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marcovandereijk
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René
CC,
You're right, those lyrics are the right ones, thanks again!
René
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René
CC,
The lyrics are not from Keno's. Please point out the errors, that's what this thread is all about!
René
oops, sorry René!... well, there's nothing too bad, just a few phrases that could be more natural, like:
Well, she drew out all her money at the Southern Trust
And put her little boy aboard a Greyhound bus.
Leaving Lou-siana for the golden West,
Down came the tears from her happiness.
Her own little son named Johnny B. Goode
Was gonna make some motion pictures out in Hollywood
Hollering bye bye bye bye!
Now bye bye bye bye!
Bye bye Johnny, bye bye Johnny B. Goode!
Well, she remembered taking money earned from gathering crops
And buying Johnny's guitar at a broker's shop.
As long as he would play it by the railroad side
And wouldn't get in trouble, she'd be satisfied
But she never thought there'd ever come a day like this,
When she would have to give her son a goodbye kiss.
Hollering bye bye bye bye!
Now bye bye bye bye!
Bye bye Johnny, bye bye Johnny B. Goode!
Well, she finally got the letter she was dreaming of.
Johnny wrote and told her he had fell in love.
As soon as he was married he would bring her back
And build a mansion for her by the railroad tracks.
And everytime they heard the locomotive roar
They'd be a-standing, a-waving in the kitchen door
Hollering bye bye bye bye!
Now bye bye bye bye!
Bye bye Johnny, bye bye Johnny B. Goode!
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jamesfdouglas
It's just a cover tune. No one plays Chuck Berry like Chuck Berry.
Funnily, Keith is worshipped for his covering of Chuck, and for some, his Berry-ing is the definitive sound of the band. I've never prescribed to that. I've heard other groups do much more interesting thing with Berry's songs.
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sjs12
I'd call that nit picking!
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Turd On The Run
Their version of Bye Bye Johnny circa 1972 demolishes any other version...Berry's original included. It is the Stones at their rollicking best...
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neptuneQuote
Turd On The Run
Their version of Bye Bye Johnny circa 1972 demolishes any other version...Berry's original included. It is the Stones at their rollicking best...
Sorry, but the Stones' released version from 1964 is better.

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Big Al
My absoloute favourite Stones Chuck Berry cover.


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Turd On The RunQuote
jamesfdouglas
It's just a cover tune. No one plays Chuck Berry like Chuck Berry.
Funnily, Keith is worshipped for his covering of Chuck, and for some, his Berry-ing is the definitive sound of the band. I've never prescribed to that. I've heard other groups do much more interesting thing with Berry's songs.
Just a cover tune!? With all due respect, I beg to differ. The Stones' 1972 detonation of Berry's "Bye Bye Johnny" is arguably their absolute apotheosis. It is a 3:00 minute distillation of everything that inspired them to become the Rolling Stones and that established rock and roll to be the common language of the first global generation. Every component of the Stones mythological mojo is gloriously on display - Mick 'n Keef on the mike (wonderful chemistry and pure malevolent joy in their faces), Mick almost jumping out of his skin from the adrenalin kick, Bill's superb and subtle swing on bass, Charlie propelling the racket forward mercilessly, Taylor with incredible swiftness going from lead fills to solid rhythm and, finally, Keef taking Berry-esque, knee-buckling riffing to the stratosphere - the Stones in full flight burning down the roof and transforming every faceless arena into a smoky, sweaty Delta honky-tonk. It is pure bliss to my ears.
Their version of Bye Bye Johnny circa 1972 demolishes any other version...Berry's original included. It is the Stones at their rollicking best...
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Anonymous User
Let's see when it gets removed.
Bye Bye Johny masterclass.

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steenhorstQuote
Turd On The RunQuote
jamesfdouglas
It's just a cover tune. No one plays Chuck Berry like Chuck Berry.
Funnily, Keith is worshipped for his covering of Chuck, and for some, his Berry-ing is the definitive sound of the band. I've never prescribed to that. I've heard other groups do much more interesting thing with Berry's songs.
Just a cover tune!? With all due respect, I beg to differ. The Stones' 1972 detonation of Berry's "Bye Bye Johnny" is arguably their absolute apotheosis. It is a 3:00 minute distillation of everything that inspired them to become the Rolling Stones and that established rock and roll to be the common language of the first global generation. Every component of the Stones mythological mojo is gloriously on display - Mick 'n Keef on the mike (wonderful chemistry and pure malevolent joy in their faces), Mick almost jumping out of his skin from the adrenalin kick, Bill's superb and subtle swing on bass, Charlie propelling the racket forward mercilessly, Taylor with incredible swiftness going from lead fills to solid rhythm and, finally, Keef taking Berry-esque, knee-buckling riffing to the stratosphere - the Stones in full flight burning down the roof and transforming every faceless arena into a smoky, sweaty Delta honky-tonk. It is pure bliss to my ears.
Their version of Bye Bye Johnny circa 1972 demolishes any other version...Berry's original included. It is the Stones at their rollicking best...
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GasLightStreetQuote
steenhorstQuote
Turd On The RunQuote
jamesfdouglas
It's just a cover tune. No one plays Chuck Berry like Chuck Berry.
Funnily, Keith is worshipped for his covering of Chuck, and for some, his Berry-ing is the definitive sound of the band. I've never prescribed to that. I've heard other groups do much more interesting thing with Berry's songs.
Just a cover tune!? With all due respect, I beg to differ. The Stones' 1972 detonation of Berry's "Bye Bye Johnny" is arguably their absolute apotheosis. It is a 3:00 minute distillation of everything that inspired them to become the Rolling Stones and that established rock and roll to be the common language of the first global generation. Every component of the Stones mythological mojo is gloriously on display - Mick 'n Keef on the mike (wonderful chemistry and pure malevolent joy in their faces), Mick almost jumping out of his skin from the adrenalin kick, Bill's superb and subtle swing on bass, Charlie propelling the racket forward mercilessly, Taylor with incredible swiftness going from lead fills to solid rhythm and, finally, Keef taking Berry-esque, knee-buckling riffing to the stratosphere - the Stones in full flight burning down the roof and transforming every faceless arena into a smoky, sweaty Delta honky-tonk. It is pure bliss to my ears.
Their version of Bye Bye Johnny circa 1972 demolishes any other version...Berry's original included. It is the Stones at their rollicking best...
Not sure how I missed this one, must've been busy. My Berry cover fave is apparently Little Queenie from GYYYO or Around And Around from LOVE YOU LIVE or Let It Rock from LIVE IN TEXAS or Sweet Little Sixteen from TEXAS or Bye Bye from LADIES...
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ProfessorWolfQuote
GasLightStreetQuote
steenhorstQuote
Turd On The RunQuote
jamesfdouglas
It's just a cover tune. No one plays Chuck Berry like Chuck Berry.
Funnily, Keith is worshipped for his covering of Chuck, and for some, his Berry-ing is the definitive sound of the band. I've never prescribed to that. I've heard other groups do much more interesting thing with Berry's songs.
Just a cover tune!? With all due respect, I beg to differ. The Stones' 1972 detonation of Berry's "Bye Bye Johnny" is arguably their absolute apotheosis. It is a 3:00 minute distillation of everything that inspired them to become the Rolling Stones and that established rock and roll to be the common language of the first global generation. Every component of the Stones mythological mojo is gloriously on display - Mick 'n Keef on the mike (wonderful chemistry and pure malevolent joy in their faces), Mick almost jumping out of his skin from the adrenalin kick, Bill's superb and subtle swing on bass, Charlie propelling the racket forward mercilessly, Taylor with incredible swiftness going from lead fills to solid rhythm and, finally, Keef taking Berry-esque, knee-buckling riffing to the stratosphere - the Stones in full flight burning down the roof and transforming every faceless arena into a smoky, sweaty Delta honky-tonk. It is pure bliss to my ears.
Their version of Bye Bye Johnny circa 1972 demolishes any other version...Berry's original included. It is the Stones at their rollicking best...
Not sure how I missed this one, must've been busy. My Berry cover fave is apparently Little Queenie from GYYYO or Around And Around from LOVE YOU LIVE or Let It Rock from LIVE IN TEXAS or Sweet Little Sixteen from TEXAS or Bye Bye from LADIES...
just curious
why not a berry cover from the brian years?
what is it about the post brian ones that make you prefer them?
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WitnessQuote
ProfessorWolfQuote
GasLightStreetQuote
steenhorstQuote
Turd On The RunQuote
jamesfdouglas
It's just a cover tune. No one plays Chuck Berry like Chuck Berry.
Funnily, Keith is worshipped for his covering of Chuck, and for some, his Berry-ing is the definitive sound of the band. I've never prescribed to that. I've heard other groups do much more interesting thing with Berry's songs.
Just a cover tune!? With all due respect, I beg to differ. The Stones' 1972 detonation of Berry's "Bye Bye Johnny" is arguably their absolute apotheosis. It is a 3:00 minute distillation of everything that inspired them to become the Rolling Stones and that established rock and roll to be the common language of the first global generation. Every component of the Stones mythological mojo is gloriously on display - Mick 'n Keef on the mike (wonderful chemistry and pure malevolent joy in their faces), Mick almost jumping out of his skin from the adrenalin kick, Bill's superb and subtle swing on bass, Charlie propelling the racket forward mercilessly, Taylor with incredible swiftness going from lead fills to solid rhythm and, finally, Keef taking Berry-esque, knee-buckling riffing to the stratosphere - the Stones in full flight burning down the roof and transforming every faceless arena into a smoky, sweaty Delta honky-tonk. It is pure bliss to my ears.
Their version of Bye Bye Johnny circa 1972 demolishes any other version...Berry's original included. It is the Stones at their rollicking best...
Not sure how I missed this one, must've been busy. My Berry cover fave is apparently Little Queenie from GYYYO or Around And Around from LOVE YOU LIVE or Let It Rock from LIVE IN TEXAS or Sweet Little Sixteen from TEXAS or Bye Bye from LADIES...
just curious
why not a berry cover from the brian years?
what is it about the post brian ones that make you prefer them?
A very adequate question!
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GasLightStreetQuote
WitnessQuote
ProfessorWolfQuote
GasLightStreetQuote
steenhorstQuote
Turd On The RunQuote
jamesfdouglas
It's just a cover tune. No one plays Chuck Berry like Chuck Berry.
Funnily, Keith is worshipped for his covering of Chuck, and for some, his Berry-ing is the definitive sound of the band. I've never prescribed to that. I've heard other groups do much more interesting thing with Berry's songs.
Just a cover tune!? With all due respect, I beg to differ. The Stones' 1972 detonation of Berry's "Bye Bye Johnny" is arguably their absolute apotheosis. It is a 3:00 minute distillation of everything that inspired them to become the Rolling Stones and that established rock and roll to be the common language of the first global generation. Every component of the Stones mythological mojo is gloriously on display - Mick 'n Keef on the mike (wonderful chemistry and pure malevolent joy in their faces), Mick almost jumping out of his skin from the adrenalin kick, Bill's superb and subtle swing on bass, Charlie propelling the racket forward mercilessly, Taylor with incredible swiftness going from lead fills to solid rhythm and, finally, Keef taking Berry-esque, knee-buckling riffing to the stratosphere - the Stones in full flight burning down the roof and transforming every faceless arena into a smoky, sweaty Delta honky-tonk. It is pure bliss to my ears.
Their version of Bye Bye Johnny circa 1972 demolishes any other version...Berry's original included. It is the Stones at their rollicking best...
Not sure how I missed this one, must've been busy. My Berry cover fave is apparently Little Queenie from GYYYO or Around And Around from LOVE YOU LIVE or Let It Rock from LIVE IN TEXAS or Sweet Little Sixteen from TEXAS or Bye Bye from LADIES...
just curious
why not a berry cover from the brian years?
what is it about the post brian ones that make you prefer them?
A very adequate question!
A better band. They're better players. More oomph. The TAMI show is fantastic but they were better later. That's all.