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DGA35
I know there has been lots of talk here in the past about whether Brian should have received a writing credit for this song. Also, has it ever been decided as to who played piano? 40 Licks credits Brian as did Bill's book but others credit Nitzsche.
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dandelion1967
Should correct the list of musicians: Keith and Bill did play double-bass, Brian definitely not play the piano, is Jack Nietzche or Nicky Hopkins. In fact, there are two pianos in recording: a grand piano, and a tack-piano.
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dandelion1967
Should correct the list of musicians: Keith and Bill did play double-bass, Brian definitely not play the piano, is Jack Nietzche or Nicky Hopkins. In fact, there are two pianos in recording: a grand piano, and a tack-piano.
It's Brian and/or Jack. Definitely not Nicky Hopkins, he didn't play on a stones session until 1967.
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dandelion1967
Should correct the list of musicians: Keith and Bill did play double-bass, Brian definitely not play the piano, is Jack Nietzche or Nicky Hopkins. In fact, there are two pianos in recording: a grand piano, and a tack-piano.
It's Brian and/or Jack. Definitely not Nicky Hopkins, he didn't play on a stones session until 1967.
Friedrich Nietzsche on piano would have been great
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dandelion1967
Should correct the list of musicians: Keith and Bill did play double-bass, Brian definitely not play the piano, is Jack Nietzche or Nicky Hopkins. In fact, there are two pianos in recording: a grand piano, and a tack-piano.
It's Brian and/or Jack. Definitely not Nicky Hopkins, he didn't play on a stones session until 1967.
Friedrich Nietzsche on piano would have been great
Nietzche did compose piano music!
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grzegorz67
Their rendtion of this song at Hyde Park 2 was my personal highlight of both Hyde Park Shows. I thought it was tremendous.
I came to Hyde Park 2 with a couple of friends who are not particular Stones fans (and much younger than me!) This was one of their highlights - they couldn't believe it was a Stones melody. My favourite version was at Twickenham in the rain as it was the first time I heard it live.
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grzegorz67
Their rendtion of this song at Hyde Park 2 was my personal highlight of both Hyde Park Shows. I thought it was tremendous.
I came to Hyde Park 2 with a couple of friends who are not particular Stones fans (and much younger than me!) This was one of their highlights - they couldn't believe it was a Stones melody. My favourite version was at Twickenham in the rain as it was the first time I heard it live.
For some reason the Stones seem to think of this as a "London" song and it often shows up in London setlists. Maybe they just like the sound of all of us singing along.
Interesting thought that they play it more in London than elsewhere - I do think it is very evocative of that era and place - London mid 60's - so maybe they are a little more sentimental than we think!
Ruby Tuesday was written before there was such a thing as a "typical" Stones song - and much as I love typical Stones songs, the untypical ones are some of their best - especially this.
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dandelion1967
Should correct the list of musicians: Keith and Bill did play double-bass, Brian definitely not play the piano, is Jack Nietzche or Nicky Hopkins. In fact, there are two pianos in recording: a grand piano, and a tack-piano.
It's Brian and/or Jack. Definitely not Nicky Hopkins, he didn't play on a stones session until 1967.
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Mathijs
While reading the book " the making of Let it Bleed" by Sean Egan, I came accros a remark that the piano on Ruby Tuesday is not played by Brian Jones as I have always thought, but that it is played by Jack Nitzche. I checked all ABKCO releases I own, and indeed, Mr. Nitzsche is credited for playing the keyboards on this song, as is on Let's Spend the Night Together and Paint it Black.
I guess Jones' sitting behind the piano on the Top of the Pops playback could have had us mislead for all those years. If it is indeed true, it does make it less likely that Jones (partially) wrote this song, as is claimed by Marianne Faithfull.
Mathijs
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howled
The actual recorder part is not the main melody, but is playing counter melodies.
I think the image of Brian miming piano on the music shows and the image of Brian as a musical pied piper minstrel with a recorder plays into the notion that he might have had something to do with writing the song.
The song itself is right up Keith's street in terms of Keith's ballad side ie Tears Go By, Angie etc.
Very simple chords with a couple of keys used (tonal centres) and a IIm V7 I (while the sun is bright) and Keith likes to use the V7 I in ballads and it gives them a pretty sort of sound.
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howled
Another thing is that Brian is playing some way out notes at the start of the recorder decent in the "When you change" section.
But they are mixed somewhat in the background in comparison to Mick's voice so they don't stand out that much, but on Brian's live version they stand out more and basically sound a bit off.
Why Brian is playing these notes, who knows.
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DandelionPowderman
<Mathijs was wrong about that and also that all ABKCO releases say Nitzsche played piano on ruby Tuesday.>
He said he checked all ABKCO releases he owns
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DandelionPowderman
<Mathijs was wrong about that and also that all ABKCO releases say Nitzsche played piano on ruby Tuesday.>
He said he checked all ABKCO releases he owns
Very few even have any info in them to check. The singles collections and R&R Circus and that's about it.
The singles collection say's Jack played the piano, 40 Licks say's Brian did ... ALO can't remember.
Meanwhile it remains ace!
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howled
The actual recorder part is not the main melody, but is playing counter melodies.
I think the image of Brian miming piano on the music shows and the image of Brian as a musical pied piper minstrel with a recorder plays into the notion that he might have had something to do with writing the song.
The song itself is right up Keith's street in terms of Keith's ballad side ie Tears Go By, Angie etc.
Very simple chords with a couple of keys used (tonal centres) and a IIm V7 I (while the sun is bright) and Keith likes to use the V7 I in ballads and it gives them a pretty sort of sound.
Jones never mimed playing piano on the song. Mathijs was wrong about that and also that all ABKCO releases say Nitzsche played piano on ruby Tuesday.
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howled
Another thing is that Brian is playing some way out notes at the start of the recorder decent in the "When you change" section.
But they are mixed somewhat in the background in comparison to Mick's voice so they don't stand out that much, but on Brian's live version they stand out more and basically sound a bit off.
Why Brian is playing these notes, who knows.
Nonsense, not way out at all. He's descending down scale whilst partially harmonising and playing the melody.
As for live version, try playing recorder instage with no monitors and a loud band.
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DandelionPowderman
<Keith mimed the piano>
Isn't that interesting? He did that on LSTNT as well, a song we know he played/co-played piano on..
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His Majesty
Howled, Jones didn't mime playing piano on Ruby Tuesday.
Keith mimed the piano when they appeared playing that song.
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howled
Maybe Keith played some piano things on top of Jack's, I don't know.
That's what Jack and Nicky did, play piano parts, and Stu as well.
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His Majesty
It was brought up via Mathijs point, which was a wrong one.
Anyway, we have footage of Brian playing Ruby Tuesday on piano.