your opinion? Write better songs? Churn out more albums? Lead the charts?
I believe they choose to only matter where the money is these days. You can ask any concert promoter and he'll tell you they matter.
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lem motlow
those 72-73 shows are waaay overrated anyway-
if you're under some sort of delusion that a sound system from 43 years ago is better than one from 2015 o.k.,otherwise it makes perfect sense that they would have a better live sound now.if you went that far back from 72 you'd be in 1929.
the staging looked really primitive and they were playing to crowds about 1/3 the size of the ones today so the entire show was a bit dated.
to hear the revisionist history you would think keith never missed a note,the guitars never went out of tune,you never heard those awful mic squeals that you seem to never hear now, and mick taylor wasnt endlessly soloing on every song for no apparent reason.Nice lem motlow! This is one of the best post I've seen here in a long time! You nailed it! It just goes to show you like I've said before on this site a lot of the people that complain about now and way back in 72, is that those people seem like there stuck in a time warp or they took to much acid back then and never came out of there tunnel vision.
they are just simple rock songs, not the london philharmonic.it's the band and the fans in the crowd that elevate the entire experience to something else.
it's barely changed since 1962,anyone who thinks there was a huge leap or dropoff in the stones musical ability is probably just feeling their own age more than anything.
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LongBeachArena72
It's a good question, and I'm not sure what the answer is. Obviously, it must start with the music. One record in 18 years is ridiculous. But the position of music in society has changed. Music is not nearly as important in defining an era as it once was. No one has really bucked this trend in many years.
I guess my gut tells me that The Stones should have BELIEVED in themselves more. I'd be going to see them if they played amphitheaters instead of stadia and played music they believed in, rather than the globe-trotting victory lap they've been on forever. It's not hard to understand why they made the choices they did. I just wish they'd not have given a @#$%& about the size of their audience and tried to take their nasty post-apocalyptic blues to the next level, whatever that would have been.
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duke richardson
new stuff is harder to come by, for them, because imo their history has made for such a high bar that its intimidating, even for them.
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NikkeiQuote
duke richardson
new stuff is harder to come by, for them, because imo their history has made for such a high bar that its intimidating, even for them.
Intimidated by their own body of work. Now that nails it.
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LongBeachArena72Quote
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LongBeachArena72
But I do it because THEY have not evolved. We're stuck with no new music, a calcified approach to the catalog, and the sad fact that the original ONLY BAND THAT MATTERS (apologies to The Clash) hasn't really mattered in decades.
What would they need to do to matter once again in your opinion? Write better songs? Churn out more albums? Lead the charts?
I believe they choose to only matter where the money is these days. You can ask any concert promoter and he'll tell you they matter.
It's a good question, and I'm not sure what the answer is. Obviously, it must start with the music. One record in 18 years is ridiculous. But the position of music in society has changed. Music is not nearly as important in defining an era as it once was. No one has really bucked this trend in many years.
I guess my gut tells me that The Stones should have BELIEVED in themselves more. I'd be going to see them if they played amphitheaters instead of stadia and played music they believed in, rather than the globe-trotting victory lap they've been on forever. It's not hard to understand why they made the choices they did. I just wish they'd not have given a @#$%& about the size of their audience and tried to take their nasty post-apocalyptic blues to the next level, whatever that would have been.
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NikkeiQuote
LongBeachArena72
It's a good question, and I'm not sure what the answer is. Obviously, it must start with the music. One record in 18 years is ridiculous. But the position of music in society has changed. Music is not nearly as important in defining an era as it once was. No one has really bucked this trend in many years.
I guess my gut tells me that The Stones should have BELIEVED in themselves more. I'd be going to see them if they played amphitheaters instead of stadia and played music they believed in, rather than the globe-trotting victory lap they've been on forever. It's not hard to understand why they made the choices they did. I just wish they'd not have given a @#$%& about the size of their audience and tried to take their nasty post-apocalyptic blues to the next level, whatever that would have been.
I would have loved more albums too. But I believe if they released more, they still wouldn't matter in youth culture any more than they do. It's usually the very young fans dying to see warhorses and those third generation fans in a way are oddities to their peers, who don't even know the warhorses. I don't claim to understand youth culture these days, but it's obvious that authenticity is down the drain. In sleepy 2015 there's no place for streetfighting men (or kids).
I am fairly certain of another thing: We will live to see them tour small venues in the future. It will be Micks call, when he isn't up for running anymore. Can't say anything about the setlist or ticket prices then, but I'm confident that it will turn out that way.
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Rokyfan
Two guys that cannot deal with each other except from a distance does not translate into memorable art.)
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lem motlow
those 72-73 shows are waaay overrated anyway