Beatles or Stones -- who made the bigger mark on today's music?
Date: September 30, 2009 18:04
Taken from NWI.COM the largest and most trusted media company in North west Indiana
Home / Entertainment / Music
Beatles or Stones -- who made the bigger mark on today's music?
As the summer of love's 40th anniversary fades, local pundits dish on which album best stands the test of time -- "Sgt. Pepper's Lonely Hearts Club Band" or "Exile on Main St."
TIM SHELLBERG - Times Correspondent | Posted: Wednesday, September 30, 2009 12:00 am | No Comments Posted
The "summer of love" was drawing to a close at this time four decades ago, and its unofficial soundtrack, the Beatles' "Sgt. Pepper's Lonely Hearts Club Band," has remained a touchstone for generations of music fans.
Witness the hubbub over last week's release of Julie Taymor's Beatles film homage, "Across the Universe."
That year, 1967, the Fab Four's peers -- and some might say rivals -- the Rolling Stones, followed in their psychedelic footsteps with a "Pepper"-lite platter called "Their Satanic Majesties' Request."
But five years later, in 1972, the Stones released its own masterwork, the gritty, decadent "Exile on Main St.," which has been revered in many musical corners with the same, if not more, enthusiasm as "Pepper."
More than four decades since each band stormed the globe, the Beatles vs. Stones battle among music lovers remains.
Listed below are the heartfelt views of area musicians and music fans as to which of the two Brit-rock masterpieces best stands the test of time.
While some say it's definitely a case of either/or, several local pundits can't help but extol the virtues of both.
Daryl Grady, lead singer of Salamander Drake: Both.
"Sgt. Pepper's Lonely Hearts Club Band." Nineteen-sixty-seven. Iconic wax-museum cover, "A day in the Life," "Lucy in the Sky with Diamonds," "Within You, Without You," (producer) George Martin. It is the wake up call from across the Atlantic that the (counterculture) movement of the '60s is now not just located in San Francisco, and that the movement has larger implications than just political. It is a spiritual call that has a new soundtrack.
"Exile on Main St." Nineteen-seventy two. The party is over, and it is the following morning. What do I do with my soul now, after all the overindulgence? The death of (former Rolling Stone Brian) Jones, Altamont (the concert where. Still, somehow having a future doesn't seem like such a bad idea if it sounds like this.
Tod Bowers, bassist, Steepwater Band: Both.
Both "Sgt. Pepper's" and "Exile" are the masterpieces of their time. Of the late '60s psychedelic-pop of the likes of the small Faces, (Jimi) Hendrix, etc., the Beatles raised the bar with an album that many bands would strive to better, and fail. Then in the early '70s, the Stones perfected the Americana-blues-rock revival of groups like The Band and (Eric) Clapton's (Derek and the) Dominos. Both of these albums were mind-blowers on the first listen, and still kick my a** today.
Jeff Massey, guitarist and vocalist, Steepwater Band: "Exile."
It's hard to compare art like a competition, but "Sgt. Pepper" is missing one thing compared to "Exile": Keith Richards singing "Happy."
Chad Clifford, lead singer, Crawpuppies, solo songwriter and performer: Both.
Both albums are (each of these) bands' crowning critical achievements. But as the Stones were looking inward in 1972, the Beatles were looking outward and breaking their mold in 1967. They had just stopped touring and had the time and budget to do whatever they wanted and used the recording studio as it had never been used in pop music before.
The Stones by contrast looked inward and wrote an album that represented where they were at the time. There was no doubt, with the Beatles having broken up in 1970, that the Stones were the undisputed biggest band in the world. "Exile" is soaked in the booze, sex and drugs that were part of the Stones' daily routine, drenched in the delta blues, gospel and Chuck Berry-inspired rock and roll that made them famous and infamous.
The Beatles pushed themselves into uncharted territory and broke the rules and boundaries of pop music with "Pepper," and the Stones, with "Exile," stayed somewhat same in the box they created for themselves and made a great, albeit safe, album.
David Varella, lead singer, Highway Band: "Exile."
When talking about songwriting teams, Lennon/McCartney and Jagger/Richards are among the best ever. To compare the two would be next to impossible. Comparing these albums, however, was a no-brainer for me. "Exile" is gritty, raw and packed with attitude and emotion. It's arguably one of the Rolling Stones' best albums, and I don't think there is a throwaway track on it. "Sgt. Pepper's," on the other hand, has too much filler material in my opinion. This album was one of my favorites -- when I was 10 years old. Now, just a little more mature, I'll take "Exile" for my listening pleasure."
Steve Vansak, Merrillville-based songwriter and performer: Toss-up.
"Pepper" isn't in as high esteem for me as (1966's) "Revolver" or (1965's) "Rubber Soul." "Pepper" gets points for innovation in recording, and it is flawlessly put together.
"Exile" is sloppy, benevolent, fun from start to finish. I just prefer the Stones' mastering of American roots music (blues, gospel, country, Chuck Berry rock) to The Beatles' foray into psychedelia. I tend to take the dirty garage over the pristine den, so to speak. Also, ("Exile") defines what the Stones are in sound and songwriting. "Sgt. Pepper" is a left turn (albeit a great one) for the Beatles, and if you had to play one album to explain the group this wouldn't be it. "Exile" has everything that the Rolling Stones are about, and I'd gladly hand it off to someone, knowing they would get who this band is.
Tom Torluemke, artist: "Exile."
The Rolling Stones embody the sights, sounds, smells and desires of the
streets. They sing about life in all their bedeviled glory. They swing and tingle with an adult I-mean-business sexual energy. Come and play with me, I'll make you feel good. Baby, be my partner in crime. There is a fine line between love and hate -- the machine-gun rattle or the slap on the skin crack, and the roll in the hay metaphor; the Rolling Stones' brand of music reeks of the primitivism and animalistic behavior in us all. They shine their light on us all, so that we may see the truth.
Tim Shellberg, Times correspondent: "Exile."
Despite what the likes of CNN, ABC and Rolling Stone said about "Pepper" on its 40th birthday in June, it's hard to disagree with Vansak above. Time -- at least to those of us who weren't around during the summer of love -- has given "Rubber Soul" and especially "Revolver" the upper hand over "Pepper," which ultimately suffers from being too time-stamped in its era.
"Exile," to its benefit, isn't stamped in its day, which gives it the edge over "Pepper" in that still-running Beatles vs. Stones debate. Play any of the disc's 18 songs next to the White Stripes, Wilco's latest release and the Arcade Fire, and an unknowing ear might hear an up-and-coming indie act rather than the 35-year-old towering achievement by the former "World's Greatest Rock and Roll Band."
Posted in Music on Wednesday, September 30, 2009 12:00 am | Tags: Music,