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uhbuhgullayew
Always liked this tune and it is one of the very few where I prefer the live version.
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Title5Take1
I love it. It's fun and catchy. I mentioned this song before here and a lot of people hated it. But also I proposed that the guitar solo might be a slide guitar. But some here insisted it was Keith just bending his strings a lot. I still think it could be a slide guitar.
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uhbuhgullayew
Always liked this tune and it is one of the very few where I prefer the live version.
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GazzaQuote
uhbuhgullayew
Always liked this tune and it is one of the very few where I prefer the live version.
I'm the opposite.
I think the studio version swings absolutely beautifully. Very underrated song and a really fine lead vocal too. One of the best two or three songs on the entire album.
Was very disappointed when I heard the way they tunelessly thrashed their way through it (and 'She's So Cold') on the 81-82 tour. The live versions do neither of the songs any justice at all.
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liddasQuote
Title5Take1
I love it. It's fun and catchy. I mentioned this song before here and a lot of people hated it. But also I proposed that the guitar solo might be a slide guitar. But some here insisted it was Keith just bending his strings a lot. I still think it could be a slide guitar.
Love it too, but I don't hear a slide in it.
C
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24FPS
This is a much better song than Sad, Sad, Sad, or Flip the Switch or other related pieces of crap like Fight and Had It With You.
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Markdog
Can't think of another song where Charlie hits a tamborine throughout like that either.
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tkl7Quote
24FPS
This is a much better song than Sad, Sad, Sad, or Flip the Switch or other related pieces of crap like Fight and Had It With You.
I enjoy Sad, Sad, Sad and Fight. I don't find them to be pieces of crap at all, they are probably my favorite songs from their respective albums. That said, I also think Let Me Go is a great song, and ER a great and underrated album.
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KeithNachoQuote
GazzaQuote
uhbuhgullayew
Always liked this tune and it is one of the very few where I prefer the live version.
I'm the opposite.
I think the studio version swings absolutely beautifully. Very underrated song and a really fine lead vocal too. One of the best two or three songs on the entire album.
Was very disappointed when I heard the way they tunelessly thrashed their way through it (and 'She's So Cold') on the 81-82 tour. The live versions do neither of the songs any justice at all.
Agree 100%; the atmosphere of the studio versions is not easily replicable live (maybe the slap back delays, etc...)
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MathijsQuote
liddasQuote
Title5Take1
I love it. It's fun and catchy. I mentioned this song before here and a lot of people hated it. But also I proposed that the guitar solo might be a slide guitar. But some here insisted it was Keith just bending his strings a lot. I still think it could be a slide guitar.
Love it too, but I don't hear a slide in it.
C
Didn't Wood play peal steel on it?
Mathijs
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MathijsQuote
liddasQuote
Title5Take1
I love it. It's fun and catchy. I mentioned this song before here and a lot of people hated it. But also I proposed that the guitar solo might be a slide guitar. But some here insisted it was Keith just bending his strings a lot. I still think it could be a slide guitar.
Love it too, but I don't hear a slide in it.
C
Didn't Wood play peal steel on it?
Mathijs
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drewmasterQuote
Markdog
Can't think of another song where Charlie hits a tamborine throughout like that either.
Is it Charlie or is it "Michael Shrieve"?
Drew