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DandelionPowderman
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GasLightStreet
I've always liked the tune. Mick's sneering vocal delivery is perfect, especially the way he blurs the words and makes it beyond difficult to understand.
Isn't it all about that bass, as the kids say?Quote
DandelionPowderman
What about the bass???
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keefriff99Isn't it all about that bass, as the kids say?Quote
DandelionPowderman
What about the bass???
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Turner68
I have noticed that many people on here enjoy Undercover more than I do and thanks to it being on the Album Talk for the week I've enjoyed listening to it and discovering why people like it and why I still don't particularly.
I think it's an album of mostly high quality filler, with only one great song - She Was Hot. Undercover the song for me is ruined because of the drum machine and the singing (although I get that some people like it - it is certainly audacious and the video is cool.)
Pretty Beat Up is high quality filler. Love the sax.
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James Kirk
If this track were included on a brand new Stones album it would be trashed, but because it's on a record that many older fans seem to have fond memories of it's elevated by some here as a lost classic.
It's a terrible/dated song.
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DandelionPowdermanQuote
James Kirk
If this track were included on a brand new Stones album it would be trashed, but because it's on a record that many older fans seem to have fond memories of it's elevated by some here as a lost classic.
It's a terrible/dated song.
Are all bass-heavy funk tunes with sax «terribly dated»? I can understand that Too Much Blood sounds somewhat dated, but not Pretty Beat Up? To me it sounds timeless. It did that in 1983 as well
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Turner68Quote
DandelionPowdermanQuote
James Kirk
If this track were included on a brand new Stones album it would be trashed, but because it's on a record that many older fans seem to have fond memories of it's elevated by some here as a lost classic.
It's a terrible/dated song.
Are all bass-heavy funk tunes with sax «terribly dated»? I can understand that Too Much Blood sounds somewhat dated, but not Pretty Beat Up? To me it sounds timeless. It did that in 1983 as well
i can remember how i felt listening to this album (and others, like emotional rescue) at the time - say 82-84 - and it wasn't a feeling that they were dated but rather that the sound was a little contrived, and wasn't really stonesy. i think this is the warning sign for a sound that is destined to *become* dated. so no, it didn't sound dated in 1983, but it sounded like they were trying to be current and that it didn't feel quite right.
i can't explain how some girls doesn't suffer from this fate though - i'm sure part of it is that we all keep telling each other that it's great so we somehow overlook what might be "dated" whereas with undercover it doesn't have the mystique to support it.
i apologize for the ramble. what i really want to say is that undercover had a sound to it that didn't last for very long in the 80s, and that was not what people generally identified with the stones. i also think it has *nothing* to do with heavy bass and sax.
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RipThisBone
PRETTY BEAT UP (Jagger, Richards, Wood) Yeah!!!
Just gotta make some moves and more to this one everytime. Love the instrumental outtake DogShit (RW) even more. Great BEAT by Charlie. Nobody comes near.
Remember : We would not have HEY NEGRITA without mister Wood.
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treaclefingers
I know I'm off topic here but I've continued my stroll down memory lane with a playing of Emotional Rescue on vinyl...now on "Down In The Hole"...just lovely.
The 80s started so promising...Emotional Rescue, Tattoo You, Still Life, Undercover and then we get to 'State Of Shock', 'Just Another Night', 'Winning Ugly', 'Let's Work'....how did it all go so bad so quickly?