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Palace Revolution 2000
- There is that one hit he does in "Where the Boys Go" after those rolls at 2:25.
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duke richardson
any recent live "Paint It Black'... Charlie lights the fire with the tom notes after Keith's great, eccentric intro
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Yes, that too !
I think I'm going to end up agreeing with everybody in this thread .
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z
I love Charlie's missing snare beats. There are few songs on which he simply skips one snare hit. I'm not sure if it's intentional, but it is very effective...
Wild Horses at 3:30 ; Miss You at 3:14...
There are more, can't remember right now...
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Palace Revolution 2000Quote
z
I love Charlie's missing snare beats. There are few songs on which he simply skips one snare hit. I'm not sure if it's intentional, but it is very effective...
Wild Horses at 3:30 ; Miss You at 3:14...
There are more, can't remember right now...
That is great stuff. Love the "Wild Horses" catch. I cant find the one in 'Miss You". There are several official versions anyway.
And you remind me of the whole lifting his stick off the Hi Hat deal. IMO that has been blown out of proportion. he doesn't do it all that often, and it didn;'t make a huge impact.
I've said this somewhere else already, but I think some of Charlie's best drumming is in their big 70's ballads. When he would totally follow Jagger and the lead melody's dynamics. "Memory Motel", "Let it Loose", "If you really want to be my friend". In modern era that has been lost. Songs like "Almost hear you sigh", "Already over me" or "Out of tears" could have been more dynamic.
Really? As far as I can see, that's ALL he does when it comes to his hi-hat/snare technique.Quote
Palace Revolution 2000Quote
z
I love Charlie's missing snare beats. There are few songs on which he simply skips one snare hit. I'm not sure if it's intentional, but it is very effective...
Wild Horses at 3:30 ; Miss You at 3:14...
There are more, can't remember right now...
That is great stuff. Love the "Wild Horses" catch. I cant find the one in 'Miss You". There are several official versions anyway.
And you remind me of the whole lifting his stick off the Hi Hat deal. IMO that has been blown out of proportion. he doesn't do it all that often, and it didn;'t make a huge impact.
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keefriff99Really? As far as I can see, that's ALL he does when it comes to his hi-hat/snare technique.Quote
Palace Revolution 2000Quote
z
I love Charlie's missing snare beats. There are few songs on which he simply skips one snare hit. I'm not sure if it's intentional, but it is very effective...
Wild Horses at 3:30 ; Miss You at 3:14...
There are more, can't remember right now...
That is great stuff. Love the "Wild Horses" catch. I cant find the one in 'Miss You". There are several official versions anyway.
And you remind me of the whole lifting his stick off the Hi Hat deal. IMO that has been blown out of proportion. he doesn't do it all that often, and it didn;'t make a huge impact.
I've seen him hit the hi-hat in conjunction with his snare a handful of times since, say, 1989, but it's very very rare.
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Phil Good
To me the intro of Honky Tonk Women (Studio Version)
is one of the best drum sound ever recorded by any band.
Just my 2cts
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Cristiano Radtke
Let it loose.