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ElGeordie
Mick Taylor. . .
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Rocky Dijon
During "Miss You," they should give Darryl a bass solo and Keith can pretend to curse at him, menace him with his guitar, and then grin at him.
At the start of his mini-set, Keith should quote Max Wall and say, "It's good to be here. It's good to be anywhere."
Mick should pretend not to know what album the odd rarity is from.
Matt should have a prop for "Brown Sugar," such as a tambourine, and should beat on it as if Davy Jones' very soul depended on it.
Karl should play the sax break on "Brown Sugar" as if he just wandered in from a jazz festival and has never heard the song before.
They should do these things at every show.