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MadMax
She's So Cold (studio version) is also rather underestimated weaving-wise. Live it's all Keith on the rythm of course but on EM it's quite a mosaice!!
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treaclefingersQuote
MadMax
She's So Cold (studio version) is also rather underestimated weaving-wise. Live it's all Keith on the rythm of course but on EM it's quite a mosaice!!
You beat me to it...I was going to go with She's So Cold.
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SweetThingQuote
treaclefingersQuote
MadMax
She's So Cold (studio version) is also rather underestimated weaving-wise. Live it's all Keith on the rythm of course but on EM it's quite a mosaice!!
You beat me to it...I was going to go with She's So Cold.
Agree with MadMax and Treacle F.....
What a silly throwaway this song was, but Keith and Ronnie make it something special with their guitar interaction. Ah, good old days....
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pmk251
She's So Cold is mindless fun. But a little bit of that goes a long way. I find it goes in one ear and out the other. In the studio I do not know what Woody adds. BB and LIB proved that Keith can weave with himself to great effect. On stage Woody's contributions often feel like muddled confusion. The effect can be diluting. When Keith's on he does not need to "weave" with anyone.
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treaclefingers
Some great weavers in history:
Charlie Weaver
Dennis Weaver
Leave it to Weaver
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treaclefingers
Some great weavers in history:
Charlie Weaver
Dennis Weaver
Leave it to Weaver