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StonesTod
could someone translate this into something coherent?
It is not agreement on which tracks that are good and not that good. It means that a song that which is a socalled filler to one person, might be an attraction or at any rate good enough for another. And this picture seems to be more prevalent for Stones songs from after '68 - '72 than during or before those years.
If this is the case, I would not have the taste of another fan selecting which tracks should be included, and which left out. Because then I would certainly miss tracks of the latter category.
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SweetThing
sifting the very best of *several decades* of outtakes by the "world's greatest" rock and roll band vs. whatever filler they might come up with between a couple of good new songs over the course of a couple of months nowadays
To my belief, there never (or seldom) really have been fillers on Stones releases during their existence, but rather tracks that people do not like or in some instances even outright dislike.
could someone translate this into something coherent?
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KRiffhard
I don't think it's subjective to say that these songs aren't on the 'high standards' of the greatest r'n'r band in the world:
Keys to your love,Let Me Down Slow, Streets of Love,Losing my Touch,Brand New Car,Dangerous Beauty, Stealing my heart, Suck on the jugular, Driving too fast,Low Down, Infamy, Already Over Me, Sweethearts Together, Gunface, Baby Break It Down, Look what the Cat Dragged In, Don't Wanna Go Home, Might as well get juiced, Sweet Neo Con...
They did a great job with the Some Girls reissue so i don't understand the problem of working on all that good stuff they have available...including hidden gems unknown to us.
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MadMax
Are ya all, except for KRIFFHARD, taking the piss?!?!?!?!
A record based on I Need You, Separately, Misty Roads, It's All Wrong and Family would arguably become one of their finest ever!!!
I Need You as a lead single with Keef on lead vox!!! Now THAT would be a bold move!!!!
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KRiffhard
I don't think it's subjective to say that these songs aren't on the 'high standards' of the greatest r'n'r band in the world:
Keys to your love,Let Me Down Slow, Streets of Love,Losing my Touch,Brand New Car,Dangerous Beauty, Stealing my heart, Suck on the jugular, Driving too fast,Low Down, Infamy, Already Over Me, Sweethearts Together, Gunface, Baby Break It Down, Look what the Cat Dragged In, Don't Wanna Go Home, Might as well get juiced, Sweet Neo Con...
They did a great job with the Some Girls reissue so i don't understand the problem of working on all that good stuff they have available...including hidden gems unknown to us.
You included some good songs with those horrible songs. I put a line through the good songs that are a higher standard then the rest listed.
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Witness
These are not so established facts, as it is presented, but a subjective view. Of course, that objection applies to the contrary view as well.
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Gazza
(....)
'You should have seen her ass' is better than 'Laugh I Nearly Died'? Seriously?Quote
I don't like LIND (this is subjective) but we can replace 'You should have seen her ass' with 'Separately' or 'Criss Cross Mind' and the result is always the same: a great album.
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WeLoveToPlayTheBlues
Contemporary?
That's the DUMBEST term applied to music next to 'relevance'. When new music is made it's always contemporary, regardless of anything about it.
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WeLoveToPlayTheBlues
Ever heard what was left off of Dirty Work or Voodoo Lounge? You've heard those albums, right?
Seemingly not.
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Witness
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Albums not mentioned here from the eighties on, in my view are of medium or medium minus Stones status. In that respect, they are not bad, and do not deserve to be slighted as bad, but cannot obtain the best evaluation; however, each has some interesting and to me attractive songs where I as often as not, like songs that are others’ special dislikes.
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WeLoveToPlayTheBlues
Perhaps to be 'current', which is never really a good idea but for some reason Mick thinks is true and he likes putting lame songs on LPs to be 'current'. For not being one to 'look back' he sure does like to date his music, er, the Stones' music. I've yet to figure out how that works for him because for the Stones it doesn't work.
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WeLoveToPlayTheBlues
Contemporary?
That's the DUMBEST term applied to music next to 'relevance'. When new music is made it's always contemporary, regardless of anything about it.
Yes, but this has not happened so often during the last decades, due to fewer releases. I would therefore very much like to have the privilege once again to listen to Stones music that for some time would be more or less contemporary.
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WeLoveToPlayTheBlues
Ever heard what was left off of Dirty Work or Voodoo Lounge? You've heard those albums, right?
Seemingly not.
I leave to you to think, what you like.
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Witness
I shall sincerely give you acknowledgement on one point though, even if you do not say that this concerns your own taste, but set it forth as more or less given facts. However, you have the merit to go in depth into albums of later decades that many are not interested in, and thoroughly discern between songs . That you then want to honour «Brand New Car», whereas I am more reserved to that track, is no objection on my part. I have never seen anything else than rather harsh critique levelled at «Sweethearts Together» which is a song that I am fond of.
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Witness
I cannot remember to have seen «Suck at the Jugular» given a positive mention, but I like it.
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Witness
And never have I seen hinted at the observation that «Blinded by Rainbows» is a rather effective anti-terrorist song with then an outright reference to contemporary history and is definitely to my liking, making it even more appropriate that the Stones later should record the (according to my view) undervalued «Sweet NeoCon».
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Witness
Of these later albums I agree that «Gunface» are one of the songs that contribute to lessen a verdict of «Bridges to Babylon» which all the same is good on my part. However, out of songs mentioned by you,both «Might as Well Get Juiced» and «Low Down» to me do enhance the evaluation of this album.
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Witness
Then I would not wish to have as much as one song left out of aBB, where I in the past would have been willing to exchange most of Tattoo You by in advance unheard other Stones tracks from songs made at approximately the same period, but not used. Said to express that not everything to me is equally good, but almost always interesting.
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Witness
Even if is to be the verse lines «If you look in your historybooks you delve in the past, Stalin and Roosevelt both took their chances» of «Hold Back», rather startling lines in a rock song and even in the far from best track on Dirty Work. In another thread I referred to that album byQuote
Witness
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Albums not mentioned here from the eighties on, in my view are of medium or medium minus Stones status. In that respect, they are not bad, and do not deserve to be slighted as bad, but cannot obtain the best evaluation; however, each has some interesting and to me attractive songs where I as often as not, like songs that are others’ special dislikes.Quote
WeLoveToPlayTheBlues
Perhaps to be 'current', which is never really a good idea but for some reason Mick thinks is true and he likes putting lame songs on LPs to be 'current'. For not being one to 'look back' he sure does like to date his music, er, the Stones' music. I've yet to figure out how that works for him because for the Stones it doesn't work.
Yes, as to the music of the Rolling Stones, I think there is a balance in a tension between musical innovation and what over the years has developed as a Stones tradition. As a first approach, I identify Mick Jagger with the propensity to innovation and Keith Richards to «tradition». Personally I prefer this balance to be somewhat in faviour of Jagger as opposed to Richards (only to illustrate what cannot be quantified, 65- 70 per cent to the former, 30 – 35 per cent to the latter.)
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WeLoveToPlayTheBlues
I think I need to get a thesaurus to understand half of what you say.
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WeLoveToPlayTheBlues
I think I need to get a thesaurus to understand half of what you say.
what about the other half?
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tomcasagranda
They should throw in that version of For Your Precious Love from Steel Wheels sessions
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stoned in washington dc
they don't need a new album but i think a new album would help them sell tickets... not because people want to hear new music but because it would help emphasize the message that the stones is still a living working band..
of course thats baloney...but its all perception
if they could put together a short 40 minute 10 song album and somehow find one good song i think it would be a difference maker with ticket sales
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Gazza
This is meant to be the greatest rock n roll band in the world. A band with that reputation should have high standards. How low have expectations sunk that fans think should be scraping around for 40 year old songs? They're not THAT bereft of ideas (and Jagger's lyrics on the Exile and Some Girls bonus songs suggest he's not quite out of inspiration yet)
If people are so anxious to avoid 'new' songs, then maybe its better for them that the band never record another note.
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Gazza
I dont think ABB is a poor album. Its all personal taste, I suppose. There's some poor songs on it, but many more good ones.....
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stoned in washington dc
they don't need a new album but i think a new album would help them sell tickets... not because people want to hear new music but because it would help emphasize the message that the stones is still a living working band..
of course thats baloney...but its all perception
if they could put together a short 40 minute 10 song album and somehow find one good song i think it would be a difference maker with ticket sales
They did that, as you are aware of, with Forty Licks and then magically only played ONE song live from the four. Not much of a living working band.
Obviously a warm up for the ABB tour...
I wish I could understand that. Why bother releasing the album? If the songs are good enough to go on the album, which someone probably named Mick Jagger decided they were for some awful bad reason, and the album is good enough to be released, wouldn't the third part of that seem natural? Otherwise what's the point? At least Undercover was interesting.
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KRiffhard
Why should we be content with other 'Streets of Love', 'Sweet Neo-Con', 'We don't wanna go home', 'Look what the cat...','Infamy', and all those crappy songs, when they can make a great album with all that good ol' stuff?
I think that using songs such as those indicated in this list:
1. Not the way to go
2. Dancing Girl
3. Separately
4. It's all wrong
5. Fast Talking Slow Walking
6. I need you
7. Misty Roads
8. Fiji Jim
9. She never listen to me
10. Chainsaw Rocker
11. What gives you the right?
12. You got it made
13. Lonely at the top
14. Living in the heart of love
15. Save Me
16. Randy Whore
...isn't a loss of credibility for the band or 'a horrific piece of barrel scraping', but a great opportunity.
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stoned in washington dc
they don't need a new album but i think a new album would help them sell tickets... not because people want to hear new music but because it would help emphasize the message that the stones is still a living working band..
of course thats baloney...but its all perception
if they could put together a short 40 minute 10 song album and somehow find one good song i think it would be a difference maker with ticket sales
They did that, as you are aware of, with Forty Licks and then magically only played ONE song live from the four. Not much of a living working band.
Obviously a warm up for the ABB tour...
I wish I could understand that. Why bother releasing the album? If the songs are good enough to go on the album, which someone probably named Mick Jagger decided they were for some awful bad reason, and the album is good enough to be released, wouldn't the third part of that seem natural? Otherwise what's the point? At least Undercover was interesting.
To add further insult to injury, they LEFT OFF some great tracks (She's So Cold, As Tears Go By, Mother's Little Helper, Saint Of Me, She Was Hot, One Hit To the Body, Waiting on a Friend (REALLY!), Doo Doo Doo Doo Doo, Bitch, Rocks Off...I could go on but you get the point) to make room for the 4 new ones that did in fact all suck, so it was small wonder that they weren't played. So what we get here, is 36 Licks and 4 Sucks.
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KRiffhard
Why should we be content with other 'Streets of Love', 'Sweet Neo-Con', 'We don't wanna go home', 'Look what the cat...','Infamy', and all those crappy songs, when they can make a great album with all that good ol' stuff?
I think that using songs such as those indicated in this list:
1. Not the way to go
2. Dancing Girl
3. Separately
4. It's all wrong
5. Fast Talking Slow Walking
6. I need you
7. Misty Roads
8. Fiji Jim
9. She never listen to me
10. Chainsaw Rocker
11. What gives you the right?
12. You got it made
13. Lonely at the top
14. Living in the heart of love
15. Save Me
16. Randy Whore
...isn't a loss of credibility for the band or 'a horrific piece of barrel scraping', but a great opportunity.
Where's the evidence these songs will be 'good' ?
In the state that they circulate in, most of them are either embryonic, poor or both.
If you've no confidence in the Stones' ability to produce good NEW songs from scratch, then surely they're also unlikely to be able to be inspired to come up with anything thats likely to turn songs they forgot about 30-40 years ago into something 'great'.
If they couldnt find the inspiration to make something out of them when they were at their peak, are they likely to be able to do something special in 2012 when you think they're past it creatively?