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DreamerQuote
DandelionPowdermanQuote
24FPS
Like I said, you either accept what they are now, or you don't go see them. But quit hoping for more. More is over.
So what do you say to the fans that have seen them play Lady Jane, I Wanna Be Your Man, Silver Train, the two new songs. Under The Boardwalk, Factory Girl, Out Of Control, Worried About You, 2000 Light Years From Home, Sway, Can't You Hear Me Knocking, She's So Cold, Dead Flowers, Streets Of Love (!), It's All Over Now, Little Red Rooster, The Last Time, Memory Motel + other gems on this tour?
It's not over, but they are at a stage in their career where they probably need to play it safer, to be able to do quality shows.
There will always be SOME surprises when the Stones are playing. Maybe that's why some people get so disappointed when it doesn't happen
He doesn't have to say anything, does he? He's just giving an opinion. Stop asking silly and ridiculously childish questions like someone has to validate his opinion or something in front of this 'moral majority cheerleader squad'.
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MarkSchneider
It's fun noticing how politically correct thinking infiltrates rock'n'roll///
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DandelionPowdermanQuote
MarkSchneider
Setlists' debate
It's fun noticing how politically correct thinking infiltrates rock'n'roll
Setlist whining represents being politically correct, you mean?
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Manofwealthandtaste
When the inevitable day comes and The Stones decide to hang up their guitars for good and we have heard the last "we're gonna do one more then we gotta go" song, those setlist moaners will be wishing for 'just one more gig'. So let's all enjoy/marvel/rejoice in the fact they are still on the road giving us some great rock 'n' roll music as only they know how........
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Manofwealthandtaste
When the inevitable day comes and The Stones decide to hang up their guitars for good and we have heard the last "we're gonna do one more then we gotta go" song, those setlist moaners will be wishing for 'just one more gig'. So let's all enjoy/marvel/rejoice in the fact they are still on the road giving us some great rock 'n' roll music as only they know how........
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Macnee2
There' a cool moment during JJF when Keith and Ronnie jam on past the ending and you can see Mick snarling at Keith twice before they come to a tidy ending. Then Keith throws in a few extra notes just to irritate Mick.
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maumau
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24FPS
Wow. People certainly take things the wrong way. I'm basically trying to tell setlist moaners to knock it off. It's obvious that the great days are long over. Some performers the Stones' age are playing entire albums, or large portions thereof, like the Stones did on the Licks Tour. The Stones do not have to play the worn out hits night after night, but they choose to. Maybe they have to, we really don't know the state of the band.
I have watched some of their contemporary groups dig a little deeper for more satisfying cuts, and then pull a monster hit out of their bag when the audience's attention wanders. But for some reason the Stones are indeed playing it extremely safe.
I don't really understand how someone could follow them around the world at every stop at this stage, but I don't have to. If you've never seen them before this could be great, and young people seeing a legend for the first time have nothing to compare them to, so have a blast. The Stones are putting out those vault DVDs next month for fans like me.
I hope the Stones continue making fans happy for as long as they can manage. And I hope the Stones see the love reflected in those fans' eyes. So, quit bitching about the setlists. They're set in stone and you either like it, or you walk away. This whole shebang could have ended a long time ago. And if you want to hear Sympathy For the Devil live, on an endless loop, more power to you.
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24FPS
Wow. People certainly take things the wrong way. I'm basically trying to tell setlist moaners to knock it off. It's obvious that the great days are long over. Some performers the Stones' age are playing entire albums, or large portions thereof, like the Stones did on the Licks Tour. The Stones do not have to play the worn out hits night after night, but they choose to. Maybe they have to, we really don't know the state of the band.
I have watched some of their contemporary groups dig a little deeper for more satisfying cuts, and then pull a monster hit out of their bag when the audience's attention wanders. But for some reason the Stones are indeed playing it extremely safe.
I don't really understand how someone could follow them around the world at every stop at this stage, but I don't have to. If you've never seen them before this could be great, and young people seeing a legend for the first time have nothing to compare them to, so have a blast. The Stones are putting out those vault DVDs next month for fans like me.
I hope the Stones continue making fans happy for as long as they can manage. And I hope the Stones see the love reflected in those fans' eyes. So, quit bitching about the setlists. They're set in stone and you either like it, or you walk away. This whole shebang could have ended a long time ago. And if you want to hear Sympathy For the Devil live, on an endless loop, more power to you.
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angee
Hey, Doxa, you seem much more positive about the band of late.
Correct me if I'm wrong. Is this at least partly because you've just seen a show or two or three this year, and had missed their performances in 2012-2013?
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powerage78
Any "Can't be seen" & "Happy" video ?
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Doxa
it looks like everything was more or less sorted out by the time they hit Europe (Jagger's personal tragedy also added some extra affection I guess). It could be some of these things affect to my perception as well.
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chris girard
I never get tired listening to this song, it really is the best rock and roll song in the world. Am I going to start something with that remark. I saw them in Dc last year and they were great
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maumau
Compare the repetitive setlists of the early seventies with today's is nonsense. they were in their heyday then, playing their latest, strongest stuff, in a catalogue that was not even 10 years old. That ended in 78. 81 was an added chapter to that but also a hint to what they could and would in fact be from 89 on.
New songs were limited to a smaller part of the setlist and basically at the beginning. Start me up was the last "new" song to make it to the "warhorses" part of the gig. It began the era of the "obscure" tracks to dig out from catalogue. There was the acoustic set in 95, the web choice in 97 and so on.
The best part of this was in 2002/2003 with the 3 venues per town idea + the album theme idea, even if it was early limited to the usual suspects. Of course i'd love to hear Parachute woman or She smiled sweetly and I think that to throw Till the next goodbye or Out of time in the list instead of Wild horses or Iorr once in a while could do no harm to the crescendo
Fact is that Mick thinks and design the setlist as a crescendo plus he is the one that sings (has to remember the lyrics) and feel more comfortable if he does not have to "think" about the lyrics and focus on the "working the crowd part" with his body and choreography. That is why he, and they, need a "safe" setlist at this point and at their age.
Fact is that it works very well on most nights and I have never left a gig unsatisfied (1990, 2003, 2006, 2007, 2012, 2014)
Post scriptum: I have seen the whole MR for Adelaide
so may I enlist among the "Lame Crowd Moaners"? It's incredible to see the work of Mick and the band AND all those people standing motionless, arms folded and silent... but hey, I'm italian and was at the Circo Massimo..