For information about how to use this forum please check out forum help and policies.
Quote
His Majesty
Just a load of non descript, meaningless guitar fills that wouldn't have received much if any focus had Taylor's involvement not been mentioned.
Quote
More Hot RocksQuote
His Majesty
Just a load of non descript, meaningless guitar fills that wouldn't have received much if any focus had Taylor's involvement not been mentioned.
Totally agree. It's just a throw way tune. That should of never been brought back.
Quote
71TeleQuote
More Hot RocksQuote
His Majesty
Just a load of non descript, meaningless guitar fills that wouldn't have received much if any focus had Taylor's involvement not been mentioned.
Totally agree. It's just a throw way tune. That should of never been brought back.
Absolute rubbish. This is in fact, the only "new" song they have released that has moved me in 30 years. And not just because of Taylor. It has that Stones magic in it, which is completely lacking in anything from Voodoo on (at least), and the only really special "extra" on the Exile reissue.
Quote
Doxa
It is one of those tracks where every little nuance is perfect - a feature The Stones once upon time ago were masters, but lost that during the 80's. The groove of the backing track is simply magical, and the whole thing - especially two Micks - is done by a perfect taste. Personally for me the most important track since TATTOO YOU days. It made - and makes - me realize why I like this band so much. After all those yougotmerockins and ohnonotyouagains.
- Doxa
Quote
Doxa
It is one of those tracks where every little nuance is perfect - a feature The Stones once upon time ago were masters, but lost that during the 80's. The groove of the backing track is simply magical, and the whole thing - especially two Micks - is done by a perfect taste. Personally for me the most important track since TATTOO YOU days. It made - and makes - me realize why I like this band so much. After all those yougotmerockins and ohnonotyouagains.
- Doxa
Quote
DandelionPowdermanQuote
Doxa
It is one of those tracks where every little nuance is perfect - a feature The Stones once upon time ago were masters, but lost that during the 80's. The groove of the backing track is simply magical, and the whole thing - especially two Micks - is done by a perfect taste. Personally for me the most important track since TATTOO YOU days. It made - and makes - me realize why I like this band so much. After all those yougotmerockins and ohnonotyouagains.
- Doxa
AND Continentaldrifts, Howcanistops and laughinearlydieds...
Quote
Doxa
You can keep your "Let Me Down Slow", I'll keep "Plundered", and let us all be happy. If you don't hear what is extraordinary in that track, you don't. You can analysize the thing to pieces and rationalize its weaknesses (like any Stones track), but it is all just trees, not the forest... Yeah, it is a cousin to "Tumblin' Dice", but after hearing million pastishes of brownsugars, jumpingjackflashes, startmeups etc, I can easily live with "two" Dices...
- Doxa
Quote
71Tele
Absolute rubbish.
Quote
DandelionPowdermanQuote
71TeleQuote
More Hot RocksQuote
His Majesty
Just a load of non descript, meaningless guitar fills that wouldn't have received much if any focus had Taylor's involvement not been mentioned.
Totally agree. It's just a throw way tune. That should of never been brought back.
Absolute rubbish. This is in fact, the only "new" song they have released that has moved me in 30 years. And not just because of Taylor. It has that Stones magic in it, which is completely lacking in anything from Voodoo on (at least), and the only really special "extra" on the Exile reissue.
I would take How Can I Stop over this one ANY day.
PMS is not horrible, but it's ordinary. It has the same groove as Tumbling Dice, and that's about it, imo. Taylor's guitar doesn't move me, nor does Mick's singing.
The best thing about the tune is Bill's bass playing actually. THAT is great.
Quote
71TeleQuote
More Hot RocksQuote
His Majesty
Just a load of non descript, meaningless guitar fills that wouldn't have received much if any focus had Taylor's involvement not been mentioned.
Totally agree. It's just a throw way tune. That should of never been brought back.
Absolute rubbish. This is in fact, the only "new" song they have released that has moved me in 30 years. And not just because of Taylor. It has that Stones magic in it, which is completely lacking in anything from Voodoo on (at least), and the only really special "extra" on the Exile reissue.
Quote
rollingrichard
Indeed absolute Stones magic in it, which we havent had for ages. But a live version may not work, for a big audience.
Maybe in a smal club it would work out, but in a big area, the song will be blown away, I guess.
Quote
CanYouHearTheMusic
This song isn't good enough to deserve this level of scrutiny. Also, what's all this talk regarding the bass playing? There are plenty of examples of why Bill was great but this ain't one of 'em--the part is minimalist and that's fine but it's not exactly one of Bill's best. The solos are, indeed, nondescript and wouldn't mean anything to anyone if Taylor's involvement wasn't known. Mick's singing is TERRIBLE on the thing, too--I'm not sure what there is to get excited about hearing Mick singing his Bigger Bang-style, overly enunciated vocals over a track that was left off Exile for a reason. It's pretty boring, guys and gals. Sorry, but I'll take "Doom And Gloom" and "Love Is Strong" over these two in a heartbeat. Those two are the only great singles they've released since "One Hit" and are way more interesting in every way. The song's not bad, it's just not good.
Quote
CanYouHearTheMusic
This song isn't good enough to deserve this level of scrutiny. Also, what's all this talk regarding the bass playing? There are plenty of examples of why Bill was great but this ain't one of 'em--the part is minimalist and that's fine but it's not exactly one of Bill's best. The solos are, indeed, nondescript and wouldn't mean anything to anyone if Taylor's involvement wasn't known. Mick's singing is TERRIBLE on the thing, too--I'm not sure what there is to get excited about hearing Mick singing his Bigger Bang-style, overly enunciated vocals over a track that was left off Exile for a reason. It's pretty boring, guys and gals. Sorry, but I'll take "Doom And Gloom" and "Love Is Strong" over these two in a heartbeat. Those two are the only great singles they've released since "One Hit" and are way more interesting in every way. The song's not bad, it's just not good.
Quote
Doxa
It is one of those tracks where every little nuance is perfect - a feature The Stones once upon time ago were masters, but lost that during the 80's. The groove of the backing track is simply magical, and the whole thing - especially two Micks - is done by a perfect taste. Personally for me the most important track since TATTOO YOU days. It made - and makes - me realize why I like this band so much. After all those yougotmerockins and ohnonotyouagains.
- Doxa
Quote
RockinJive
Played it once. That was enough. Terrible song.