A song that I never get tired of listening to. Love the studio version, love the Mocambo live version as well.

I really really like this song!

IORR is their most underrated album.A great collection of songs with great playing.But bad production ..And bad arrangements on some songs.Like Till The Next Goodbye.I don’t like the acoustic guitars and tempo of the song.



Edited 1 time(s). Last edit at 2025-11-09 20:40 by Taylor1.

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Taylor1
IORR is their most underrated album.A great collection of songs with great playing.But bad production ..And bad arrangements on some songs.Like Till The Next Goodbye.I don’t like the acoustic guitars and tempo of the song.

Bad mastering...I think if they remastered this album properly and lifted the fog that covers the production we would consider it a masterpiece.

But I have the feeling they don't have the proper masters anymore, or else they would have done a Deluxe version in 2024.

Mathijs

I’m hoping for a deluxe release one day.

Slow Down and Stop can be finished, an early version of Black Limo and IORR. Perhaps a few alternates and either LA Friday or some other ‘75 tour dates.

There’s also a jam with the Munich engineer.



Edited 1 time(s). Last edit at 2025-11-11 13:52 by TravelinMan.

LA Friday is already officially released, though.

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TravelinMan
I’m hoping for a deluxe release one day.

Slow Down and Stop can be finished, an early version of Black Limo and IORR. Perhaps a few alternates and either LA Friday or some other ‘75 tour dates.

There’s also a jam with the Munich engineer.

That 'Munich engineer' is Giorgio Moroder, one of the greatest producers of the era.

Mathijs

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Mathijs

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TravelinMan
I’m hoping for a deluxe release one day.

Slow Down and Stop can be finished, an early version of Black Limo and IORR. Perhaps a few alternates and either LA Friday or some other ‘75 tour dates.

There’s also a jam with the Munich engineer.

That 'Munich engineer' is Giorgio Moroder, one of the greatest producers of the era.

Mathijs

Correct

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TravelinMan

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Mathijs

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TravelinMan
I’m hoping for a deluxe release one day.

Slow Down and Stop can be finished, an early version of Black Limo and IORR. Perhaps a few alternates and either LA Friday or some other ‘75 tour dates.

There’s also a jam with the Munich engineer.

That 'Munich engineer' is Giorgio Moroder, one of the greatest producers of the era.

Mathijs

Correct

Of course.

Mathijs

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DandelionPowderman
Congas start round 3:03 (the middle channel), right after the drum roll. It doesn't sound like they're playing throughout the song.

If you really want to be picky -the conga's start at 2:14, as do the handclaps doubling the snare. But indeed they become really audible at 3:03.

Mathijs

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Taylor1
IORR is their most underrated album.A great collection of songs with great playing.But bad production ..And bad arrangements on some songs.Like Till The Next Goodbye.I don’t like the acoustic guitars and tempo of the song.

Agree with you. The mastering and mix haze over it all, we all know about. But some of the production calls are head scratchers. The Congas are on 'Luxury' are almost laughable. That guy Cooper has never been a favorite musician of mine.

You don't like the tempo of TTNG? Faster, or slower?

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Taylor1
IORR is their most underrated album.A great collection of songs with great playing.But bad production ..And bad arrangements on some songs.Like Till The Next Goodbye.I don’t like the acoustic guitars and tempo of the song.

The production is fine. In fact, it's great.

Because production is not the issue with this album.

However, you think "bad arrangements" is because of the production?

Get off the heavy tranq.

Although, I'm curious - what makes a great arrangement in your mind? Have you worked with Mick and Keith about such things?

It's obvious you should be producing their albums and telling them, No, those acoustic guitars are crap - and it's too slow. Or it's too fast. Do one or the other but don't do the other.

That's fantastic!!!

Now we all know why IORR sucks!!! Even though it's "their most underrated album".

Amazing. And brilliant.

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GasLightStreet

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Taylor1
IORR is their most underrated album.A great collection of songs with great playing.But bad production ..And bad arrangements on some songs.Like Till The Next Goodbye.I don’t like the acoustic guitars and tempo of the song.

The production is fine. In fact, it's great.

Because production is not the issue with this album.

However, you think "bad arrangements" is because of the production?

Get off the heavy tranq.

Although, I'm curious - what makes a great arrangement in your mind? Have you worked with Mick and Keith about such things?

It's obvious you should be producing their albums and telling them, No, those acoustic guitars are crap - and it's too slow. Or it's too fast. Do one or the other but don't do the other.

That's fantastic!!!

Now we all know why IORR sucks!!! Even though it's "their most underrated album".

Amazing. And brilliant.

Idon’t care what you think. By the way didn’t you on this Luxury post on the last page just say in your most brilliant opinion Luxury was a bad song?Talk about drug use



Edited 3 time(s). Last edit at 2025-11-14 13:13 by Taylor1.

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GasLightStreet

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emotionalbarbecue

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TravelinMan

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emotionalbarbecue
Lately I’ve been listening to this song in the car every day. It’s awesome

Yes, back on topic. It's a fantastic song. I find it much more genuine than Salt of the Earth. It's a bit campy, but I love it.

Side note, there is a crazy vibrato by Richards at ~0:43... whammy bar perhaps?

I’d love to answer you, but my musical knowledge only goes as far as making noise with a fork against a glass.

I think this song captures what the Stones often are to me: apparent chaos, a freight train rushing by at full speed, seeming like it’s about to derail but never does. Everything sounds right. Every instrument is on fire, giving its best in perfect balance. I love the bass. And Keith’s backing vocal is pure delirium.

It's possible it's a whammy bar, as it's said, but most likely Keith using finger vibrato - a manipulation of the strings to bend up and down.

It's amazing this song got released because of how bad it is.

Wow ,you know better than Mick and Keith about their decision to release Luxury

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Taylor1

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GasLightStreet

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emotionalbarbecue

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TravelinMan

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emotionalbarbecue
Lately I’ve been listening to this song in the car every day. It’s awesome

Yes, back on topic. It's a fantastic song. I find it much more genuine than Salt of the Earth. It's a bit campy, but I love it.

Side note, there is a crazy vibrato by Richards at ~0:43... whammy bar perhaps?

I’d love to answer you, but my musical knowledge only goes as far as making noise with a fork against a glass.

I think this song captures what the Stones often are to me: apparent chaos, a freight train rushing by at full speed, seeming like it’s about to derail but never does. Everything sounds right. Every instrument is on fire, giving its best in perfect balance. I love the bass. And Keith’s backing vocal is pure delirium.

It's possible it's a whammy bar, as it's said, but most likely Keith using finger vibrato - a manipulation of the strings to bend up and down.

It's amazing this song got released because of how bad it is.

Wow ,you know better than Mick and Keith about their decision to release Luxury

lol got 'em

What's with all the strawmen, guys?