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GasLightStreetQuote
swimtothemoon
There does seem to be a dividing line in sound and feel with the pre SG albums and those after. Not necessarily bad, but just different. Pre SG seems less polished with a looser feel and maybe musically deeper. The exception might be Tatoo you - some of the tunes such as tops, slave and Heaven have a similar feel and we all know those were leftovers from pre SG.
Heaven is from one of the 1979 sessions for EMOTIONAL RESCUE, just like Neighbours and No Use In Crying are.
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NaturalustQuote
GasLightStreetQuote
swimtothemoon
There does seem to be a dividing line in sound and feel with the pre SG albums and those after. Not necessarily bad, but just different. Pre SG seems less polished with a looser feel and maybe musically deeper. The exception might be Tatoo you - some of the tunes such as tops, slave and Heaven have a similar feel and we all know those were leftovers from pre SG.
Heaven is from one of the 1979 sessions for EMOTIONAL RESCUE, just like Neighbours and No Use In Crying are.
Heaven was recorded in late 1980 and early 1981. Worried About You a leftover from 1975 also finished in 1980/81. No Use in Crying the only one worked on in 1979.
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His Majesty
Thanks.
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treaclefingers
you're welcome. I admire you from afar.
That's me behind the bush over there in fact.
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skipstone
It's an odd song. It's intense yet so sluggish and almost lazy. But they don't have a lot of songs like this. I've always liked it. It always sounds on the verge of falling apart, much like Tumbling Dice is, and so in that aspect, it's a nice groove. Is it a CYHMK or Rocks Off type song? No. But it is what it is - a nice dirty filthy lazy howling rocker.
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MadMax
Back to the song, it's got this desperate, "Gimme Sheltery" Doom and Gloom which is so precious which only The Stones and Dylan can reach on numerous occasions.
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skipstone
It's an odd song. It's intense yet so sluggish and almost lazy. But they don't have a lot of songs like this. I've always liked it. It always sounds on the verge of falling apart, much like Tumbling Dice is, and so in that aspect, it's a nice groove. Is it a CYHMK or Rocks Off type song? No. But it is what it is - a nice dirty filthy lazy howling rocker.
I agree with skipstone's angle on this one.
It rolls with that elusive, elastic beat.
[Has one of Keith's best & truly classic Open G progessions too.]
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skipstone
It's an odd song. It's intense yet so sluggish and almost lazy. But they don't have a lot of songs like this. I've always liked it. It always sounds on the verge of falling apart, much like Tumbling Dice is, and so in that aspect, it's a nice groove. Is it a CYHMK or Rocks Off type song? No. But it is what it is - a nice dirty filthy lazy howling rocker.
I agree with skipstone's angle on this one.
It rolls with that elusive, elastic beat.
[Has one of Keith's best & truly classic Open G progessions too.]
skipstone just isn't really skipstone anymore
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MartinB
It is among Stones's top 10 for me. The perfection of lousiness. And a great solo.
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MartinB
It is among Stones's top 10 for me. The perfection of lousiness. And a great solo.
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LeonidP
always one of my favorites - i think i love the multiple guitar solos the most ... not overdone and they fit perfectly with the track! But of course, Micks vox are killer!
This could be the most perfect vocal he ever did in the studio IMHO.
What do you call that vocal delivery...a 'smooth growl' maybe?