Dancing ? Well we were all lined up alongside the 20 meter or so railing (were told not to lean as it wasn't designed for that) and I'm not sure if it was the sheer emotion of being there but I for one could not help but groove rather visibly to the music, especially on "Worried about You" when Mick started jumping around like a man possessed, and I remember thinking to myself that it was not a particularly "get up and dance" tune but it was what it was. Unlike at the Trabendo there was no massive crush from the side and the back so that probably helped with the "grooving" ;-)
I managed to pull some of my thoughts together and came up with this "report" that bv has kindly posted on the "Mini-Trabendo" page [
www.iorr.org] - I tried to make it read "the way it happened" but of course it's missing the visuals, maybe I could go back there on an off-day at the studio and take some pictures...anyway here goes:
Bondy - Paris Rehearsals - 08/11/2012
(picture taken the next day but shows the "setup", including the "infamous" gate where we lined up)It was about 6.45pm and the Stones had just finished rehearsing "Going to a Go Go" when we heard people walking towards the gate like when a car is about to make its way out or in and we're kindly asked to clear the way temporarily but when a now familiar voice (Ronnie's assistant) said "on va vous laisser rentrer" (we're going to let you in) we didn't immediately understand what was going on, at least I didn't...I thought we would be let in the yard or in the lobby...then they said "come in 5 by 5"...ok we'll be given a quick tour of the studio in small groups? I was in the second group that made it inside the lobby and there Mick's assistant greeted us and told us to take off our coats and bags and write our names down on a list, we were all looking at each other, grinning. Once all of us were in (32 it turned out) we were briefed: "as a special "thank you" you will be able to listen to the rehearsals for 30 minutes, no noise, the band is working, if security says something you need to do it, don't lean on the railing"...and off we went into a maze of corridors with staff placed at each intersection to guide us and finally up the stairs of the mezzanine overlooking the huge 450 square meters of Studio 5 and everyone was there waiting for us, we lined up and with the 20 meter or so balcony there was mostly one line, Keith asked how we were doing and everyone loosened up a bit after being swept off our feet. Keith's amps were roaring, they quickly launched into "Live with Me", it was unreal, Bjornulf of IORR was just to my left, very moved too...
(From the Stones Twitter Feed - 11/10/2012).. I scanned the whole place, trying to memorize it forever, there were four large sofas, the rugs that were seen on the promo shots posted on twitter, a very old tape recorder on a table, newspapers, nothing was hidden...the crew was looking at us, some seemed quite moved too, others were staying focused, on the studio floor and on the mezzanine. Clearly they were taking a bit of a risk letting 32 people in that they didn't know even if some faces were very familiar by now, if something went wrong during this impromptu event a few weeks before some crucial concerts it would certainly be no end of trouble for them. The Stones were working as if we weren't around, Mick, Ronnie and Keith huddled together before the start of "One More Shot" to hum Ronnie’s guitar part in the intro, they restarted some transitions several times like for the second chorus on OMS and Keith signaled to us good humoredly when Mick forgot one part...or during “That’s How Strong My Love Is” when they told Charlie several times how they wanted him to slow down before they restarted the song...I almost felt we were almost prying on them in these intimate band moments but if it worked for them, fine with me!
We’d been told to be quiet but at the end of “Live with Me” it was impossible not to clap and since no one objected we did it again after each song. After about 20 minutes, I knew time was running out so I turned around towards Ronnie’s assistant who joked that it was over and we told him that it was the first time they did something like this and the next times I turned around he just smiled. “Worried About You” was fabulous with Mick on keyboard next to Chuck to start with and a subtle rhythm guitar by Keith (oh and unlike the sonic maelstrom of the Trabendo the sound was perfect, you could hear every single note that Keith played) and then Mick started jumping around for the last part, really getting into it with the band, not acting it out for the audience. I had to force myself to look at Charlie, it was crazy...
In the end we stayed 52 minutes on the mezzanine and it concluded with Mick thanking us for our support, for standing outside for hours, saying he didn’t understand why we did that, people saying thank you, thank you for the Trabendo, and he replied “this was a mini-Trabendo”, we said “see you in London”, a Japanese fan who flew in for the rehearsals said “see you Japan” and he chuckled...a last peek before going down the stairs, the maze of corridors, I bumped into a cable canal, back into the lobby, we hugged, it was over, we headed out, shook hands with the crew, thanked them.
What a present !
Just after we came out, hugs and big smiles (sorry for the blurring)Edited 12 time(s). Last edit at 2012-11-12 01:10 by gotdablouse.