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gwen
LP sides would be 15 to 20 minutes when CDs nowadays last at 45, sometimes up to 90... It's understandable people get bored.
Even in the CD days I was changing CDs after two songs, sometimes even in the middle of the first one. For instance I was a big fan of LZ Celebration solo and would be playing the song until the solo and then change the CD...
Nowadays, most of the time I listen to my digital library (ripped from my CD collection). More than 19 days in total, usually playing in random, which helps discover or remind of obscure or forgotten pearls. Even in this mode I do skip a lot of songs.
I agree the shuffle feature is a bit of a spoiler when artists and mastering engineers spend days deciding of the tracks order, and working on transitions...
But when I feel like really listening to music (and not background music), I play CDs or LPs and in this case, in the right order and for the whole album.
Quote
ab
The LP side is the perfect listening unit: 15-25 minutes, get up and change the record.
Then CDs came along with, first 74, then 80, minutes of music. They're just too long. Because CDs cost so much, people felt the need to provide max music. Trouble is, that just led to poor editing and inclusion of songs that would have been b-sides on the albums proper.
I end up listening to a lot of albums all the way through just because a lot of my listening is in my car or office.
I think the essential is nailed in these two posts.
An album as an artistic unit died with the invention of CD format. What happened after that, since the digitality really took off, was a natural progress set by the CD format.
First of all, it took the physical part of the product to minimum. With LPs you needed to work to
skip the track - in fact, one needed to have developed certain skills to do that properly, and not just push the remote-control button. The music needed to be reached, you need to concentrate - have time - to the very thing. The music was respected more since it was not so easy to reach. And when you respect, you mentally are repaired/oriented differently.
Secondly, the album cover was a big part of the listening experience. That belonged to the very concept of album. What a joy it was to sit down and 'study' the cover while listening to the record. It gave a certain flavor. The artists knew this aspect of that and really work hard to invent new kinds of covers. It was not any stupid, awful, easily broken small plastic crap package with cheap paper in it, and pictures and texts that needed to be study with some goddamn microscope - no joy no more!
Thirdly, the biggest artist failure happened when the side of 15-25 minutes side was destroyed in favour of 70-80 minutes of constant run (this is very well put in those quoted posts). The artists/producers didn't any more think the albums in terms of these dramatical stories of 15-25 minutes (with all of them having a start, the middle, the end, etc.), but just an endless run of songs one after one. This would lead to the idea that the artistic wholeness didn't really matter any longer. It was just the individual songs to be picked up/chosen from. Now the albums were having some 'extra' material since there was space for 'special gifts'. The quantity over quality. Just add few cuts more more to the end. Back in the 70's the idea of adding some second-rate material would have been unthinkable - it would have killed the artistic drama of the album. The result is that nowadays one listens the album perhaps once all the way through to get some idea of the individual songs, and then just picks up the ones feels like listening to, etc.
I could go on.
I sometimes think how the CD-era fans really can 'grasp' the point of LP-era albums - how they were constructed to certain artistic packages. Think of the four sides of EXILE ON MAIN STREET; the b-side of TATTOO YOU, etc. "El Mocambo-side" of LOVE YOU LIVE, If you lived in that world it was just not thinking theoretically that "okay, after "Tumblin Dice" I wait few seconds until "Sweet Virginia" begins". No, you needed to move your ass to the record player, and turn the record with your very hands - while you do that you mentally forget the stuff you just heard and are repairing to get a new chapter to begin to tell its unique story ("the side of no screaming rocker in it" - you remember the artist said?)
The Rolling Stones has always been a mirror of the record industry, starting from a singles band, and were very influential in creating the album-era, Once again, their records very well also represent the change from vinyl to CD. STEEL WHEELS seemed to be the last album they thought in terms of LP. VOODOO LOUNGE is a pure representatative of the CD-era - really shapless compilation of goddamn many songs (it is unthinkable to try to discover the thrilling story of four exciting chapter s of like, say, EXILE from there, even though there is material enough for that). The very idea of 'album' changed during that time lap.
Ugh.
- Doxa
Edited 3 time(s). Last edit at 2011-06-14 14:12 by Doxa.